Logo for PHOSPHORESCENCE reading series featuring the Homestead glowing at night

Phosphorescence Contemporary Poetry Series
Thursday, September 18, 6pm ET

Phosphorescence September 2025 featured poets:
Livia Meneghin, Meg Day, and Rajiv Mohabir

VIRTUAL PROGRAM — streaming live for online registrants

This program is FREE to attend. Registration is required. 
Part of the 2025 Tell It Slant Poetry Festival!

Join us for the 13th annual Tell it Slant Poetry Festival, a week of events happening both online and in-person at the Museum! Register here to access the Festival schedule:

REGISTER FOR THE FESTIVAL

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.


About this month’s poets:

headshot of poet Livia Meneghin

Livia Meneghin (she/her) is the author of Honey in My Hair and feathering. She’s been awarded recognition from the Academy of American Poets, Breakwater Review’s Peseroff Prize, The Room’s Poetry Contest, and the Writers’ Room of Boston, and elsewhere. Homes where you can find her writing include in CV2, Gasher, Mom Egg Review, Osmosis, Thrush. Since earning her MFA, she teaches college literature and writing, and is the Reads Editor at Sundress Publications. She is a cancer survivor.

liviameneghin.wordpress.com

 

 


headshot of poet Meg DayDeaf, genderqueer poet Meg Day is the author of Last Psalm at Sea Level (Barrow Street, 2014), winner of the Publishing Triangle’s Audre Lorde Award, and a finalist for the 2016 Kate Tufts Discovery Award, and the co-editor of Laura Hershey: On the Life & Work of an American Master (Pleiades, 2019). The 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship and a 2013 recipient of an NEA Fellowship in Poetry, Day’s work can be found in, or forthcoming from, Best American Poetry, The New York Times, Poetry Magazine, & elsewhere. Day is the 2024 Guggenheim Poet-in-Residence and an Assistant Professor of English & Creative Writing in the MFA Program at NC State.

megday.com

 

 

 


headshot of poet Rajiv MohabirPoet, memoirist, and translator, Rajiv Mohabir is the author of four books of poetry including Cutlish (Four Way Books 2021) which was a finalist for the National Book Critics Circle Award and recipient of the Eric Hoffer Medal Provocateur. His poetry and nonfiction have been finalists for the 2022 PEN/America Open Book Award, the Lambda Literary Award in Poetry and in Nonfiction, the Randy Shilts Award for Gay Nonfiction, and both second place and finalist for the Guyana Prize for Literature in 2022 (poetry and memoir respectively). His translations have won the Harold Morton Landon Translation Award from the American Academy of Poets in 2020. Whale Aria (Four Way Books 2023) is his fourth collection of poetry and currently he is an assistant professor of poetry at the University of Colorado Boulder.

rajivmohabir.com

 

 


Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

 

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.

2025 Tell It Slant Poetry Festival Schedule

The front facade of the Homestead

A Virtual Tour of
the Homestead and The Evergreens

The front facade of the Homestead

The Homestead, built in 1813.

Over the course of her life in Amherst, Massachusetts, Emily Dickinson forged her powers of creativity and insight in the intimate environs of her beloved home, creating extraordinary poetry that touches the world. The poet’s daily life became the spark for extraordinary writing and her home proved a sanctuary for her boundless creative energy that produced almost 1,800 poems and a profusion of vibrant letters. Here, Dickinson fully embraced her unique personal vision, leaving behind a poetic legacy that is revolutionary in form and substance. Today, her voice and her story continue to inspire diverse audiences around the globe.

Visitors to the Emily Dickinson Museum explore the Homestead, where Dickinson was born, died, and did most of her writing, and The Evergreens, home of the poet’s brother, sister-in-law, and their three children. The Homestead, lived in by other families after Dickinson’s death, is in the process of being restored to its appearance during the poet’s writing years. The Evergreens was only ever lived in by Dickinsons or family heirs and its original 19th-century finishes remain intact. Dickinson’s life story and the story of her posthumous publication is uniquely entwined with these two houses and the three acres upon which they sit in Amherst.

BEGIN YOUR EXPLORATION

In this online exploration, you will visit several rooms within the two houses of the Dickinson family. Along the way you will see video and photographs of these historic spaces and learn more about how the poet’s life unfolded here. You will meet friends and family members, and encounter Dickinson’s own words quoted from extant poems and letters. Wherever you are, we hope this virtual exploration transports you to Emily Dickinson’s Amherst home.

The exterior of the 2nd floor of the Evergreens viewed from the ground

The Evergreens, built in 1856

 

Long Years apart – can make no
Breach a second cannot fill –
The absence of the Witch does not
Invalidate the spell –

The embers of a Thousand Years
Uncovered by the Hand
That fondled them when they were Fire
Will stir and understand

Fr1405

 

The Virtual Exploration of the Homestead and The Evergreens has been made possible in part by a grant from Mass Humanities and the generous support of Nicole P. Heath and of Susan R. Snively.

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