Reconstruction of The Evergreens Carriage House

On Tuesday, August 27, 2024 the Emily Dickinson Museum began the reconstruction of the Dickinson family Carriage House that once stood east of The Evergreens, the home of Emily Dickinson’s brother Austin and his wife Susan. The project flows from a recently-completed long range plan, which maps programmatic and capital enhancements over the next decade at the Museum’s historic downtown Amherst location. 

Digital rendering of completed Evergreens Carriage

Digital rendering of completed Evergreens Carriage House (edmsSTUDIO)

The John and Elizabeth Armstrong Carriage House–scheduled for completion in 2025–will initially serve as a much-needed site for visitor welcome, orientation and services to enable a third and final phase of Dickinson Homestead restoration. In the longer term, the reconstructed carriage house will be dedicated to student and visitor learning and engagement. By expanding access to the Museum and its programs for both onsite and online visitors, the changes firmly establish the Museum as the premier center for the study and celebration of Dickinson’s life and work, and as a source and site of inspiration for new generations of poets, artists, writers, and thinkers.

The carriage house reconstruction project is supported by a major pledge of $750,000 from former Board members and long-time friends John and Elizabeth Armstrong. “We’ve always been proud of our association with the Museum, recognizing its importance to our regional community and now–through the wonders of technology–to the world.” stated Elizabeth, adding “We’ve been drawn over the years to supporting singular projects that open multiple possibilities for the Museum. The Carriage House is just such a project.”

The Museum continues to raise funds for the project. “We were incredibly fortunate to have wonderful support from John and Lise Armstrong, which enabled us to put shovels in the ground today,” says Erin Martin, Senior Director of Development. “Because this project is a very visible demonstration of the Museum’s ambitions for the future, we are asking our loyal donors and friends to support the project – as a community.” Martin says the Museum is seeking additional funding to help fit out the interior spaces of the new Carriage House to optimize its flexibility and energy efficiency.

ABOUT THE PROJECT
The design calls for reconstructing the exterior historic appearance of the carriage house as faithfully as possible while optimizing interior functions and flow. At the outset of the design phase, museum staff worked with architects at edmSTUDIO to track down details of the original structure in historic maps, deeds, insurance documents, photographs, and archaeological reports. The original structure may have been built as early as the 1840s as an outbuilding associated with the modest cottage owned by the poet’s father, which was incorporated into The Evergreens dwelling, built for Austin and Susan Dickinson in 1856. In a photograph taken in about 1870, the carriage house appears as a prominent yet simple vernacular structure with window and door openings barely visible. Insurance maps from the late nineteenth and early twentieth centuries revealed that it was a wood frame structure with two levels and a metal roof. Details such as these gave the design team guidance about the exterior appearance and finishes.

Archival photograph of The Evergreens and Carriage House (in middle ground of photo)

Archival photograph of The Evergreens and Carriage House (in middle ground of photo)

As new construction, the carriage house gives the Emily Dickinson Museum an opportunity to combine its sustainability and historical priorities. Since 2006, the museum has recognized that full interpretation of the historic Dickinson site and the poet’s life cannot be completely understood from a functional and aesthetic perspective without reconstruction of the outbuildings. While the current project is being carried out as a “historic reconstruction,” it also gives the museum the opportunity to advance its sustainability goals. Working with Monica Del Rio Perez and Tim Widman of edmSTUDIO, the design calls for construction techniques and materials selections that will produce significant energy savings and carbon reduction for heating and cooling. The museum has engaged Teagno Construction, Inc., as general contractor for the project.

Jane and Robert Keiter Family Executive Director Jane Wald says, “Reconstruction of the Evergreens carriage house is a true milestone for the Emily Dickinson Museum. It’s the linchpin of our future plans to complete the Homestead restoration – an effort that’s already transformed our sense of who Emily Dickinson was and how she lived. Not only does the carriage house begin to fill out the Dickinson landscape, but its flexible interior also offers greater comfort, better service, and much-needed space for public and educational programming that’s already on the drawing board.”

Image of Dickinson's room featuring her writing desk and white dress

Studio Sessions

Image of Dickinson's room featuring her writing desk and white dress

“Sweet hours have perished here;
This is a mighty room;
Within its precincts hopes have played, –
Now shadows in the tomb.”
-Fr1785

Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry and honed her revolutionary voice. Whether you are a writer, an artist, a composer, a poet, or a lover of poetry, you’ll find inspiration in Emily Dickinson’s own room. Let this quiet experience jumpstart your next creative journey.

Participants may reserve up to two hours in the room. A small table and chair will be provided.  Participants will experience the atmosphere of Dickinson’s corner chamber, and enjoy the view from the her windows.

This specialty program can be a wonderful gift and is a great way to support the Museum’s mission.

Program Guidelines:

  • Photo ID must be presented upon arrival for your studio session and a photocopy will be made, which will be destroyed after your session.
  • The door to the room will remain open, and staff will be present nearby at all times. Participants must remain in the designated area of the room and may not touch the historic furnishings.
  • Bags, food, and beverages other than bottled water must be left outside the room.
  • No pens, inks, or paints permitted. Pencil and paper or laptop only. Other materials must be approved by special request in advance.
  • Photography for non-commercial, personal use is permitted.
  • Sessions will not be rescheduled or refunded after booking except in the case of an emergency. Refunding and rescheduling are at the discretion of the Emily Dickinson Museum.

Sessions are offered on Thursday mornings and Friday early evenings. Availability is limited.

RESERVE YOUR SESSION

Pricing: 
1 person for 1 hour: $300
1 person for 2 hours: $500
2 people for 1 hour: $400
2 people for 2 hours: $600

Please direct questions to EDMPrograms@emilydickinsonmuseum.org.

Purchase of a studio session grants one free Museum admission per studio participant, to be booked during your visit to Amherst. To reserve your timed entry in advance, email connect@emilydickinsonmuseum.org.

a view of different items in the Emily Dickinson Museum's collections

The Emily Dickinson Museum Collection

a view of different items in the Emily Dickinson Museum's collections

Press Release 9/13/23
The Emily Dickinson Museum's collection is the largest and most diverse assemblage of objects associated with Emily Dickinson and her family to be found anywhere. It consists of more than 8,000 artifacts, including fine art such as an impressive collection of Hudson River school paintings; cooking, dining, lighting, and heating artifacts; personal items such as children’s toys, handwork, and musical instruments; souvenir objects and art from travels abroad; and a large assortment of clothing and textiles. The collection captures the details of nineteenth-century life in a semi-rural educational and agricultural community and vividly illustrates the daily life and writing habits of one of the world’s greatest poets.

The Museum’s collection had remained largely undocumented and inaccessible until a major grant from the Institute of Museum and Library Services in 2019 funded the documentation and baseline cataloging of the entire collection for the very first time. Completed in 2023, this project has improved collection care and, through this database, public access has strengthened the museum’s interpretation, and opened promising new research opportunities.

 

SEARCH THE COLLECTION (external webpage)

FAQS

What is the history of the collections?
The EDM collection comprises the combined personal effects of Dickinson family members from the Dickinson Homestead (built 1813) and The Evergreens (built 1856), left at the latter house after the death of the family’s last heir in 1988. Dickinson’s niece, Martha Dickinson Bianchi, sold the Homestead in 1916 and moved her aunt’s personal belongings and household furnishings next door to her own home at The Evergreens. Bianchi’s heirs transferred manuscript material, books, and a few dozen objects associated with Emily Dickinson to Harvard University in 1950 and Brown University in 1993. The vast majority of Dickinson family possessions remained at The Evergreens, overseen between 1988 and 2003 by a private testamentary trust established in Bianchi’s name. The Trust transferred the property and  collection to Amherst College in 2003 so that the two neighboring Dickinson family houses and collections could be operated as a united Emily Dickinson Museum.

A photo of a women in 19th century clothing in a decorative gold rimmed locket.
Close-up of Emily Dickinson's shawl
Pembroke Style Drop Leaf Table
Daguerreotype of Susan Gilbert Dickinson
image-slider-with-thumbnail4.jpeg
Shawl
image-slider-with-thumbnail5.jpeg
Pembroke Style Drop Leaf Table - Collections
image-slider-with-thumbnail1.jpeg
image-slider-with-thumbnail3.jpeg
PlayPause

Where can I find Dickinson manuscripts or other material?

To view Dickinson's manuscripts, visit www.edickinson.org

For information on other Dickinson repositories:

Houghton Library, Harvard University

Amherst College Special Collections

Brown University Library

Yale University Library

Boston Public Library

Amherst Historical Society

Jones Library

Who can I contact with questions?
Email collections@emilydickinsonmuseum.org with any questions about the collections or online catalog.

How can I access the collections?
Physical access to the collections is very limited at this time. Email Collections@EmilyDickinsonMuseum.org with questions.

Use of these images must be approved by the Emily Dickinson Museum.
Please contact us at: Info@EmilyDickinsonMuseum.org

Institute of Museum and Library Services logo

The Emily Dickinson Museum has received funding for collection documentation from the Institute of Museum and Library Services. IMLS is the primary source of federal support for the nation’s libraries and museums. They advance, support, and empower America’s museums, libraries, and related organizations through grant making, research, and policy development. Their vision is a nation where museums and libraries work together to transform the lives of individuals and communities. To learn more, visit www.imls.gov.

Marta Macdowell and a volunteer work in Dickinson's garden

Summer Garden Days 2024
July – October

IN-PERSON PROGRAM

My Garden — like the Beach —
Denotes there be — a Sea —
That’s Summer —
Such as These — the Pearls
She fetches — such as Me

-Fr429

The Emily Dickinson Museum gardens call for maintenance all season long! Come be a part of the cultivation and growth of the historic Dickinson family landscape. Join a small group of volunteers for a morning of Summer or Fall tending. Participants will help to weed, deadhead, plant new annuals, and more. Gardeners of all experience levels are welcome!

2024 Garden Sessions:
  • Monday, July 29th  9am – 12pm ET
  • Monday, August 26th  9am – 12pm ET
  • Saturday, September 21st 9am-12pm ET
  • Saturday, October 19th  9am – 12pm ET*

Spots are limited; advance registration is required. 

To register for one or more sessions, please email edmprograms@emilydickinsonmuseum.org with your name and the date you wish to volunteer. Staff will be in touch to confirm your participation.

*Volunteers, please note: the October session has been rescheduled and will no longer take place on the 7th. Hope to see you on the 19th! 

DETAILS:
Garden sessions will take place rain or shine! In extreme conditions, sessions may be canceled or rescheduled to the following Friday. Participants are expected to stay for the duration of their session.

Volunteers are encouraged to bring the following if they have them:

  • Gloves
  • Clean hand trowel and clippers
  • Bucket
  • Kneeling pad
  • Water bottle
  • Snack
  • Comfortable footwear
  • Sun protection

This in-person program is free to attend. Please email for session availability.

Want to join our garden volunteer mailing list to be the first to learn about future opportunities? Let us know at edmprograms@emilydickinsonmuseum.org.

graphic delve into dickinson - Dwelling in Possibility

Dwelling in Possibility
The Pleasurable Path of What if Poems
Thurs., November 21, 6:30pm ET

VIRTUAL PROGRAM

graphic delve into dickinson - Dwelling in PossibilityFor any questions, please e-mail edmprograms@emilydickinsonmuseum.org

Registration is required for this virtual program and is offered on a sliding scale from $5 – $20. View the full educator workshop lineup.
Please select the ticket price that is right for you, and consider supporting the Museum and the participation of other educators through your purchase. Tickets are non-refundable.

REGISTER

Amid her many unforgettable poems, a surprising number of Emily Dickinson’s poems begin with an “IF”. 

If she had been the Mistletoe/ And I had been the Rose/ How gay upon your table/ My velvet life to close

If pain for peace prepares/ Lo what “Augustan” years— 

If I should die/ And you should live/ And time should gurgle on— 

These iffy openings not only destabilizes the present, it opens the poem to the richness and pleasure of multiple imaginative  realms.  Yet how does the “if” help us read Dickinson, and poetry more broadly? If we began our own writing with an if, what words or worlds might we discover?  In this workshop, we’ll examine Dickinson, as well as other poets across time,  looking at poems that begin in speculative space, exploring how we too might write poems that begin in surprise and motor towards wisdom, or delight. Our time will include close reading, discussion, and prompts.


Headshot of Tess Taylor

Headshot of Tess Taylor

Tess Taylor is the author of five acclaimed collections of poetry including Work & Days, which was named one of the 10 best books of poetry of 2016 by the New York Times. Her writing has appeared in The Atlantic, The Kenyon Review, Poetry, Tin House, The Times Literary Supplement, CNN, and the New York Times. Taylor has been Distinguished Fulbright US Scholar at the Seamus Heaney Centre in Queen’s University in Northern Ireland, and the Anne Spencer Poet-in-Residence at Randolph College. She has also served as on-air poetry reviewer for NPR’s All Things Considered for over a decade. Taylor lives in El Cerrito, California, where she tends to fruit trees and backyard chickens.

 


Questions?
Email edmprograms@emilydickinsonmuseum.org

The front facade of the Homestead

A Virtual Tour of
the Homestead and The Evergreens

The front facade of the Homestead

The Homestead, built in 1813.

Over the course of her life in Amherst, Massachusetts, Emily Dickinson forged her powers of creativity and insight in the intimate environs of her beloved home, creating extraordinary poetry that touches the world. The poet’s daily life became the spark for extraordinary writing and her home proved a sanctuary for her boundless creative energy that produced almost 1,800 poems and a profusion of vibrant letters. Here, Dickinson fully embraced her unique personal vision, leaving behind a poetic legacy that is revolutionary in form and substance. Today, her voice and her story continue to inspire diverse audiences around the globe.

Visitors to the Emily Dickinson Museum explore the Homestead, where Dickinson was born, died, and did most of her writing, and The Evergreens, home of the poet’s brother, sister-in-law, and their three children. The Homestead, lived in by other families after Dickinson’s death, is in the process of being restored to its appearance during the poet’s writing years. The Evergreens was only ever lived in by Dickinsons or family heirs and its original 19th-century finishes remain intact. Dickinson’s life story and the story of her posthumous publication is uniquely entwined with these two houses and the three acres upon which they sit in Amherst.

BEGIN YOUR EXPLORATION

In this online exploration, you will visit several rooms within the two houses of the Dickinson family. Along the way you will see video and photographs of these historic spaces and learn more about how the poet’s life unfolded here. You will meet friends and family members, and encounter Dickinson’s own words quoted from extant poems and letters. Wherever you are, we hope this virtual exploration transports you to Emily Dickinson’s Amherst home.

The exterior of the 2nd floor of the Evergreens viewed from the ground

The Evergreens, built in 1856

 

Long Years apart – can make no
Breach a second cannot fill –
The absence of the Witch does not
Invalidate the spell –

The embers of a Thousand Years
Uncovered by the Hand
That fondled them when they were Fire
Will stir and understand

Fr1405

 

The Virtual Exploration of the Homestead and The Evergreens has been made possible in part by a grant from Mass Humanities and the generous support of Nicole P. Heath and of Susan R. Snively.

Mass Humanities logo