Phosphorescence July 2024 featured poets:
Rosa Lane and Patrick Donnelly

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

About this month’s poets:

Rosa Lane, poet and architect, is author of four poetry collections including Called Back, a theatrical monologue in tribute to Emily Dickinson imagined (forthcoming September 2024, Tupelo Press); Chouteau’s Chalk (winner, 2017 Georgia Poetry Prize); Tiller North (winner, 2017 National Indie Excellence Award, Sixteen Rivers Press); and Roots and Reckonings, a chapbook that speaks to the generational and native culture of her coastal Maine fishing village. Her work won the 2023 Morton Marcus Memorial Poetry Prize, a Maine Literary Award, and the William Matthews Poetry Prize among other awards. In addition to her MFA at Sarah Lawrence, Lane earned a 2nd master’s and PhD in sustainable architecture at UC Berkeley. She splits her time between her native home in coastal Maine and the San Francisco Bay Area where she lives with her wife. rosalane.com

About Patrick Donnelly, Gregory Orr wrote “everything he writes is suffused with tenderness and intelligence, lucidity and courage.” Donnelly is the author of five books of poetry, most recently Willow Hammer (Four Way Books, 2025), and Little-Known Operas (Four Way Books, 2019). Nocturnes of the Brothel of Ruin (Four Way Books, 2012), was a finalist for the Lambda Literary Award. Donnelly is Program Director of The Frost Place, Robert Frost’s old homestead in Franconia, NH, now a center for poetry and the arts, as well as Director of The Frost Place Poetry Seminar. Donnelly’s translations with Stephen D. Miller of classical Japanese poetry were awarded the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature by Columbia University. Donnelly’s other awards include a U.S./Japan Creative Artists Program Award, an Artist Fellowship from the Massachusetts Cultural Council, and an Amy Clampitt Residency Award. A former Poet Laureate of Northampton, Massachusetts, Donnelly’s poetry explores topics like same-sex love and desire and the AIDS epidemic with lyric strategies. patrickdonnellypoetry.com

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

Phosphorescence June 2024 featured poets:
Benjamin Grossberg and Julien Strong

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

About this month’s poets:

Benjamin S. Grossberg (he/him) is the author of four books of poetry including My Husband Would (University of Tampa, 2020), winner of the 2021 Connecticut Book Award, and Sweet Core Orchard (University of Tampa, 2009), winner of the Tampa Review Prize and a Lambda Literary Award. He also wrote the novel, The Spring Before Obergefell (University of Nebraska Press, 2024), winner of the 2023 AWP Award Series James Alan McPherson Prize. He directs the creative writing program at the University of Hartford. bengrossberg.wixsite.com

Julien Strong (they/them) is the author of four books, including the poetry collections The Mouth of Earth (University of Nevada Press, 2020) and Tour of the Breath Gallery (Texas Tech University Press, 2013). Their poetry has appeared in The Nation, Poetry, The Southern Review, The Sun, River Styx, and many other journals. A recipient of grants from the Sustainable Arts Foundation and Connecticut Arts Council, they teach creative writing at Central Connecticut State University and live in Hamden, Connecticut.
julien-strong.com

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

Phosphorescence May 2024 featured poets:
Richard Michelson, Ivy Schweitzer, and Al Salehi

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

About this month’s poets:

Richard Michelson’s poetry collections include Sleeping as Fast as I Can (Slant Books), More Money than God (U of Pittsburgh Press), Battles and Lullabies (U of Illinois), Tap Dancing for the Relatives (U of Florida) and two limited edition Fine Press collaborations with the artist Leonard Baskin’s Gehenna Press. Michelson wrote the libretto for the off-Broadway music-theater piece, Dear Edvard, and his many children’s books have been named among the 10 Best Books of the Year by The New York Times, Publishers Weekly, and The New Yorker; and among the 12 Best Books of the Decade by Amazon.com. Michelson has received a National Jewish Book Award, and two Sydney Taylor Gold Medals from the Association of Jewish Libraries. He has received two Massachusetts Cultural Council Fellowships, and his work was chosen to “highlight the literary culture and history of Massachusetts” at the 2018 Library of Congress National Book Festival. In 2019 Michelson became the sixth recipient of the Samuel Minot Jones Award for Literary Achievement. Michelson’s poems have appeared in The Harvard Review, The Massachusetts Review, The Common and many other journals. A native of East New York, Brooklyn, Michelson served two terms as Poet Laureate of Northampton, Massachusetts. He is the owner of R. Michelson Galleries, and the host of Northampton Poetry Radio.
richardmichelson.com

Born in Southern California, Al Salehi is a multilingual American poet and entrepreneur of Persian descent who lives in Orange County with a background in technology. Al graduated from UCLA and went on to study at the Harvard Graduate School of Education. Al is a graduate from Dartmouth College’s Guarini Graduate School where he studied Creative Writing, and currently serves on the Alumni Council. He also completed a creative writing program at the University of Oxford, Exeter College. Al’s short film Love, Basketball won second place in the My Hero International Film Festival, 2021, under the “Poetry” category. He has published and/or presented poetry in the Society of Classical Poets, The Dartmouth Writers Society, The United Nations Association, Southwest Airlines, O.C. Registrar, Dartmouth Leslie Center Lifeline’s Poetry Share, Houston Library Poetry Share, Clamantis Journal, and the Dartmouth Medical School Lifeline’s Journal. Al’s collection, Enter Atlas, was a Semi-Finalist for the University of Wisconsin’s Brittingham & Felix Pollak Prizes in Poetry, judged by Natasha Trethewey.

Born in Brooklyn, NY, and raised in a Jewish-American family, Ivy Schweitzer has lived in Vermont for many years and taught courses in American Literature and Women and Gender Studies at Dartmouth College. She has recently published poetry in Bloodroot Literary Magazine, Antiphon volume 19, Clear Poetry, Passager, Ritualwell, Tikkun, New Croton Review, Mississippi Review, and Spoon River Poetry Review. In 2018, she felt called by Emily Dickinson to spend a year immersed in that poet’s most creative period in which she wrote almost a poem a day; the result is a year-long weekly blog called White Heat: Emily Dickinson in 1862, https://journeys.dartmouth.edu/whiteheat. In February 2024, she and Al Salehi published their co-written book of poetry titled “Within Flesh: In Conversation with Ourselves and Emily Dickinson.” Her solo collection, titled Tumult, Whitewash and Stretch Marks, will appear from Finishing Line Press in 2025.
sites.dartmouth.edu/ivyschweitzer

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

IN-PERSON PROGRAM

This in-person program is free to attend. Registration is required. 

REGISTER

On May 11, in honor of the 138th anniversary of the poet’s death, join the Emily Dickinson Museum for the annual Poetry Walk through downtown Amherst, the town she called “paradise.” This year’s Walk celebrates the re-opening of The Evergreens with stops that explore its significance to Amherst’s cultural landscape and to the poet herself. Take the walk at your own pace, but be sure to head to Dickinson’s grave in West Cemetery in time for the 12pm final poems and a lemonade toast to our favorite poet! 

The Walk takes approximately 40 minutes to complete. Participants begin at the Homestead at any time between 10AM and 11AM to pick up their Poetry Walk map and daisies to lay at the grave. The Walk stations close at 11:45AM so that all participants can make it to the final stop at noon in West Cemetery.

Registration for this program is free or by donation, but it is required in advance. Registration for the Walk does not include admission to the Museum. For Museum tour tickets click here.

Accessibility Information
The full walk is about 1 mile and is largely accessed by paved sidewalks, though some uneven terrain is possible. Participants who would prefer to meet us for the final toast are welcome to check in at the Homestead before 11:15AM and then drive to West Cemetery. Cemetery parking is available behind Zanna’s clothing store.

A Daisy for Dickinson: Be a part of a beloved tradition of outfitting Emily Dickinson’s final resting place at Amherst’s West Cemetery with fresh daisies on the anniversary of her death.  Make a supporting donation to the Museum in honor of Emily or in memory of a loved one and we’ll place a daisy in their name at the poet’s grave as part of this year’s Poetry Walk (May 11).

We hope you enjoy this beloved tradition of honoring Emily Dickinson on the anniversary of her death. If you would like to make a supporting gift to the Museum in honor of Emily or in memory of someone you’ve loved and lost, you may do so below.

DONATE

VIRTUAL PROGRAM

UPDATE 4/12: This program is SOLD OUT.

For any questions, please e-mail edmprograms@emilydickinsonmuseum.org

Registration is required for this virtual program and is offered on a sliding scale from $5 – $20.
Please select the ticket price that is right for you, and consider supporting the Museum and the participation of other educators through your purchase. Tickets are non-refundable.

Delve into Dickinson: Workshops for Educators

The Emily Dickinson Museum is launching a new virtual series of workshops for educators, featuring Museum staff and special guests. Register now for Digital Dickinson Part 1, and sign up for our e-newsletter to hear announcements about upcoming sessions. 

Digital Dickinson: Part 1
Join Elias Bradley, Education Programs Manager at the Emily Dickinson Museum, for an exploration of digital tools available for teaching and reading Dickinson. We’ll explore the materiality of Dickinson’s poetry and place through online resources that make her story more accessible than ever. This workshop will focus on using Dickinson’s manuscripts to explore her innovative poetic practice. Attendees will be encouraged to participate through virtual break-out rooms. 

Elias Bradley is the Education Programs Manager at the Emily Dickinson Museum, where they work to create inclusive opportunities for learning, connection, and creative expression. In addition to managing programs for K-12 and College students, they curate the Museum’s poetry discussion group and serve on the steering committee of the Tell It Slant Poetry Festival. Elias holds an MA with focuses in Nineteenth Century American Cultural History and Public History. Outside of work, they enjoy many hobbies, but the most Dickinsonian is exploring the flora and fauna of Western Massachusetts.

Questions?
Email edmprograms@emilydickinsonmuseum.org

HYBRID PROGRAM — In-person at Amherst College’s Frost Library and streaming live for online registrants

Celebrating a new edition of Emily Dickinson’s correspondence — expanded and revised for the first time in over sixty years.

REGISTER

In-person tickets are now sold out. Please register to join us online!

Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections—alternately humorous, provocative, affectionate, and philosophical—with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter.

Join editor Cristanne Miller along with Brooke Steinhauser (Senior Director of Programs at the Emily Dickinson Museum) for a lively conversation about this new edition.

The Letters of Emily Dickinson is the first collected edition of the poet’s correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson’s writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time.

“Dickinson’s letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance.
This extraordinary collection shows [Dickinson] to be a masterful prose writer…An exciting new standard in Dickinson scholarship.”
Kirkus Reviews

About the editors

Cristanne Miller is SUNY Distinguished Professor and Edward H. Butler Professor of English at the University at Buffalo, The State University of New York. Her many books include Emily Dickinson: A Poet’s Grammar, Reading in Time: Emily Dickinson in the Nineteenth Century, and Emily Dickinson’s Poems: As She Preserved Them.

Domhnall Mitchell is Professor of Nineteenth-Century American Literature at the Norwegian University of Science and Technology. He is the author of Measures of Possibility: Emily Dickinson’s Manuscripts and Emily Dickinson: Monarch of Perception.

“This brilliantly expansive and comprehensive collection of Emily Dickinson’s letters shows us just how deeply she was embedded in her social world. Here we see, in Dickinson’s own words, a writer exchanging ideas with a wide circle of friends and family members, honing her abilities as a poet, and grappling with a nation torn by war over slavery and race. In these letters, we see the life of a genius unfold.”
Jericho Brown, winner of the 2020 Pulitzer Prize for Poetry

“Drawing deeply on more than three decades of editorial scholarship, Miller and Mitchell give us a Dickinson both inseparable from her own time and indispensable to ours. Meticulously edited from archival sources and annotated with immense care, this work overwhelmingly shows that both Dickinson’s poems and her letters issue from a singular impetus: to seek in language—often formally experimental, always compelling—new ways to express the strangeness and beauty of our experiences as finite beings in the world.”
Marta Werner, author of Writing in Time: Emily Dickinson’s Master Hours

A thrilling read that wholly immerses us in Dickinson’s world. It seems Dickinson thought in poetry, as the characteristic cadence of her poems recurs in the letters themselves. Especially fascinating is the continuity of her long flirtatious argument with God, taken up in correspondence with her school friends, with eminent public figures, and in the poems she enclosed. Miller and Mitchell present a masterfully curated abundance. To read it is to encounter a mind on fire.
Rae Armantrout, winner of the 2010 Pulitzer Prize for Poetry

“The Letters of Emily Dickinson provides a vital window into not only the poet’s inner life and art, but also her surprisingly wide social world. Miller and Mitchell, two of our foremost Dickinson scholars, have produced a fresh, definitive edition for the twenty-first century, tracking the relationship of poems to letters and precisely locating these treasures in their time and place.”
Bonnie Costello, coeditor of The Selected Letters of Marianne Moore

IN-PERSON PROGRAM

This program is jointly presented by the Emily Dickinson International Society. Registration is required.
Please address any questions about the Annual Meeting to edismeeting@emilydickinsonmuseum.org

REGISTER

View the PROGRAM

EDIS’s Annual Meeting returns to Amherst! This year’s theme, “Neighbor Dickinson,” celebrates the reopening of Austin and Susan Dickinson’s home The Evergreens, which has been closed to the public since 2019, and the publication of the first new complete edition of Dickinson’s letters in almost 70 years. Talks and panel presentations will discuss the idea of neighborliness, what it was like to have Dickinson as a neighbor, and what neighborliness meant to her. Talks will focus on family and friends at The Evergreens and throughout Amherst, and those like Charles Darwin who inhabited her intellectual neighborhood. As well as showcasing exciting new Dickinson scholarship, the meeting includes open tours of the Dickinson houses, a walking tour of Dickinson’s neighborhood (taking in downtown Amherst  and Wildwood Cemetery), and a luncheon in the Museum gardens.

Special events include a marathon reading inspired by the new edition of Dickinson’s letters and an opportunity to transcribe the manuscripts of nineteenth-century letters written by Dickinson’s neighbors. In addition to these activities and presentations, the meeting gathers “Dickinson Communities” to discuss research, pedagogy, translation, and the arts.

Join us in Amherst, 26-28 July 2024, to learn more about Dickinson and her neighborhood and to celebrate and share insights about her life and writings.

You can still REGISTER for the Annual Meeting! Peruse the PROGRAM and get ready for the AUCTION!

VIRTUAL PROGRAM

This free event has limited capacity, we encourage you to register in advance.

REGISTER

In an obituary for Emily Dickinson, her sister in law, Susan Dickinson wrote of the poet’s many “duties beautifully done.” In the wake of Emily’s death, Susan’s own sense of duty and that of her daughter Martha, and Martha’s heir Mary Hampson, preserved the family’s memories of the poet as well as her material legacy. These women of The Evergreens left their own legacies of duty and devotion evident in the condition of the uniquely preserved house today. 

In celebration of Emily Dickinson’s 193rd birthday, and of the 2024 reopening of The Evergreens at the Emily Dickinson Museum, this virtual program invites you into Susan’s, Martha’s, and Mary’s home, only ever lived in by the Dickinsons or their heirs until 1986. Join Jane Wald, Jane and Robert Keiter Family Executive of the Museum, and Martha Nell Smith, co-editor of Open Me Carefully, Dickinson scholar and Distinguished Scholar-Teacher Professor of English at the University of Maryland, as they remember the house during and shortly after the life of its last resident Mary Hampson, who was a mere one-degree of separation removed from Emily Dickinson herself.

All are welcome to this free VIRTUAL program. Space is limited, register in advance.

Give a Birthday Gift
It’s not a birthday party without gifts! If you’re looking to honor Emily Dickinson with a birthday present, please consider a donation to the Museum to support our free virtual programs which are made possible with your support. Gifts of all sizes are deeply appreciated.

DONATE

About Dickinson’s Birthday

Emily Dickinson, the middle child of Edward Dickinson and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts, now the home of the Emily Dickinson Museum. She celebrated 55 birthdays before her death in 1886. Some of the poet’s most favored themes were time and immortality; she wrote, “We turn not older with years, but newer every day.” (Johnson L379)