the Homestead lights are on at night time

Phosphorescence Contemporary Poetry Series 2025

a banner for PHOSPHORESCENCE Contemporary Poetry Series

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. 

The 2025 Series is a FREE virtual program. Join us on Zoom on a Thursday each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.
 
For more information on our upcoming Phosphorescence Readings, sign up for our e-newsletter.
 

Phosphorescence 2025 Schedule:

graphic Phos April 2025Thursday, April 17, 6pm ET

Featuring poets: Carlene Kucharczyk, Avia Tadmor, and Silvia Bonilla

 

 

 

 

graphic Phos May 2025Thursday, May 15, 6pm ET

Featuring poets: Joy Ladin, Niina Pollari, and Joan Larkin

 

 

 

 

 

graphic Phos July 2025Thursday, July 17, 6pm ET

Featuring poets: Lesley Wheeler and Nadia Alexis

 

 

 

 

 

graphic Phos August 2025Thursday, August 21, 6pm ET

Featuring poets: Cathy Linh Che, Monica Ong, and Lee Ann Roripaugh

 

 

 

 

 

graphic Phos September 2025Thursday, September 18, 6pm ET

Featuring poets: Livia Meneghin, Meg Day, and Rajiv Mohabir

 

 

 

 

 
 

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.

 

Logo for PHOSPHORESCENCE reading series featuring the Homestead glowing at night

Phosphorescence Contemporary Poetry Series
Thursday, September 18, 6pm ET

Phosphorescence September 2025 featured poets:
Livia Meneghin, Meg Day, and Rajiv Mohabir

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.


About this month’s poets:

headshot of poet Livia Meneghin

Livia Meneghin (she/her) is the author of Honey in My Hair and feathering. She’s been awarded recognition from the Academy of American Poets, Breakwater Review’s Peseroff Prize, The Room’s Poetry Contest, and the Writers’ Room of Boston, and elsewhere. Homes where you can find her writing include in CV2, Gasher, Mom Egg Review, Osmosis, Thrush. Since earning her MFA, she teaches college literature and writing, and is the Reads Editor at Sundress Publications. She is a cancer survivor.

liviameneghin.wordpress.com

 

 


headshot of poet Meg DayDeaf, genderqueer poet Meg Day is the author of Last Psalm at Sea Level (Barrow Street, 2014), winner of the Publishing Triangle’s Audre Lorde Award, and a finalist for the 2016 Kate Tufts Discovery Award, and the co-editor of Laura Hershey: On the Life & Work of an American Master (Pleiades, 2019). The 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship and a 2013 recipient of an NEA Fellowship in Poetry, Day’s work can be found in, or forthcoming from, Best American Poetry, The New York Times, Poetry Magazine, & elsewhere. Day is the 2024 Guggenheim Poet-in-Residence and an Assistant Professor of English & Creative Writing in the MFA Program at NC State.

megday.com

 

 

 


headshot of poet Rajiv MohabirPoet, memoirist, and translator, Rajiv Mohabir is the author of four books of poetry including Cutlish (Four Way Books 2021) which was a finalist for the National Book Critics Circle Award and recipient of the Eric Hoffer Medal Provocateur. His poetry and nonfiction have been finalists for the 2022 PEN/America Open Book Award, the Lambda Literary Award in Poetry and in Nonfiction, the Randy Shilts Award for Gay Nonfiction, and both second place and finalist for the Guyana Prize for Literature in 2022 (poetry and memoir respectively). His translations have won the Harold Morton Landon Translation Award from the American Academy of Poets in 2020. Whale Aria (Four Way Books 2023) is his fourth collection of poetry and currently he is an assistant professor of poetry at the University of Colorado Boulder.

rajivmohabir.com

 

 


Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

Logo for PHOSPHORESCENCE reading series featuring the Homestead glowing at night

Phosphorescence Contemporary Poetry Series
Thursday, August 21, 6pm ET

Phosphorescence August 2025 featured poets:
Cathy Linh Che, Monica Ong, and Lee Ann Roripaugh

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.


About this month’s poets:

headshot of poet Cathy Linh Che

Cathy Linh Che is a writer and multidisciplinary artist. She is the author of Becoming Ghost (Washington Square Press, 2025), Split (Alice James Books) and co-author, with Kyle Lucia Wu, of the children’s book An Asian American A to Z: a Children’s Guide to Our History (Haymarket Books). She is working on a creative nonfiction manuscript on her parents’ experiences as refugees who played extras on Apocalypse Now. Her video installation Appocalips is an Open Call commission with The Shed NY, and her documentary short We Were the Scenery is premiering at Sundance in 2025.

cathylinhche.com

 

 


Monica Ong is a visual poet and the author of Silent Anatomies (Kore Press, 2015). A graduate of the Rhode Island School of Design, Ong brings a designer’s eye to experimental writing with her hybrid image-poems and installations that surface hidden narratives of women and diaspora. Her poetry can be found in Scientific American, ctrl+v, and Poetry Magazine, and in the anthology A Mouth Holds Many Things: A De-Canon Hybrid-Literary Collection (Fonograf Editions, 2024). Ong’s most recent series of astronomy-inspired visual poetry was exhibited at the Poetry Foundation and is the basis of her new book Planetaria (Proxima Vera, 2025). You can find her fine press visual poetry editions and literary art objects in over fifty distinguished institutional collections worldwide including Amherst College. In 2024, Ong was named a United States Artists Fellow in Writing.

monicaong.com

 

 


headshot of poet Lee Ann RoripaughLee Ann Roripaugh (she/they) is a biracial Nisei and the author of five volumes of poetry, most recently tsunami vs. the fukushima 50 (Milkweed Editions, 2019), which was named a “Best Book of 2019” by the New York Public Library, selected as a poetry Finalist in the 2020 Lambda Literary Awards, cited as a Society of Midland Authors 2020 Honoree in Poetry, and was named one of the “50 Must-Read Poetry Collections in 2019” by Book Riot. Her collection of fiction, Reveal Codes, was selected as winner of the Moon City Press Short Fiction Award and published by Moon City Press in late 2023, and their chapbook, #stringofbeads, a winner in the Diode Editions Chapbook Competition, was released from Diode Press in 2023. She was named winner of the Association of Asian American Studies Book Award in Poetry/Prose for 2004, and a 1998 winner of the National Poetry Series. The South Dakota State Poet Laureate from 2015-2019, Roripaugh is a Professor of English at the University of South Dakota, where they serve as Editor-in-Chief of South Dakota Review.

leeannroripaugh.net

 

 


Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

Logo for PHOSPHORESCENCE reading series featuring the Homestead glowing at night

Phosphorescence Contemporary Poetry Series
Thursday, July 17, 6pm ET

Phosphorescence July 2025 featured poets:
Lesley Wheeler and Nadia Alexis

VIRTUAL PROGRAM

This virtual program is free to attend and will be streamed live from the Homestead. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.


About this month’s poets:

headshot of Lesley Wheeler

Lesley Wheeler, Poetry Editor of Shenandoah, is the author of Mycocosmic (March 2025), runner-up for the Dorset Prize and her sixth poetry collection. Her other books include the hybrid memoir Poetry’s Possible Worlds; the novel Unbecoming; and two books of poetry scholarship, the first of which, The Poetics of Enclosure, roots its arguments in Dickinson’s work. Wheeler’s writing has received support from the Fulbright Foundation, the National Endowment for the Humanities, Bread Loaf Environmental Writers Workshop, and the Sewanee Writers Workshop; her poems and essays have appeared in Poetry, Poets & Writers, Kenyon Review Online, Ecotone, Guernica, Massachusetts Review, and elsewhere.

lesleywheeler.org

 

 

 


headshot of poet Nadia AlexisNadia Alexis is a poet, writer, and photographer born and raised in Harlem, New York City to Haitian immigrants, and she currently resides in Mississippi. Her debut full-length collection of poetry and photography, Beyond the Watershed, is forthcoming with CavanKerry Press in March 2025, and it was also a finalist for the 2022 Ghost Peach Press Prize. Her writing and photography have been published widely, and she has received several awards and honors including a 2025 Literary Arts Fellowship and a 2024 Artist Mini-Grant from the Mississippi Arts Commission, a 2024 Mississippi STAR Teacher Award, a 2024 Vance Fellowship from the Natchez Literary and Cinema Celebration, the 2023 Poet of the Year Honoree of the Haitian Creatives Digital Awards, a semifinalist position in the 2020 92Y Discovery Poetry Contest, a nomination for the 2020 Mississippi Institute of Arts and Letters photography award, and an honorable mention prize in the 2019 Hurston/Wright College Writers Award for poetry. Nadia’s photography has been exhibited in several shows in the U.S., Cuba, and virtually. A fellow of the Callaloo Creative Writing Workshop, The Watering Hole, and the Poets & Writers Get the Word Out Publicity Incubator, she holds a PhD and an MFA in Creative Writing from the University of Mississippi.

bynadiaalexis.com

 


Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

Logo for PHOSPHORESCENCE reading series featuring the Homestead glowing at night

Phosphorescence Contemporary Poetry Series
Thursday, June 26, 6pm ET

Phosphorescence June 2025 featured poets:
Barbara Mossberg, Rachelle Toarmino, and Bridget Lowe

VIRTUAL PROGRAM

This virtual program is free to attend and will be streamed live from the Homestead. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.


About this month’s poets:

headshot of poet Barbara Mossberg

Barbara Mossberg is a wordsy and passionate person who will think your story is just what our world needs, author of just released Clown Cantos: Everything Is Alive In Its Own Way, Singing, and the recent Here for the Present: A Grammar of Happiness in the Present Imperfect, Live from the Poet’s Perch, and Sometimes the Woman in the Mirror Is Not You and other hopeful news postings, Professor Mossberg’s distinguished career of five decades as a prizewinning poet, author, teacher, and honored educational leader, is dedicated to a wildly out-of-the-world optimism and brave faith. Mossberg ascribes to Emily Dickinson’s “I dwell in Possibility”–despite how things seem, it is possible to find the beauty—and hope. President Emerita Goddard College, founding Dean California State University Monterey Bay, Professor of Practice at Clark Honors College, University of Oregon, former National Council of Research on Women Senior Fellow, and American Council on Education Senior Fellow, Mossberg uses her public platforms to promote the power of words in each of our lives and human fates. She has been recognized by National Endowment for the Humanities, American Council of Learned Societies, Mellon Foundation (Aspen Institute) and others, twice named the Senior Fulbright Distinguished Lecturer, and a current Fulbright Specialist. At the University of Oregon, she has been awarded the Clark Honors College Faculty Innovation Fellowship, and the University’s highest teaching honors, the Williams Fellowship, and Ersted Award, as well as is nominated for the national teaching Cherry Award at Baylor University.

Barbaramossberg.com

 


headshot Rachelle ToarminoRachelle Toarmino is a poet from Niagara Falls, New York. She is the author of the poetry collections Hell Yeah (Third Man Books, 2025) and That Ex (Big Lucks Books, 2020), as well as several chapbooks, most recently My Science (Sixth Finch Books, 2025), winner of the 2024 Sixth Finch Chapbook Contest. Her work has appeared in Poets.org, Literary Hub, Electric Literature, American Poetry Review, Bennington Review, Southeast Review, The Slowdown, and Omnidawn, which awarded her its 2024 Single Poem Broadside Prize. She earned her MFA in poetry at UMass Amherst, where she received an Academy of American Poets Prize. She is also the founding editor in chief of the literary publishing project Peach Mag and the creator and lead instructor of Beauty School, an independent poetry school. She lives in Buffalo.

rachelletoarmino.com

 

 

 

 


Bridget Lowe is an American poet. In an early interview, Lowe expressed her interest in and commitment to “figures who are rejected by the same social groups for which they are expected to perform.” The Poetry Foundation elaborates “Her poetry is accordingly concerned with those who feel they are both looked at and invisible, who are exploited yet remain deeply unknown.” / Bridget Lowe was born in Kansas City, Missouri. She is the author of two collections of poetry with Carnegie Mellon University Press: At the Autopsy of Vaslav Nijinsky in 2013, followed by My Second Work in 2020. Her work has appeared in numerous publications including multiple times in The New Yorker, Poetry, The New Republic, Parnassus, and the American Poetry Review. Her work has also appeared in the Best American Poetry anthology. Her honors include the Emily Dickinson Award from the Poetry Society of America, the Discovery/92NY Poetry Award, a fellowship to the Bread Loaf Writers’ Conference, and the Rona Jaffe Foundation fellowship to MacDowell for an extended residency.

bridgetlowe.com

 


Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

Logo for PHOSPHORESCENCE reading series featuring the Homestead glowing at night

Phosphorescence Contemporary Poetry Series
Thursday, May 15, 6pm ET

Phosphorescence May 2025 featured poets:
Joy Ladin, Niina Pollari, and Joan Larkin

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.


About this month’s poets:

headshot of poet Joy Ladin

Joy Ladin has long worked at the tangled intersection of literature and transgender identity. She has published eleven books of poetry, including Shekhinah Speaks; National Jewish Book Award winner The Book of Anna; and Lambda Literary Award finalists Transmigration and Impersonation, reissued in a revised edition as a free PDF from DoubleBack in April 2023. She is also the author of a critical study, Soldering the Abyss: Emily Dickinson and Modern American poetry; a memoir of gender transition, National Jewish Book Award finalist Through the Door of Life; and another work of creative non-fiction, Lambda Literary and Triangle Award finalist, The Soul of the Stranger. Family, a poetry collection, and Once Out of Nature, a collection of essays on the transformation of gender – were published by Persea in 2024. Her work has been recognized with a National Endowment for the Arts Fellowship, a Fulbright Scholarship, and an American Council of Learned Societies Research Fellowship, among other honors.

joyladin.com

 


headshot of poet Niina PollariNiina Pollari is a poet and Finnish translator. She is the author of the poetry collections Path of Totality (Soft Skull 2022) and Dead Horse (Birds, LLC 2015), as well as the co-author of the split chapbook Total Mood Killer (Tiger Bee Press 2017). She lives in Marshall, NC with her family. 

niinapollari.com

 

 

 


headshot of poet Joan LarkinJoan Larkin‘s most recent book of poems is Old Stranger (Alice James Books, August 2024). She is the author of five previous collections of poetry, including Blue Hanuman (2014); My Body: New and Selected Poems (2007), which received the Audre Lorde Award from the Publishing Triangle; Lambda Literary Award winner Cold River (1997); and Housework (1975). With Jaime Manrique, Larkin translated Sor Juana’s Love Poems, a bilingual edition of Sor Juana Inez de la Cruz’s poetry (1997). Her prose works include If You Want What We Have: Sponsorship Meditations (1998) and Glad Day: Daily Meditations for Gay, Lesbian, Bisexual, and Transgender People (1998). Her plays include The AIDS Passion, The Living, and Wiretap. / Larkin co-founded Out & Out Books during the 1970s feminist literary explosion and has co-edited four anthologies, including Gay and Lesbian Poetry in Our Time. A lifelong teacher, she has served on the faculties of Brooklyn College, Sarah Lawrence College, and Smith College, among others. Larkin has been awarded fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, the Academy of American Poets, and the Massachusetts Cultural Council. She received the 2011 Shelley Memorial Award from the Poetry Society of America.

joanlarkin.com

 


Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

Poetry Walk 2025
Saturday, May 10
10am-12pm ET

IN-PERSON PROGRAM

This in-person program is free to attend. Registration is required. 

 

Dickinson's tombstone covered in daisies

On May 10, in honor of the 139th anniversary of the poet’s death, join the Emily Dickinson Museum for the annual Poetry Walk through downtown Amherst, the town she called “paradise.” This year’s Walk celebrates opening of the newly reconstructed carriage houe with stops that explore its significance to Amherst’s cultural landscape and to the poet herself. Take the walk at your own pace, but be sure to head to Dickinson’s grave in West Cemetery in time for the 12pm final poems and a lemonade toast to our favorite poet! 

The Walk takes approximately 40 minutes to complete. Participants begin at the Homestead at any time between 10AM and 11AM to pick up their Poetry Walk map and daisies to lay at the grave. The Walk stations close at 11:45AM so that all participants can make it to the final stop at noon in West Cemetery.

Registration for this program is free or by donation, but it is required in advance. Registration for the Walk does not include admission to the Museum. For Museum tour tickets click here.

Accessibility Information
The full walk is about 1 mile and is largely accessed by paved sidewalks, though some uneven terrain is possible. Participants who would prefer to meet us for the final toast are welcome to check in at the Homestead before 11:15AM and then drive to West Cemetery. Cemetery parking is available behind Zanna’s clothing store.


a boy places a daisy on Dickinson's graveA Daisy for Dickinson: Be a part of a beloved tradition of outfitting Emily Dickinson’s final resting place at Amherst’s West Cemetery with fresh daisies on the anniversary of her death.  Make a supporting donation to the Museum in honor of Emily or in memory of a loved one and we’ll place a daisy in their name at the poet’s grave as part of this year’s Poetry Walk (May 10).

We hope you enjoy this beloved tradition of honoring Emily Dickinson on the anniversary of her death. If you would like to make a supporting gift to the Museum in honor of Emily or in memory of someone you’ve loved and lost, you may do so below.

DONATE

 

 

 

 

Logo for PHOSPHORESCENCE reading series featuring the Homestead glowing at night

Phosphorescence Contemporary Poetry Series
Thursday, April 17, 6pm ET

Phosphorescence April 2025 featured poets:
Carlene Kucharczyk, Avia Tadmor, and Silvia Bonilla

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Contemporary Poetry Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. Join us on a Thursday evening each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.


About this month’s poets:

headshot of poet Avia Tadmor

Carlene Kucharczyk’s debut collection “Strange Hymn” is the winner of the Juniper Prize for a first book of poems and will be published by the University of Massachusetts Press in April 2025. She is the recipient of a Creation Grant from the Vermont Arts Council, and her work has been published in journals such as Poetry Northwest, Tupelo Quarterly, Green Mountains Review, Conduit, Mid-American Review, and Permafrost Magazine, and has been nominated for a Pushcart Prize. She was the Henry David Thoreau fellow at the Vermont Studio Center, where she worked for two years in the Writing Program, and was the Writer-in-Residence at the Carl Sandburg Home National Historic Site. She has received support from The Center for Book Arts Fine Press Seminar and The Frost Place Poetry Seminar. She holds an MFA from North Carolina State University, where she also taught creative and expository writing. She lives in Vermont, and works as an Administrative Assistant in the English and Creative Writing Department at Dartmouth College.


headshot of poetAvia Tadmor is the author of the poetry collection “Song in Tammuz,” winner of the Tupelo Press International Berkshire Prize, forthcoming 2026. Her poems appear or are forthcoming in Best New Poets, The New Republic, New England Review, Prairie Schooner, Iowa Review, and elsewhere. Avia’s poetry received support from Yaddo, the Rona Jaffe Foundation/ Bread Loaf Writers’ Workshop, the Vermont Studio Center, the Virginia Center for the Creative Arts, and the Adroit Journal’s Gregory Djanikian Scholars Program. Previously, she has taught writing at Columbia University, where she directed the Columbia Artist/Teachers program, promoting no-cost arts education in schools and community organizations in NYC. Currently, she is a Clinical Assistant Professor in the Expository Writing Program at New York University. Born in Jerusalem, she lives in New York.
aviatadmor.com

 


Silvia Bonilla was born and raised in South America. She received an MFA in Poetry from The New School. She is the author of a chapbook called “An Animal Startled by The Mechanisms of Life” (Deadly Chaps 2024) and “Town of Eves,” forthcoming from Arizona University Press. Her work has been featured in Blackbird, Green Mountains Review, Cream City Review, Reed, Cimarron Review, among others. She has received support from Kenyon Writers Workshop, The Staltonstall Foundation, Sewanee Writer’s Conference, Community of Writers, Napa Valley, The Frost Place, Colgate Writers Workshop and The Post Graduate Conference at The Vermont College of Fine Arts.

 


Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax-deductible.

The Evergreens parlor filled with Dickinson family objects including furniture, paintings, instruments and more

Letter from Executive Director Jane Wald:
Threats to Federal Funding

I took my Power in my Hand,
And went against the World –
‘Twas not so much as David – had –
But I – was twice as bold –

March 12, 2025

Greetings from Amherst, Massachusetts. 

Over the past few weeks, I’ve heard from friends of the Museum expressing concerns about recent executive orders and the threats to federal funding. As a nonprofit organization, we rely on charitable gifts from individuals, like you, as well as from private foundations and government institutions, including the National Endowment for the Humanities (NEH) and the Institute for Museum and Library Services (IMLS), two federal agencies that provide critical funding to museums, libraries, and cultural organizations. 

The Emily Dickinson Museum has been proud to receive substantial funding from both the NEH and IMLS over its twenty-plus years. Most recently, these grants allowed us to catalog 10,000 Dickinson family artifacts and make them publicly accessible, and to create a comprehensive interpretive plan to guide development of our public and education programs. Right now, we await news of NEH funding for research support to tell the stories of immigrants and Black Americans who worked for the Dickinson family as well as support for an intensive week-long professional development workshop for K-12 educators. Over the next two to three years, we plan to apply for up to $750,000 in NEH and IMLS grants to continue professional development programs for K-12 educators, to implement interpretive enhancements designed to enrich the final phase of our Homestead restoration, and to improve physical conditions for our large collection of Dickinson family objects. 

While the final outcome of executive actions is not yet known, it certainly appears that the federal funding sources on which we’ve relied in the past for starting up new initiatives are in jeopardy. I’m writing today to assure you that the Museum’s staff, Board of Governors, and volunteers are as dedicated as ever to serving all visitors and cultural explorers, students and teachers, poetry lovers, artists, writers, and scholars – indeed, everyone who finds inspiration and empowerment in the life and poetry of Emily Dickinson. Our work, like the work of many museums, libraries, and cultural organizations, nurtures learning and resilience in our communities by offering a window into history, an appreciation for the power of creative expression, and an awareness that we are linked across generations through our shared humanity. We will hold fast to this mission.

To be sure, the Emily Dickinson Museum is more important now than ever because we steward Dickinson’s legacy and the bold originality of her “revolutionary poetic voice” – a voice that challenged conventions and upended literary norms in ways that remain resonant and deeply relevant today. 

I will keep you apprised of our progress as we move forward. Please reach out if you have questions. As ever, thank you for including the Museum in your philanthropic plans. We are sustained and inspired by your support. 

Jane Wald signature

Jane H. Wald

Jane and Robert Keiter Family Executive Director 

P.S. Your advocacy with your congressional representatives can help draw attention to the importance of continued IMLS and NEH funding. The American Alliance for Museums provides a template and tools for contacting members of Congress, congressweb.com/AAM. Please take a moment to add your voice to ours. Thank you!

Education school group in the Evergreens

K-12 Group Visits

Spark your students’ imaginations by visiting the Emily Dickinson Museum.

Plan a field trip to the place she called home in Amherst, MA by signing up for The Power of Poetry tour or This was a Poet tour — learn more below!

If you’d like to work with the Emily Dickinson Museum, but don’t see an opportunity that would fit the age or needs of your students, please reach out to us at edmprograms@emilydickinsonmuseum.org. We’d love to connect with you!


The Power of Poetry (Hands-on tour for Middle & High School students)

a student writing while sitting on the floor in Dickinson's bedroom

Discover the ways that Dickinson embraced her unique personal vision, defying societal and literary convention to pen nearly 1800 revolutionary poems. In this participatory program, led by experienced educators, students will:

  • Tour the Homestead to learn about the poet’s early life, inspirations, and how she forged her own definition of poetry
  • Explore Dickinson’s writing process through a hands-on investigation of facsimile poem manuscripts
  • Write an original poem, reflecting on their own lives with a Dickinson-inspired prompt

Booking Information:

  • Now booking for Tuesdays, March through June.
  • 90-minute program; anticipate up to 2 hrs on site.
  • Maximum group size: 36 (including adults). Groups larger than 12 will be divided and tour simultaneously.
  • Please book two weeks in advance. Following your request, the Museum will reach out to you to confirm the details of your visit and issue an invoice for a 50% deposit to secure your reservation.

Pricing:

  • $10 per student, one free adult per every 12 students.
  • $15 additional teachers, $17 additional adult chaperones.
  • Groups of fewer than 10 will be charged a fee to meet a $120 minimum. 
  • Amherst-Pelham public schools are free of charge.

RESERVE THE POWER OF POETRY


This Was a Poet (Middle & High School students)

Education school group in the Evergreens
The Museum’s general audience tours are led by knowledgeable guides who introduce Dickinson’s journey as a poet, with an emphasis on sharing her poems and letters.

Booking Information:

  • Available Thursday mornings.
  • 50-minute tour of the Homestead only.
  • Appropriate for middle and high school students.
  • Please book two weeks in advance. Following your request, the Museum will reach out to you to confirm the details of your visit and issue an invoice for a 50% deposit to secure your reservation.

Pricing:

  • $10 per student, one free adult per every 12 students.
  • $15 additional teachers, $17 additional adult chaperones.
  • Groups of fewer than 10 will be charged a fee to meet a $120 minimum.
  • Amherst-Pelham public schools are free of charge.

RESERVE THIS WAS A POET


Partnership Programs for K-12

If you’d like to work with the Emily Dickinson Museum, but don’t see an opportunity that would fit the age or needs of your students, please reach out to us at edmprograms@emilydickinsonmuseum.org. We’d love to connect with you! We can discuss:

  • How to tailor content or teaching methods to support your group
  • Experiential learning activities you’d like to develop or offer in collaboration with the Museum