IN-PERSON PROGRAM
This in-person program is free to attend. Registration is required.
On May 10, in honor of the 139th anniversary of the poet’s death, join the Emily Dickinson Museum for the annual Poetry Walk through downtown Amherst, the town she called “paradise.” This year’s Walk celebrates the opening of the newly reconstructed carriage house with stops that explore its significance to Amherst’s cultural landscape and to the poet herself. Take the walk at your own pace, but be sure to head to Dickinson’s grave in West Cemetery in time for the 12pm final poems and a lemonade toast to our favorite poet!
The Walk takes approximately 40 minutes to complete. Participants begin at the Homestead at any time between 10am and 11am to pick up their Poetry Walk map and daisies to lay at the grave. The Walk stations close at 11:45am so that all participants can make it to the final stop at noon in West Cemetery.
Registration for this program is free or by donation, but it is required in advance. Registration for the Walk does not include admission to the Museum. For Museum tour tickets click here.
Accessibility Information
The full walk is about 1 mile and is largely accessed by paved sidewalks, though some uneven terrain is possible. Participants who would prefer to meet us for the final toast are welcome to check in at the Homestead before 11:15am and then drive to West Cemetery. Cemetery parking is available behind Zanna’s clothing store.
“And so I pieced it, with a flower, now”
As a part of the 2025 Poetry Walk, the entrance to the Homestead will be transformed into a site-specific installation inspired by Emily Dickinson’s herbarium.
Created for the Museum by artists Lisa McCarty & D. Edward Davis, the installation features Emily Dickinson’s iconic white dress as a projection screen for images of the Poet’s herbarium. Over 400 images of individual flowers collected by Dickinson will be shown as part of McCarty’s video projection, together with a haunting soundscape of hymns, drones, and birdsong by Davis. As a whole, the installation is inspired by Dickinson’s practice of attentively, and ecstatically, responding to elements of the living world through both her poetry and her herbarium.
About the artists
D. Edward Davis is a composer of electronic and acoustic music. His work often engages with the sounds of the environment, exploring processes, patterns, and systems inspired by nature. In February 2025, cmntx records released his 100 untitled works in resonant aluminum (with original art and design by Lisa McCarty) on CD and all streaming platforms. Davis is currently a Senior Lecturer in Music at the University of New Haven.
Lisa McCarty’s photographs, books, and videos explore environmentally conscious communities and rituals. McCarty has participated in over 100 exhibitions and screenings at venues including Amherst College, Cassilhaus, Duke University, Fruitlands Museum, Griffin Museum of Photography, Microscope Gallery, McEvoy Foundation for the Arts, the New York Film Festival, and the Visual Studies Workshop. Her recent books include Transcendental Concord (Radius Books) and The Arboretum Aphorisms (SF Cinematheque Press). McCarty lives and works in Boston where she teaches at Northeastern University.
A Daisy for Dickinson: Be a part of the beloved tradition of outfitting Emily Dickinson’s final resting place at Amherst’s West Cemetery with fresh daisies on the anniversary of her death. Make a supporting donation to the Museum in honor of Emily or in memory of a loved one and we’ll place a daisy in their name at the poet’s grave as part of this year’s Poetry Walk (May 10).
If you would like to make a supporting gift to the Museum in honor of Emily or in memory of someone you’ve loved, you may do so below.
The Museum’s general audience tours are led by knowledgeable guides who introduce Dickinson’s journey as a poet, with an emphasis on sharing her poems and letters.
Niina Pollari is a poet and Finnish translator. She is the author of the poetry collections Path of Totality (Soft Skull 2022) and Dead Horse (Birds, LLC 2015), as well as the co-author of the split chapbook Total Mood Killer (Tiger Bee Press 2017). She lives in Marshall, NC with her family. 
Joan Larkin‘s most recent book of poems is Old Stranger (Alice James Books, August 2024). She is the author of five previous collections of poetry, including Blue Hanuman (2014); My Body: New and Selected Poems (2007), which received the Audre Lorde Award from the Publishing Triangle; Lambda Literary Award winner Cold River (1997); and Housework (1975). With Jaime Manrique, Larkin translated Sor Juana’s Love Poems, a bilingual edition of Sor Juana Inez de la Cruz’s poetry (1997). Her prose works include If You Want What We Have: Sponsorship Meditations (1998) and Glad Day: Daily Meditations for Gay, Lesbian, Bisexual, and Transgender People (1998). Her plays include The AIDS Passion, The Living, and Wiretap. / Larkin co-founded Out & Out Books during the 1970s feminist literary explosion and has co-edited four anthologies, including Gay and Lesbian Poetry in Our Time. A lifelong teacher, she has served on the faculties of Brooklyn College, Sarah Lawrence College, and Smith College, among others. Larkin has been awarded fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, the Academy of American Poets, and the Massachusetts Cultural Council. She received the 2011 Shelley Memorial Award from the Poetry Society of America.
Nadia Alexis is a poet, writer, and photographer born and raised in Harlem, New York City to Haitian immigrants, and she currently resides in Mississippi. Her debut full-length collection of poetry and photography, Beyond the Watershed, is forthcoming with CavanKerry Press in March 2025, and it was also a finalist for the 2022 Ghost Peach Press Prize. Her writing and photography have been published widely, and she has received several awards and honors including a 2025 Literary Arts Fellowship and a 2024 Artist Mini-Grant from the Mississippi Arts Commission, a 2024 Mississippi STAR Teacher Award, a 2024 Vance Fellowship from the Natchez Literary and Cinema Celebration, the 2023 Poet of the Year Honoree of the Haitian Creatives Digital Awards, a semifinalist position in the 2020 92Y Discovery Poetry Contest, a nomination for the 2020 Mississippi Institute of Arts and Letters photography award, and an honorable mention prize in the 2019 Hurston/Wright College Writers Award for poetry. Nadia’s photography has been exhibited in several shows in the U.S., Cuba, and virtually. A fellow of the Callaloo Creative Writing Workshop, The Watering Hole, and the Poets & Writers Get the Word Out Publicity Incubator, she holds a PhD and an MFA in Creative Writing from the University of Mississippi.
Monica Ong is a visual poet and the author of Silent Anatomies (Kore Press, 2015). A graduate of the Rhode Island School of Design, Ong brings a designer’s eye to experimental writing with her hybrid image-poems and installations that surface hidden narratives of women and diaspora. Her poetry can be found in Scientific American, ctrl+v, and Poetry Magazine, and in the anthology A Mouth Holds Many Things: A De-Canon Hybrid-Literary Collection (Fonograf Editions, 2024). Ong’s most recent series of astronomy-inspired visual poetry was exhibited at the Poetry Foundation and is the basis of her new book Planetaria (Proxima Vera, 2025). You can find her fine press visual poetry editions and literary art objects in over fifty distinguished institutional collections worldwide including Amherst College. In 2024, Ong was named a United States Artists Fellow in Writing.
Lee Ann Roripaugh (she/they) is a biracial Nisei and the author of five volumes of poetry, most recently tsunami vs. the fukushima 50 (Milkweed Editions, 2019), which was named a “Best Book of 2019” by the New York Public Library, selected as a poetry Finalist in the 2020 Lambda Literary Awards, cited as a Society of Midland Authors 2020 Honoree in Poetry, and was named one of the “50 Must-Read Poetry Collections in 2019” by Book Riot. Her collection of fiction, Reveal Codes, was selected as winner of the Moon City Press Short Fiction Award and published by Moon City Press in late 2023, and their chapbook, #stringofbeads, a winner in the Diode Editions Chapbook Competition, was released from Diode Press in 2023. She was named winner of the Association of Asian American Studies Book Award in Poetry/Prose for 2004, and a 1998 winner of the National Poetry Series. The South Dakota State Poet Laureate from 2015-2019, Roripaugh is a Professor of English at the University of South Dakota, where they serve as Editor-in-Chief of South Dakota Review.
Deaf, genderqueer poet Meg Day is the author of Last Psalm at Sea Level (Barrow Street, 2014), winner of the Publishing Triangle’s Audre Lorde Award, and a finalist for the 2016 Kate Tufts Discovery Award, and the co-editor of Laura Hershey: On the Life & Work of an American Master (Pleiades, 2019). The 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship and a 2013 recipient of an NEA Fellowship in Poetry, Day’s work can be found in, or forthcoming from, Best American Poetry, The New York Times, Poetry Magazine, & elsewhere. Day is the 2024 Guggenheim Poet-in-Residence and an Assistant Professor of English & Creative Writing in the MFA Program at NC State.
Poet, memoirist, and translator, Rajiv Mohabir is the author of four books of poetry including Cutlish (Four Way Books 2021) which was a finalist for the National Book Critics Circle Award and recipient of the Eric Hoffer Medal Provocateur. His poetry and nonfiction have been finalists for the 2022 PEN/America Open Book Award, the Lambda Literary Award in Poetry and in Nonfiction, the Randy Shilts Award for Gay Nonfiction, and both second place and finalist for the Guyana Prize for Literature in 2022 (poetry and memoir respectively). His translations have won the Harold Morton Landon Translation Award from the American Academy of Poets in 2020. Whale Aria (Four Way Books 2023) is his fourth collection of poetry and currently he is an assistant professor of poetry at the University of Colorado Boulder.
