Exciting News About Our Recent Grants


The grants will be used to improve and increase access to Emily Dickinson’s poetic and personal legacy in the place she called home.

cupola(AMHERST, Mass., August 28, 2019) – Today the Emily Dickinson Museum announced that it will receive over $100,000 in grants for interpretive planning, operational support, and restoration. The largest of the grants is a Public Humanities Planning grant of $63,025 from the National Endowment for the Humanities (NEH). The NEH award will support a year of interpretive planning to unite the Museum’s historic spaces and collections to better serve its growing contemporary audience. Public Humanities Planning grants from the NEH are typically awarded for up to $40,000 per grantee, but larger sums are granted to exceptionally ambitious and complex proposals like the Museum’s.

Program Director Brooke Steinhauser says the grants will allow the Museum to “incorporate current scholarship and more inclusive methodologies of interpretation” into its already vibrant programming. As the site of the largest and most varied collection of non-manuscript objects associated with Emily Dickinson and her family, and as the site where Dickinson penned nearly all of her 1,789 poems, the grants will help the Museum to consider how to provide interpretation of and access to its resources, resulting in the best possible visitor experience.

The Emily Dickinson Museum is one of 16 humanities projects this cycle to receive a grant from the NEH for planning or implementation, all of which will support vital research, education, preservation, and public programs in the humanities. The National Endowment for the Humanities preserves America’s rich history and cultural heritage, by encouraging and supporting scholarship and innovation in history, archaeology, philosophy, literature, and other humanities disciplines. In addition to the work at the Emily Dickinson Museum, this round of grants will enable continued work on the papers of presidents George Washington, Thomas Jefferson, and Abraham Lincoln, as well as publication of the complete speeches, correspondence, and writings of Martin Luther King Jr. and Eleanor Roosevelt, and a new scholarly edition and translation of the Dead Sea Scrolls.

In addition to the NEH grant, the Museum will receive $30,000 from the Massachusetts Cultural Facilities Fund and $12,200 from the Massachusetts Culture Council’s Cultural Investment Portfolio. The planning grant from the Facilities Fund will be used to plan the restoration of the hallways, parlors, and bedrooms in the Museum, tripling the amount of restored interpretive space in the Homestead. The grant from the Cultural Investment Portfolio will support operations at the Museum. Executive Director Jane Wald says the grants will help to transform the Museum’s interpretation by “preparing to restore this private poet’s public spaces to their appearance during her most important writing years.”

Since its inception, the Emily Dickinson Museum has welcomed more than 150,000 visitors from 50 countries and serves as the premier center for study, interpretation, and celebration of Emily Dickinson’s place in literature, history, and culture. These awards will support the Museum’s mission to spark the imagination by amplifying Dickinson’s revolutionary poetic voice from the place she called home. The Museum is open Wednesday through Sunday, 11 a.m. to 4 p.m. Learn more at

Created in 1965 as an independent federal agency, the National Endowment for the Humanities supports research and learning in history, literature, philosophy, and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation. 

Managed in collaboration with MassDevelopment, the Cultural Facilities Fund provides major improvement grants to nonprofit cultural organizations, in recognition of their profound economic impact on communities across Massachusetts. Since 2006, the Fund has encouraged sound growth, supported important development projects, played a crucial role in the growth of local tourism, created thousands of jobs, and driven millions of dollars in private investment.

The Cultural Investment Portfolio provides both general operation and project-based grants to nonprofit organizations that enrich Massachusetts’ cultural life. The Portfolio works to strengthen a cultural sector that generates $1.2 billion in economic activity, creates thousands of jobs, and delivers programs to more than 20 million people a year. Not just a funder, the Portfolio is a source of invaluable expertise, advocacy, and peer dialogue.

Image of "In Suspension" in the Homestead Conservatory

In Suspension: A site-specific art installation, June 21 – September 9, 2019


Image of "In Suspension" in the Homestead Conservatory
Wonder – is not
precisely knowing 
And not precisely
knowing not – 
A beautiful but
bleak condition 
He has not lived
who has not felt – 
Suspense – is his
maturer Sister – 
Whether Adult Delight is Pain 
Or of itself a
new misgiving – 
This is the
Gnat that
mangles men – 

In Suspension

A site-specific art installation at the Emily Dickinson Museum featuring work by Tereza Swanda, Ingrid Pichler, and Fletcher Boote

The Emily Dickinson Museum is pleased to present this first site-specific art installation in the restored Homestead conservatory. In this small greenhouse Dickinson tended flowers “near and foreign,” forging a deep connection that permeated her poetry and daily life. Imagine dirt under the poet’s fingernails as she wrote the poems that immortalized flowers blooming in her garden, home, and Amherst’s fields and woodlands.

This mixed-media installation aims to forge the colors Dickinson saw from the conservatory out into her landscape. In this meditation on suspension, colors change based on the atmosphere, and the space between subjects. Light from color gels is cast throughout the room by projection and refraction. Sound is a complimentary element to color.

The installation is best viewed from inside the conservatory, which is open from 11AM-4:30PM each day the Museum is open (Wednesday through Monday). All are welcome inside to view the installation, but the space is restricted to four people at a time. Photography inside the installation is most welcome.

About the artists:

Tereza Swanda teaches at Dean College and has 20 years of color theory through painting. She graduated from Mass Art in Boston with a degree in Sculpture and Painting and holds an MFA from Vermont College of Fine Arts. She has exhibited her own work extensively both locally, nationally and internationally over the last ten years. Learn more:

Ingrid Pichler specializes in site-specific glass installation for the private and public sector and is a visiting lecturer at Salem State University. Pichler has been working in architectural glass for almost thirty years. Throughout her career, her hands-on approach has enabled her to develop a keen understanding of the transformative potential of light in the context of architectural glass. Most of her works have been commissioned, location-specific installations, utilizing a wide range of techniques from traditional painting and staining, to new innovation for fusing and casting in contemporary glass technology. Learn more:

Fletcher Boote is a composer and performer investigating nuances of human relationships as they are expressed in arrangements of sounds. She has recently taught sound healing and vocal workshops at Princeton University and lead courses at Johnson State College. Boote has been working in sound for over a decade and has worked with students of Meredith Monk. Learn more:


Emily Dickinson's white dress on a stand in her bedroom

‘a mighty room’: Studio Sessions in Emily Dickinson’s Bedroom

woodcut showing a bird and a picnic basket and the words I should love to pass an hour with you - Emily

Sweet hours have perished here;

This is a mighty room;

Within its precincts hopes have played, —

Now shadows in the tomb.  



Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry. Whether you are a writer, an artist, a composer, or a poet, you’ll find solace and inspiration for your artistic output in Emily Dickinson’s bedroom. Let this quiet experience jumpstart your next creative journey.

Participants may spend up to two hours in the bedroom. A small table and chair will be provided. Participants will experience the atmosphere of Dickinson’s corner bedroom, and enjoy the view from the poet’s windows.  Read more

arts night

Amherst Arts Night Plus and Open Mic, September 5, 2019

Join us during Amherst Arts Night Plus on September 5, 2019 for our monthly celebration of local art! At our open mic, poets, writers, and performers of any kind are welcome! Come early to view the pop-up, contemporary art exhibition in the Homestead by our featured artist. The open mic begins at 6:00 p.m. and will be followed by this month’s featured readers. Those who would like to share their work should arrive between 5:00 and 6:00 p.m. to sign up.

“Mt. Norwottuck and Apple Trees” 15 X 22″ oil crayon 2018

Featured artist: Lorna Ritz, pop-up exhibition on view 5-8PM

September’s pop-up exhibition will feature a series of drawings of the Holyoke Range by Lorna Ritz. Taking the the range Emily Dickinson could see from her windows as inspiration, Ritz’s drawings focus on Mt. Norwottuck. The range, which was glacially formed, is one of the only east-west axis range mountains in the country. In her process, the mountains feel so close you could almost touch them. Ritz works many hours at a time, several days in a row to complete her drawings. Each piece has an immediacy to it, but the time it takes to complete means the light is ever-changing; it’s her own personal artistic paradox. The drawings are the consequence of technique, skill, and concept. 

Featured reader: Libby Maxey

Libby Maxey’s new book of poems, ‘Kairos’, was released in summer 2019. She has a BA in English from Whitman College and an MA in medieval studies from Cornell University. She is a senior editor at the online journal Literary Mama, where she has been a part of the Literary Reflections department since 2012, and she reviews poetry for The Mom Egg Reviewand Solstice. Her own poems have appeared in KestrelPinyonEmrysCrannóg Magazine, and elsewhere. Her nonliterary activities include singing classical repertoire and mothering two sons. She lives with her family in Western Massachusetts.


poetry discussion group

Poetry Discussion Group, September 20, 2019

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters.

Location: The Center for Humanistic Inquiry, on the second floor of Amherst College’s Frost Library.
Time: 12pm to 2pm (plan to arrive early to check in)

  • $12 Friends, $15 Public
  • Participants should proceed directly to the Library and do not need to stop at the Museum.
  • While no RSVP is required, participants are invited to email to receive a list of poems for discussion. Poems will be distributed one week in advance of the program.
  • Attendees are welcome to bring a bag lunch. Beverages and a sweet snack are provided

This month’s discussion will center on poems that highlight the bee as protagonist or speaker. Because of her fascination with botany and the garden, Dickinson constantly transformed the figure of the bee. Bees are viewed in various guises, including artists, pirates, gentle or jealous lovers, and even cheerful correspondents. This program will unpack how a poet (or anyone) can view one creature through many lenses. 

Facilitator: Susan Goldwitzis an award-winning poet who, after teaching literature on the university level, has expanded her expected circumference to include a new passion, beekeeping, which she has practiced for eight years. She is continually inspired by Emily Dickinson’s ability to view this one little creature in many aspects.

poetry festival

Amherst Poetry Festival, September 19-22

APF logo

Produced by the Emily Dickinson Museum, with support from the Community Foundation of Western Massachusetts, Beveridge Family Foundation, Amherst Business Improvement District, and Massachusetts Cultural Council, the Amherst Poetry Festival is a free event that celebrates the poetic legacy of Emily Dickinson and the contemporary creativity of the Pioneer Valley and beyond.

Festival Admission

Admission to all Festival events is free, but your support makes the Amherst Poetry Festival possible. Donations of $10 or more will receive a Festival button, while donations of $35 or more will receive a Festival button and a t-shirt! Online donations ahead of the festival will also allow Festival supporters exclusive access to bypass the registration line. Festival buttons and t-shirts are a great way to show your support of poetry in the Valley!

Please note: Buttons and t-shirts will be available for pickup at the Festival welcome tent. Sizes may be limited. Buttons will be mailed to donors who can not attend. Unfortunately at this time, we cannot mail t-shirts. 

Official Festival Bookseller

Amherst Books, just a couple of blocks up from the Museum, is the official bookseller of the Amherst Poetry Festival. Visit their poetry section now to find titles from our Festival poets. During the Friday and Saturday evening main stage readings, headliner titles will be for sale in the Museum shop.

Schedule of Events

Some festival events have limited space and advance registration is strongly recommended. Those events are indicated below along with links to register.

block party

Thursday, September 19

5:00 p.m. – 9:00 p.m.: Festival Kick-off at the Amherst Block Party

Stop by the Amherst Poetry Festival tent in downtown Amherst during the Amherst Block Party to help us kick off the Festival! Pick up your Festival brochure and buttons, and check out the poetry vending machine and type-writer poetry activity run by our friends at Attack Bear Press!

7:00 p.m.: Doughnuts and Death: A Baker’s Dozen of Emily Dickinson’s Most Depressing Poems 

Take a 40-minute tour around West Cemetery, where we’ll recite Emily Dickinson’s most depressing poems, learn the history behind her darkest work, and hear stories of others buried nearby. Each participant will receive a free apple cider doughnut from Festival sponsor Atkins Country Farms!

  • Location: Amherst’s West Cemetery 
  • Directions: Doughnuts and Death will begin at the gate to West Cemetery, which can be accessed by walking down the alley to the left of Toy Box at 201 North Pleasant Street. 
  • Facilitator: Mike Medeiros 

9:00 p.m.: Slam Poetry Contest

Watch the slam teams of the Northbeast poetically duke it out at Amherst Works during this contest for Amherst Poetry Festival Slam champion!

  • Location: AmherstWorks
  • Competing teams: Boston Poetry Slam, organized by Simone Beaubien, Worcester Slam, organized by the Dirty Gerund Poetry ShowCap City Slam from Troy, NY, organized by Liv McKee, and Slam Free or Die from Manchester, NH. 
  • Sacrificial poets: Northampton Poetry Community, organized by Tara Jean Bernier
  • More about the hosts: Catherine Weiss is a poet, illustrator, and arts organizer. They have competed at national poetry slams and toured regionally. Their poetry has been published or is forthcoming in Tinderbox, Up the Staircase Quarterly, The Mantle, Counterclock, Noble/Gas Quarterly, and elsewhere. Weiss is also the founder of Florence community arts space, Endopolis Poetry Room. Cori Stenning-Barnes is a poet from the wilds of Western Massachusetts and an astronaut in a parallel universe where space and math are not so tragically intertwined. Their survival is contingent on laughter, soup, and the love of their extended poetry family. They are the 2018 Grand Slam Champion of Northampton Poetry and competed at the 2018 National Poetry Slam and VoxPop. Tara Jean Bernier walked into an open mic in August of 2012, and never left.  Since January of 2013 she has co-hosted the weekly Northampton Poetry open mic and slam. She also teaches things to high school students in Hadley, MA. 

Friday, September 20

12:00 p.m. – 2:00 p.m.: Emily Dickinson Poetry Discussion Group 

poetry discussion groupJoin us at the Center for Humanistic Inquiry in the Amherst College Library for lively conversation about Emily Dickinson’s poetry and letters. This month’s discussion will center on poems that highlight the bee as protagonist or speaker. Because of her fascination with botany and the garden, Dickinson constantly transformed the figure of the bee. Bees are viewed in various guises, including artists, pirates, gentle or jealous lovers, and even cheerful correspondents. This program will unpack how a poet (or anyone) can view one creature through many lenses.

  • Location: Center for Humanistic Inquiry at Amherst College
  • Cost: $12 Friends, $15 general public; please e-mail in advance to receive a list of poems for discussion.
  • More about the facilitator: Susan Goldwitz is an award-winning poet who, after teaching literature on the university level, has expanded her expected circumference to include a new passion, beekeeping, which she has practiced for eight years. She is continually inspired by Emily Dickinson’s ability to view this one little creature in many aspects.

Amherst Regional High School Workshop: “Like a Good Song, Poetry Gets Stuck in Your Head”

Looking at unforgettable poems, students in this workshop will take examples of memorable verse as inspiration for their own writing. Participants will experiment with craft by writing “covers” of famous poems that have gotten stuck in their own heads. By identifying what these poems do on a technical level and recasting them in their own unique style, participants will learn how to make poetry work for their own voices. (Please note: this program is not open to the public.)

  • Location: Amherst Regional High School
  • More about the facilitator: Jay Ritchie is the author of the poetry collection Cheer Up, Jay Ritchie (Coach House Books, 2017). He is pursuing an MFA in Poetry at UMass Amherst, where he has won the Skolfield/Goeckel Award for Poetry as well as the Deborah Slosberg Memorial Award for Fiction. His work has been performed on CBC Radio, at the Newmarket National 10-minute Play Festival, and at the Phi Centre by Camille Poliquin of electronic duo Milk & Bone.

Springfield Renaissance High School Workshop with Adrian Matejka

Please note: this program is not open to the public.

3:00 p.m. – 5:00 p.m.: A Masterclass with Editors of [PANK] and The Common 

Join Jessica Fischoff of [PANK] and Elizabeth Witte of The Common for a
masterclass in publishing writing in literary journals and presses! Participants will discuss tactics for preparing a successful submission and how to find the right publications for your work. Bring your writing utensils! Writing prompts will be used to spur new work and all are welcome to attend.

  • Location: The Powerhouse
  • More about the facilitators: Jessica Fischoff is the Editor and Owner of [PANK], author of the little book of poems, The Desperate Measure of Undoing, and editor of the upcoming Pittsburgh Anthology. Her thoughts on editing appear in Best American Poetry and The Kenyon Review. Her writing appears in Diode Poetry JournalThe Southampton ReviewPreludeFjords Review, and Yemassee.  Elizabeth Witte is a writer and editor based in Western Massachusetts. She is a recipient of the Massachusetts Cultural Council’s Artist Fellowship in Poetry, and her work has appeared in a variety of journals, including Prelude, Word For/ Word, and Denver Quarterly. Her chapbook Dry Eye is available from Dancing Girl Press. She is Associate Editor of The Common and Director of The Common in the Classroom.
  • Parking for this program is in the Amherst College O’Connell lot on Dickinson Street, about a two-minute walk away

7:00 p.m.: Friday Evening Reading with Adrian Matejka and Paisley Rekdal

Our first 2019 Festival headliners read under the stars. Don’t miss this magical night in Emily Dickinson’s garden! A book signing will follow the reading.

  • Location: The Emily Dickinson Museum
  • Paisley RekdalPaisley Rekdal is the author of a book of essays, The Night My Mother Met Bruce Lee;  the hybrid photo-text memoir, Intimate; and five books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; and Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award. Her newest work of nonfiction is a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. A new collection of poems, Nightingale, which re-writes many of the myths in Ovid’s The Metamorphoses, was published in spring 2019.  Appropriate: A Provocation, a book-length essay examining cultural appropriation, is forthcoming from W.W. Norton. Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative’s Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others.  She teaches at the University of Utah, where she is also the creator and editor of the community web project Mapping Salt Lake City. In May 2017, she was named Utah’s Poet Laureate and received a 2019 Academy of American Poets’ Poets Laureate Fellowship. 
  • adrian matejkaAdrian Matejka was born in Nuremberg, Germany and grew up in Indianapolis, Indiana. He is a graduate of Indiana University and the MFA program at Southern Illinois University Carbondale. He is the author of The Devil’s Garden, which won the New York/New England Award, and Mixology, a winner of the 2008 National Poetry Series. Mixology was also a finalist for an NAACP Image Award for Outstanding Literature. His third collection, The Big Smoke, focuses on Jack Johnson, the first African American heavyweight champion of the world. The Big Smoke was awarded the 2014 Anisfield-Wolf Book Award and was also a finalist for the 2013 National Book Award, the 2014 Hurston/Wright Legacy Award, and the 2014 Pulitzer Prize in poetry. His most recent book, Map to the Stars, was published by Penguin in 2017. Among Matejka’s other honors are the Eugene and Marilyn Glick Indiana Authors Award, the Julia Peterkin Award, a Pushcart Prize, and fellowships from the Bellagio Center, the Guggenheim Foundation, the Lannan Foundation, and a Simon Fellowship from United States Artists. He teaches at Indiana University in Bloomington and is Poet Laureate of Indiana. 

Saturday, September 21

6:00 a.m. – 9:30 p.m.: The Emily Dickinson Poetry Marathon

marathonOur epic, one-day reading of all 1,789 of Emily Dickinson’s poems! Participants are welcome to stay for the whole event, or stop by throughout the day. The location event will move throughout the day. From 6:00 to 10:30 a.m., the Marathon will take place in the Homestead parlors. From 10:30 a.m. to 4:00 p.m., the Marathon will take place under the Main Stage tent on the Museum lawn. At 4:00 p.m., the Marathon will move back to the parlors. 

10:00 a.m. – 11:30 a.m.: Drawing Poems and Writing Pictures: A Workshop for Children and Adults

In this family-friendly workshop, multilingual poet María Luisa Arroyo will warmly welcome and guide participants to draw pictures and write new poems. Multicultural and multilingual children’s books, such Francisco Alarcón’s Poems to Dream Together, will inspire participants of all ages and stages to create images and poems using their family or heart language(s). At the end, María Luisa will encourage participants to share their new work. 

  • Location: The Woodbury room at the Jones Library
  • More about the facilitator: Born in Manatí, PR and raised in Springfield, MA, María Luisa Arroyo was educated at Colby (BA), Tufts (MA), and Harvard (ABD). Her poems appear in many journals, including The Common and Calyx. Destierro Means More than Exile, her latest chapbook, is her homage to thirty-two women poets. In recognition of her community workshops and readings, she was named Springfield’s Poet Laureate from 2014 to 2016 and was a 2016 NEPR Arts and Humanities Awardee.
  • Space for this event is limited. Our registration form is closed, but we expect there to be plenty of space!

10:00 a.m. – 11:30 a.m.: “I See What You’re Saying”: A Poetry and Visual Arts Collaboration Workshop

If a poet creates pictures with words, and an artist tells stories with images, what narrative possibilities emerge when the two work in tandem? This dynamic workshop will share inspiration, strategies, and prompts for creating imagery in response to words, creating words in response to imagery, and experimenting with the real-time collaborative high jinks of mixing the two. Participants will look at highlights from landmark collaborations by Frank O’Hara and Larry Rivers, Anne Carson and Bianca Stone. This workshop is perfect for all levels in either writing or visual art. Participants will leave feeling electrified by new ways of thinking and creating and with an original visual/verse piece! 

  • Location: The Emily Dickinson Museum
  • More about the facilitators: Margot Douaihy, PhD, is the author of Scranton Lace, the Lambda Literary Finalist Girls Like You, and I Would Ruby If I Could. Her book Bandit/Queen: The Runaway Story of Belle Starr, is forthcoming with Clemson University Press in 2020. Her poetry has been featured in PBS NewsHour, The Madison Review, The South Carolina Review, and The Tahoma Review. Bri Hermanson is a scratchboard illustrator whose clients include Houghton Mifflin Harcourt, Tor Books, SKYY Vodka, Pentagram, Xerox, Philanthropy Magazine, the American Bar Association, Southern Poverty Law Center, Guitar World, Grand Ten Distillery, and Complex Magazine. She also serves as the president of ICON11, The Illustration Conference. Her work has been recognized by the Society of Illustrators, American Illustration, Creative Quarterly, Luerzer’s Archive, Applied Arts, the Altpick Awards, the Society of Illustrators of Los Angeles, and the 3×3 Directory.
  • Space for this event is limited, and registration is now closed.

12:00 p.m. – 2:00 p.m.: Calling All Poets! A Family Writing Workshop

Spend the afternoon writing poetry in Emily Dickinson’s garden. Led by children’s author and Emily Dickinson Museum tour guide Burleigh Muten, this workshop is designed for all ages.

  • Location: The Emily Dickinson Museum
  • More about the facilitator: Burleigh Muten became a guide at the Emily Dickinson Museum when she retired from classroom teaching. She has since designed a summer writing camp for young authors at the Museum that focuses on Dickinson’s life and work. Her middle grade verse novel, Miss Emily, is about the playful friendship that Dickinson enjoyed with the children in her life. 

12:30 p.m. – 2:30 p.m.: A Poetry Masterclass with Aimee Nezhukumatathil

Hone your craft with Pushcart Prize-winning poet and Amherst Poetry Festival headliner, Aimee Nezhukumatathil!

  • Location: The Powerhouse
  • More about the facilitator: Born to a Filipino mother and Malayali Indian father, Aimee Nezhukumatathil is the author of four award-winning books of poetry. She is also known for her dynamic and joy-filled teaching. She has twice served as a faculty member for the Kundiman Asian American Writers’ Retreat. Her books are widely adopted for high schools, colleges, and universities as part of contemporary poetry, women’s studies, and Asian-American literature classes; and she has been a featured reader at over a hundred venues across the globe from Amsterdam to Singapore. In 2014, Nezhukumatathil became one of the country’s youngest poets to achieve the rank of full Professor of English. During the 2016-17 academic year, Nezhukumatathil was the John and Renee Grisham Writer-in-Residence at The University of Mississippi. She is now professor of English and teaches environmental literature and poetry writing in the MFA program of the University of Mississippi.
  • Parking for this program is in the Amherst College O’Connell lot on Dickinson Street, about a two-minute walk away

1:00 p.m. – 2:30 p.m.: Poetry and Curiosities of the Sciences

Emily Dickinson, a passionate botanist and observer of nature, often used close observation to ask questions and illuminate essential truths. In this workshop, participants will examine poems that feature intersections of science and poetry and discuss the ways in which a scientific approach to the creative process could inform their practice.

  • Location: The Emily Dickinson Museum
  • More about the facilitators: Amy Dryansky is the author of Grass Whistle, winner of the Massachusetts Book Award for poetry, and How I Got Lost So Close to Home. Her poems are included in several anthologies and appear in a variety of journals, including Barrow Street, Harvard Review, New England Review, Memorious, Orion, The Sun, and Tin House. She is Director of the Culture, Brain, & Development program at Hampshire College. Polina Barskova was born in Leningrad in 1976 and began writing poetry at the age of eight. She published her first book of poetry, Christmas, in 1991. Her tenth book of poetry, A Sunny Morning in the Square, was published in Saint Petersburg last year. Barskova now lives in Amherst, where she teaches Russian literature at Hampshire College and works on a number of projects dedicated to culture and poetry in besieged Leningrad.

3:00 p.m. – 4:30 p.m.: “To Boldly Go”: Space Poems, Imagination, and Exploration

Explore the edges of the universe and return with essential observations. In this panel, poets will share work that orbits subjects as far-ranging as love, ecology, politics, and law, highlighting the way these poems use scientific data gathered by increasingly sophisticated technologies and the speculative power of the imagination. There will also be a question and answer session and group discussion about the craft of writing poems that look to the stars while speaking to our terrestrial existence.

  • Location: The Powerhouse
  • More about the facilitators: Heather Hughes is a Miami-native, a poet, an Associate Editor at Harvard University Press, and a letterpress printer whose work has been displayed at NASA. Her poems recently appear in Barrow Street and Pleiades. Ellen Goldstein is a poet and co-editor of Letters to the World and author of Stuff Every Beer Snob Should Know. Her poems and essays appear in StorySouth, Post Road, The Common, Tahoma Literary Review, and Lunch TicketHannah Larrabee‘s full-length poetry collection Wonder Tissue (Sept 2019) won the 2018 Airlie Press Prize. She was selected by NASA to see the James Webb Space Telescope in person, her poems were displayed at Goddard Space Center, and she was awarded an Arctic Circle Residency for 2020. 
  • Parking for this program is in the Amherst College O’Connell lot on Dickinson Street, about a two-minute walk away

5:00 p.m. – 6:30 p.m.: “Who Wore It Better?”

Emily Dickinson’s poetry has inspired countless composers to set her texts to song. Soprano Molly Fillmore and pianist Nadine Shank will present pairs of songs with the same Emily Dickinson poem set by two separate composers. Audience members will then be asked “Who Wore It Better?” and vote on the song of their choice! This promises to be a fun event designed to introduce a sample of the hundreds, if not thousands, of songs inspired by the art of Emily Dickinson.

  • Location: Center for Humanistic Inquiry at Amherst College
  • More about the facilitators: Molly Fillmore, Professor of Voice at the University of North Texas, made her Metropolitan Opera debut in their newest Ring Cycle and in a principal role in Satyagraha. Other engagements include the San Francisco Opera, the Seattle Opera, the Washington National Opera, the Spoleto Festival, and twenty-five roles with the Cologne Opera. She was a soloist with the Boston Symphony, Seattle Symphony, and Detroit Symphony, and she has performed at Carnegie Hall, Avery Fisher Hall, and the Kennedy Center. Pianist Nadine Shank is Professor of Piano and Collaborative Piano at UMass Amherst and is Principal Pianist with the Springfield Symphony Orchestra. She has performed in festivals in England, Scotland, Germany, Virgin Islands, Netherlands, Croatia, Canada, Phillips Collection D.C., Edinburgh Fringe, Blossom, Monadnack Music, and Mohawk Trail Festivals. She soloed with the West Point Band, the Springfield Symphony and recently made the first CD recording of the David Maslanka Concerto No. 3 with UMass Wind Ensemble. Ms. Shank has recorded 17 CDs and her Play-Alongs for Saxophone and Clarinet have been used by educators and students for several decades.

8:00 p.m. – 11:00 p.m.: Saturday Reading with Paige Lewis and Aimee Nezhukumatathil and Late Night Garden Party with Look Park

paige lewisDon’t miss our second evening of poetry readings! Join us in Emily Dickinson’s garden to hear the powerful work of our headlining poets. Then celebrate another year of poetry in the Pioneer Valley with live music from Look Park, book signings, and refreshments under the stars.

  • Location: The Emily Dickinson Museum
  • More about the readers: Paige Lewis is the author of Space Struck. Their poems have appeared in PoetryAmerican Poetry Review, Ploughshares, The Georgia Review, and elsewhere. They currently teach at Purdue University and in the low-residency MFA program at Randolph College.
  • Aimee Nezhukumatathil is the author of four books of poetry: Oceanic, Lucky Fish, the winner of the Hoffer Grand Prize for Prose and Independent Books, At the Drive-In Volcano, and Miracle Fruit. With Ross Gay, she co-authored Lace & Pyrite, a chapbook of nature poems. She is the poetry editor of Orion and her poems have appeared in the Best American Poetry series, American Poetry Review, New England Review, Poetry, Ploughshares, and Tin House. Awards for her writing include an NEA Fellowship in poetry and the Pushcart Prize. She is professor of English and creative writing in the MFA program of the University of Mississippi.

Look Park begins their set around 9:15PM. Their self-titled debut album was hailed as “one of the best rock albums of the year” in 2016 by Salon magazine.  Chris Collingwood, lead singer and founding member of Fountains of Wayne, fronts this band. Their sound features his pop sensibilities and unmistakable vocals he made famous in Fountains. 

The Look Park touring band features Philip Price of Northampton faves Winterpills, and Scott Klass of the NYC group The Davenports.

Sunday, September 22

1:30 p.m. – 2:30 p.m. Poetry, Strength, and Sprint: A Generative Workout with Alicia Mountain, hosted by jubilat

Get the blood of your poetry practice pumping with an hour of new writing. This prompt-based session will emphasize drafting work with efficiency, stretching voice and image, and identifying strength. With practical generative exercises and room to share the lines that make you proud, this workshop champions poetry of all styles and poets of all sorts. Bring your writing materials; leave with new beginnings, new poet muscles.
  • Location: Amherst Room at the Jones Library
  • More about the facilitator: Alicia Mountain’s debut collection, High Ground Coward, was selected by Brenda Shaughnessy to win the Iowa Poetry Prize. She is also the author of the Thin Fire, selected by Natalie Diaz and published by BOAAT Press. She is a lesbian poet and a Clemens Doctoral Fellow at the University of Denver. Mountain earned her MFA at the University of Montana in Missoula. She lives in New York.

3:00 p.m.: jubilat/Jones Reading with Melanie Maria Goodreaux and Alicia Mountain

Sad the Festival is almost over? Squeeze in one last round of poetry with jubilat’s annual reading at Jones Library! The reading will be followed by a question and answer session.

  • Location: Goodwin Room at the  Jones Library
  • More about the poets: Melanie Maria Goodreaux, author of Black Jelly, is a poet, playwright, fiction writer, and director-dramatist from New Orleans, Louisiana, living, writing, and creating in New York City. Alicia Mountain’s debut collection, High Ground Coward, was selected by Brenda Shaughnessy to win the Iowa Poetry Prize. She is also the author of the Thin Fire, selected by Natalie Diaz and published by BOAAT Press. She is a lesbian poet and a Clemens Doctoral Fellow at the University of Denver. Mountain earned her MFA at the University of Montana in Missoula. She lives in New York.

Support the Festival

Your support makes the Amherst Poetry Festival possible! Contributions to the 2019 Festival will be used to underwrite costs for featured poets, Slam Poetry Contest prizes, local educational outreach, and workshop supplies. Every contribution helps to celebrate the poetic legacy of Emily Dickinson and the contemporary creativity of the Pioneer Valley and beyond. You can donate now by visiting our donation page. Thank you!

The 2019 Amherst Poetry Festival Steering Committee:

Brooke Steinhauser, Emily Dickinson Museum Program Director 
Elizabeth Bradley, Emily Dickinson Museum Program Coordinator
Michael Medeiros, Managing Editor jubilat Magazine
Michael Mercurio, Associate Editor of the Naugatuck River Review
Janet Ryan, Head of Programming and Outreach at Jones Library
Ann Tweedy, Marketing Director of Amherst’s Business Improvement District

Thank you to our generous Festival sponsors and partners!


  • Community Foundation of Western Massachusetts
  • Beveridge Family Foundation
  • Amherst Business Improvement District
  • Massachusetts Cultural Council
  • Hampshire Hospitality Group
  • Atkins Country Farms


  • Amherst College
  • Amherst Works
  • Amherst Books
  • Amherst Inn
  • Amherst Regional High School
  • Jones Library
  • jubilat Literary Journal
  • Springfield Renaissance High School
arts night plus

Amherst Arts Night Plus Open Mic, October 3, 2019

Join us at the Emily Dickinson Museum during Amherst Arts Night Plus on October 3, 2019 for our monthly Open Mic. Poets, writers, and performers of any kind are welcome! Come early to view the pop-up, contemporary art exhibition in the Homestead by our featured artist. The open mic begins at 6:00 p.m. and will be followed by this month’s featured readers. Those who would like to share their work should arrive between 5:00 and 6:00 p.m. to sign up.

This month’s featured reader and artist will be announced at a future date. Check back soon for more information!


eric nathan

“Some Favored Nook”: A Song Cycle by Eric Nathan, October 6, 2019

4PM-5:30PM at The Amherst Woman’s Club, 35 Triangle Street, Amherst

“moving… momentous… captivatingly rich… breathtaking… stunning…
a work that deserves to be heard again and again.” —TheaterJones

The Emily Dickinson Museum is pleased to present “Some Favored Nook,” a song cycle by Eric Nathan inspired by the significant correspondence between Emily Dickinson and Thomas Wentworth Higginson. Eric Nathan’s original composition places Dickinson and Higginson’s writings at the center of the music, using these pivotal texts as a lens through which to view the social, political, and cultural issues of this chapter in American history. Filled with themes of abolition, civil rights, women’s rights, the effects of war, love, and death, the song cycle will be performed on Sunday, October 6.

Dickinson’s and Higginson’s correspondence spanned twenty-four years and offers an intimate look into Dickinson’s private world as well as to Higginson’s involvement in major social and political issues of the day, as the commanding officer of the First South Carolina Volunteers, the first black regiment in the Civil War. Higginson was also a noted supporter of women poets, and published the first collection of Dickinson’s poetry after her death. The composer has set excerpts from Dickinson’s letters and poems she sent to Higginson. As many of Higginson’s letters in reply are lost, texts are set from Higginson’s own essays and diaries from his “Army Life in a Black Regiment,” giving an important historical context to Dickinson’s work.

Tickets for this event may now be purchased online.

Please email for more information.

About the artists:

Eric Nathan, Composer

Eric Nathan‘s music has been called “as diverse as it is arresting” with a “constant vein of ingenuity and expressive depth” (San Francisco Chronicle), “thoughtful and inventive” (The New Yorker), and “clear, consistently logical no matter how surprising the direction, and emotionally expressive without being simplistic or sentimental” (New York Classical Review). Nathan is a 2013 Rome Prize Fellow and 2014 Guggenheim Fellow, and has garnered acclaim internationally through performances by Andris Nelsons and the Boston Symphony Orchestra, National Symphony Orchestra, Berlin Philharmonic’s Scharoun Ensemble, soprano Dawn Upshaw, violinist Jennifer Koh, at the New York Philharmonic’s 2014 and 2016 Biennials, and at the Tanglewood, Aspen, Aldeburgh, Cabrillo, Yellow Barn, and MATA festivals. Nathan currently serves as Assistant Professor of Music in Composition-Theory at the Brown University Department of Music.

Tony Arnold, Soprano

“Soprano Tony Arnold is a luminary in the world of chamber music and art song.  Today’s classical composers are inspired by her inherently beautiful voice, consummate musicianship, and embracing spirit” (Huffington Post).  Hailed by the New York Times as “a bold, powerful interpreter,” she is internationally acclaimed as a leading proponent of contemporary music in concert and recording, having premiered hundreds of works by established and emerging composers.  Since becoming the first-prize laureate of both the 2001 Gaudeamus International Competition (NL) and the 2001 Louise D. McMahon Competition (USA), Tony Arnold has collaborated with the most cutting-edge composers and instrumentalists on the world stage, and shares with audiences her “broader gift for conveying the poetry and nuance behind outwardly daunting contemporary scores” (Boston Globe).  Her unique blend of vocal virtuosity and communicative warmth, combined with wide-ranging skills in education and leadership were recognized with the 2015 Brandeis Creative Arts Award, given in appreciation of “excellence in the arts and the lives and works of distinguished, active American artists.”

William Sharp, Baritone

Praised by the critic of the New York Times as a “sensitive and subtle singer” who is able to evoke “the special character of every song that he sings,” baritone William Sharp continues to garner critical acclaim for his work in concerts, recitals, operas and recordings. In the summer of 2019, he sings Pergolesi’s Stabat Mater with American Bach Soloists, a recital of Schoenberg and Weill at the Phillips Collection in Washington, D.C., and a recital of Farwell songs in a return to the Washington National Cathedral. Among Mr. Sharp’s engagements in the 2019-20 season are Bach’s St. John Passion with Tafelmusik.

Molly Morkoski, Pianist

Pianist Molly Morkoski has performed as soloist and collaborative artist throughout the U.S., Europe, the Caribbean, and Japan.  Her playing has been recognized by The New York Times as “strong, profiled, nuanced . . . beautifully etched . . . .  an energetic and focused player . . . .  with flexibility and warmth . . .” and The Boston Globe called her “outstanding.”  In 2007, she made her solo debut in Carnegie Hall’s Stern Auditorium/Perelman Stage playing Beethoven’s Bagatelles, Op. 126.  As a soloist, she enjoys championing the classics, such as Bach’s Goldberg Variations and contemporary masterworks such as Ives’ Concord Sonata and Messiaen’s Vingt regards sur l’enfant-Jésus, as well as premiering new works of current composer colleagues, such as John Harbison, Steven Mackey, and Gabriela Lena Frank.  Molly Morkoski has performed in many of the country’s prestigious venues, including Weill and Zankel Halls, Alice Tully Hall, Merkin Hall, (Le) Poisson Rouge, Boston’s Gardner Museum and Jordan Hall, St. Louis’ Powell Hall, Philadelphia’s Kimmel Center, and Washington D.C.’s Smithsonian.  Internationally, she has performed at the Teatro Nacional in Santo Domingo, the Strasbourg Conservatoire, the U.S. Embassies in Paris and Nice, and in Japan’s Suntory Hall.  She has performed concertos with the Raleigh, Asheville, University of North Carolina at Chapel Hill, and Tuscaloosa Symphonies, and with the Moravian Philharmonic Orchestra. 

field school

Findings from the Archaeology Field School, October 13, 2019

Two volunteers dig in the garden at the Emily Dickinson Museum4:30PM-5:45PM at the Emily Dickinson Museum Homestead

On October 13, view Emily Dickinson’s world through the eyes of an archaeologist. Join us for a presentation at the Emily Dickinson Museum by the faculty and students of the University of Massachusetts Amherst Archaeological Field School as they present findings from their work at the Emily Dickinson Museum. Students will share their pivotal discoveries that shed new light on the archaeological underpinnings of the Dickinson home. Find out firsthand how archaeology informs the Museum’s preservation and restoration projects! This program is free and open to the public, and is offered as part of Massachusetts Archaeology Month.

For more information, please email

poetry discussion group

Poetry Discussion Group, October 18, 2019

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters. Featured facilitators offer fresh perspectives on Dickinson’s poetry each month. Past topics have included Tropic Hints, Emily Dickinson’s Planet, the Color White, and Emily Dickinson’s Varmints. The Poetry Discussion Group meets at the Center for Humanistic Inquiry, on the second floor of Amherst College’s Frost Library. Participants should proceed directly to the Library and do not need to stop at the Museum. While no RSVP is required, participants are invited to email to receive a list of poems for discussion. Attendees are welcome to bring a bag lunch. Beverages and a sweet snack are provided.

October’s Poetry Discussion Group will meet on October 18, 2019 at 12PM. The monthly topic and facilitator will be announced at a future date.