Hailee Steinfeld dressed in character as Emily Dickinson

Press Release:
Apple TV+ Gifts Set Pieces and Costumes to Museum

THE EMILY DICKINSON MUSEUM RECEIVES DONATION
OF SETS, PROPS AND COSTUMES
FROM APPLE TV+’s DICKINSON SERIES

The donation to the Museum made by Apple TV+ and wiip Productions includes over 300 items from the sets of Dickinson and over 100 costume pieces.

Hailee Steinfeld dressed in character as Emily Dickinson

(AMHERST, Mass., December 10, 2021) – The Emily Dickinson Museum today announced a major gift from the Apple TV+ and wiip Productions award-winning series Dickinson, of a full range of set pieces, costumes and props. The gift includes antique furniture and objects acquired by the show to furnish as authentically as possible the sets of the Dickinson residences, the Homestead and the Evergreens, as well as costumes worn by the principal actors. 

Created by Alena Smith, Dickinson is a half-hour comedy series that audaciously explores the constraints of society, gender and family from the perspective of the rebellious young poet, Emily Dickinson. Set in the 19th century, the series is a coming-of-age story that has helped the poet gain hero status among millennials. The series stars Hailee Steinfeld, Toby Huss, Ella Hunt, and Jane Krakowski, and has included guest appearances from Wiz Khalifa, John Mulaney, Zosia Mamet, and Nick Kroll. The third and final season began streaming on Apple+ on November 5, 2021.

The production worked closely with the Emily Dickinson Museum throughout its filming. During pre-production, various members of the production crew visited the Museum in Amherst, Mass., to study the architecture and floor plans of the two homes. Principal actors toured the Museum as they worked on inhabiting members of the Dickinson family and their circle. As the series unfolded, researchers and production staff regularly reached out to the Museum to track down details of family friends and acquaintances, the look and feel of nineteenth century Amherst, and the gardens and grounds, among other topics.

“I can’t imagine a more meaningful conclusion to the journey of making Dickinson than giving this gift to the Dickinson Museum,” said Creator and showrunner Alena Smith. “It is the greatest end to the story I wanted to tell, and makes me feel so proud that these pieces of our production will contribute to Emily’s legacy and help the Museum in its mission of deepening scholarly and historic preservation. I love that the show was able to introduce Emily to new generations around the globe, and that it will continue to help make the Museum a place of even more international prominence. Just to know that in 20 years fans can come to the Museum and see a lasting piece of the Dickinson world we built is amazing to me. It makes my heart sing.”

“The Dickinson show and the Museum share the goal of amplifying Emily Dickinson’s powerful and revolutionary poetic voice,” said Museum Executive Director Jane Wald, “and we’re thrilled that the show has introduced so many to that voice. This wonderful gift from Dickinson, AppleTV+, and wiip Productions is inspired by Dickinson’s poetic legacy–one that inspired the show in the first place and that endures not only here at her home but, as it should, throughout the world.”Photo of 3 Dickinson costumes from the series on mannequins

Antiques from the set of Dickinson are appropriate to the time period of the Dickinson residences that comprise the Museum and were sourced in the same ways the Museum would have done so to acquire appropriate objects for its collection. While these items from the show do not have Dickinson provenance, they will augment the Museum’s collection of original furnishings to imbue the rooms of the Museum with greater immersive power. Future visitors will encounter some of these objects in more fully furnished spaces and enjoy an expanded opportunity to engage with the trappings of daily life at the Homestead and The Evergreens. 

On December 10, 2021, the Emily Dickinson Museum presented a closer look at the items from the donation during the annual Emily Dickinson Birthday Celebration, which marked the 191st anniversary of the poet’s birth. Including interviews with production designers, as well as behind-the-scenes looks at the ongoing Homestead restoration, this virtual program drew a global audience from over 60 countries.

The Museum is currently closed while it is undergoing a major restoration project and will reopen in Spring 2022. 

For images, please visit: bit.ly/DickinsonGiftPhotosEDM

ABOUT THE EMILY DICKINSON MUSEUM

The Emily Dickinson Museum: The Homestead and The Evergreens is dedicated to sparking the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home.

The Emily Dickinson Museum is owned by the Trustees of Amherst College and overseen by a separate Board of Governors. The Museum is responsible for raising its own operating and capital funds. The Museum is proud to celebrate the bicentennial of Amherst College. The Dickinson family were intimately connected with Amherst College in its first 75 years, beginning with the poet’s grandfather, who helped to found the institution. The College was an early and lasting influence in the poet’s own life, playing an inestimable role in her early education and friendships, and later connecting her to an ever-widening local and global community.

The Emily Dickinson Museum is a member of Museums10, a collaboration of ten museums linked to the Five Colleges in the Pioneer Valley—Amherst, Hampshire, Mount Holyoke, and Smith Colleges, and the University of Massachusetts Amherst.

Homestead in the snow

Major Restoration Project Launches

The Emily Dickinson Homestead embarks on the next phase of historic restoration. 
This project will restore more of the National Historic Landmark home of one of America’s greatest poets to its period of historic significance.

Homestead in the snow

(Amherst, MA, February 17, 2021) – The Emily Dickinson Museum is embarking on the most significant restoration project to date of the interior architectural features, finishes, and furnishings of the revered poet’s Homestead. The project will also address long-term stabilization with the introduction of new environmental regulating systems in both the Homestead, the historic birthplace and home of Emily Dickinson, and The Evergreens, the Italianate home of Emily’s brother Austin and beloved sister-in-law Susan Gilbert. This work is the first step in an ambitious long range vision that aims to establish the Museum as the premier center for the study and celebration of the life and work of Emily Dickinson.

The project launches at a time of renewed and growing interest in Emily Dickinson and the revolutionary poetic voice she honed from her home in Amherst. Hailed recently as the ‘Original Queen of Social Distancing’, Dickinson and her work have been particularly resonant this past year. New interpretations and citations include Apple TV+’s hit series Dickinson, the new Taylor Swift album Evermore, the intimate work of Nobel Prize winner Louise Glück, and the philanthropy of MacKenzie Scott. The Emily Dickinson Museum has also happily found itself at the center of this buzz, attracting thousands of individuals from nearly 70 countries to its Virtual Programs over the past 6 months alone.

Museum Executive Director Jane Wald says, “We’re of course thrilled with the recent wave of interest in Emily Dickinson, and particularly in the home so intimately connected to her work. The Museum is committed to providing visitors with an increasingly authentic experience of the homes and grounds inhabited by the Dickinson family, and this restoration will have a profound impact on that experience. It will not only triple the amount of restored space in the Homestead accessible to guests, but also add critical details to their understanding of Dickinson’s daily life, especially as we introduce exciting new programs and interpretive themes in the coming years as part of our long range plan.”

Wald indicated that the project is able to kick-off earlier than planned in part because of funding made available through the generosity of the late William McC. Vickery–a longtime board member and champion of the Museum–for just such ‘bricks and mortar’ projects, as well as the Board of Governors’ decision to take advantage of the Museum’s extended COVID-related closure. Construction will last through 2021. While closed for restoration, the Museum will continue to actively engage audiences around the world through its schedule of online programs (EmilyDickinsonMuseum.org/events-news).

The Restoration Plan
With funding from the Massachusetts Cultural Facilities Fund, the Emily Dickinson Museum retained Mesick Cohen Wilson Baker Architects to produce a Design Development Report for the original portion of the Homestead built by the poet’s grandfather in 1813. The Museum also retained historic decorative arts consultant Marylou Davis to research, recommend, and, in some cases, reproduce the finishes and decor of the nineteenth-century Homestead. With the completion of work described in these studies, the Homestead will be on its way to being fully restored to its period of mid-nineteenth century historical significance, as Emily Dickinson would have known it.
 
Previous restoration projects – Emily Dickinson’s bedroom, conservatory, family library, and heirloom orchard – have created for visitors dynamic and personal encounters with the poet’s world available nowhere else. This, in addition to the purchase of adjacent property on Triangle Street to house administrative staff, has begun to allow the Homestead to shed multiple functions and regain its authenticity as Emily Dickinson’s own home and creative space.
 
Hallways
Investigation of the hallways has yielded fragments of original period-specific wallpaper, which confirm that Emily Dickinson passed through corridors and open halls decorated in a colorful gothic stylized floral pattern. Paint analysis reveals the precise paint colors for the woodwork. Restoring their authentic nineteenth-century appearance on the first and second floors of the Homestead, will reinstate the largest canvasses portraying the atmosphere of the home.
 
Parlors
The restored parlors will recapture the essentials of the Dickinsons’ daily life and interests in music, needlework, reading, art, civic and business affairs, and entertaining. The rooms will be decorated, as reported by Emily Dickinson’s niece, in wallpaper “white with large figures” and a carpet woven with “a great basket of flowers, from which roses were spilling all over the floor to a border of more flowers at the edge.” They will be furnished with items acquired at the time of Edward and Emily Norcross Dickinson’s marriage in 1828, as well as those acquired to keep their home reasonably in step with fashion.
 
Northwest Chamber
The second-floor northwest chamber adjacent to Emily’s room, the space where her mother, Emily Norcross Dickinson, spent the last years of her life, will include the reproduction of wallpaper based on found fragments, removal of modern floorboards, furnishing with Dickinson family artifacts, among other details. The restored northwest chamber will illuminate nuanced family relationships and the significance of health and healthcare in Dickinson’s life.
 
Implementation of Environmental Regulating Systems
The Homestead and The Evergreens will be equipped with new heating and cooling systems that will provide the level of temperature and humidity control that historic house museums need to protect their collections. The new systems will replace aging and limited residential systems and will contribute to the Museum’s long-term preservation and stewardship goals. “With behind-the-scenes installation of mechanical systems taken care of,” said Wald, “we’ll be able to focus on the fascinating work of further restoration and educational programming.” 

Project Resources

For press-approved images, please visit: bit.ly/EDMRestorationPhotos
For additional images, please reach out to publicrelations@emilydickinsonmuseum.org
 
This phase of the project has been funded in part by a generous gift from the late William McC. Vickery (Amherst College ‘57) and in part by the National Endowment for the Humanities.
 
The next and final phase of the Homestead restoration project will return the property’s service wing (kitchen, laundry, and servants’ quarters) and east addition (dining room and bedchamber) to their period of historic significance at an estimated cost of $1M. Fundraising is underway for this and other projects outlined in the Museum’s recently approved Long Range Plan. 
 
We welcome partners interested in helping us build capacity for this important phase of the Dickinson Homestead Restoration. Make a donation today to make this work possible.
 
ABOUT THE EMILY DICKINSON MUSEUM
The Emily Dickinson Museum: The Homestead and The Evergreens is dedicated to sparking the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home.
 
Owned by the Trustees of Amherst College, the Emily Dickinson Museum is overseen by a separate Board of Governors and is responsible for raising its own operating and capital funding. 
 
The Emily Dickinson Museum is a member of Museums10, a collaboration of ten museums linked to the Five Colleges in the Pioneer Valley—Amherst, Hampshire, Mount Holyoke, and Smith Colleges, and the University of Massachusetts Amherst.

My Emily Dickinson:
Video Gallery and Story Collecting Project

In honor of Emily Dickinson’s 190th birthday in December of 2020, the Museum collected your stories from around the world. So many of us feel a deep connection to Dickinson’s life, her poetry, or to both. Some of us read her work as young students in school and become curious about the woman who lowered gingerbread from her window; others of us do not find Dickinson until we are older and her poetry’s themes of loss and hope begin to resonate profoundly; still others find that Dickinson’s wit and fierce individuality is a touchstone. This project sought to document the many Emily Dickinsons that exist in the hearts of contemporary readers. We received fifty participant videos from as close as Amherst to as far away as Albania. 

This video gallery offers a range of perspectives on Dickinson from a diverse group of her readers who generously shared their stories of strange Dickinson encounters, first meetings, and deeply felt connection. We are very grateful to these story-tellers and we hope you enjoy their collective message of Dickinson’s enduring relevance in our lives today.

 

Text from poem fr660: "I Took my Power in my Hand - And went against The World -"

Statement in Solidarity with Black Lives Matter

Text from poem fr660: "I Took my Power in my Hand - And went against The World -"

 

This statement was originally released on June 3rd 2020:

Today, in our distress over recent devastating events, we stand with our community and with the Black Lives Matter movement against racial injustice and inequality. We recognize that real change is necessary both in our country and in our museum.⁣

We believe that museums are not neutral: they should be part of public conversations on contemporary issues such as racism, injustice, and oppression. Museums have long been institutions that hold and reflect cultural values and collective memory. Now, they have an even greater responsibility to be active participants in challenging age-old and contemporary systems of oppression. ⁣

Like other museums, the Emily Dickinson Museum has a duty to examine the history it teaches and to expand the stories it tells. Emily Dickinson lived through a catastrophic Civil War rooted in racial injustice and oppression. Her family was part of a society that benefited from the labor of immigrants, African Americans, and Native Americans in service to a privileged White majority. The poet’s literary work was made possible by the labor of these domestic servants. The Emily Dickinson Museum strives to tell this full story. Our new interpretive plan will place greater emphasis on the perspectives of Irish, Native American, and free Black workers in the Dickinson households, making plain issues of race and class in Dickinson family daily life. ⁣

At the Emily Dickinson Museum we recognize that this interpretive work is but one step in the greater effort to increase diversity, equity, inclusion, and access for audiences, staff, and leadership in institutions like ours. Dickinson’s revolutionary poetic voice became an agent of change, both in the literary canon and in the lives of individuals who find depths of meaning in her account of our human condition. As an institution, we are committed to the continuous work of change that museums can and should be doing to build an equitable society.

vickery

Exciting News of an Extraordinary Gift

THE EMILY DICKINSON MUSEUM RECEIVES A $22 MILLION GIFT AS PART OF A $25 MILLION BEQUEST TO AMHERST COLLEGE FROM THE LATE WILLIAM MCC. VICKERY ‘57

The Endowed Gift, the Largest Ever Received by the Museum, is to be Used for the Maintenance and Improvement of Its Buildings, Grounds and Collections

The Remainder Will Fund the Maintenance of Pianos for the College’s Music Department

(AMHERST, Mass., June 5, 2019) — Amherst College today announced a gift of approximately $25 million from the late William McC. Vickery ’57 to the College’s endowment, approximately $22 million of which is designated for use by the Emily Dickinson Museum in Amherst, Mass. The transformative gift, the largest ever received by the museum, will be known as the “William McCall Vickery ’57 Emily Dickinson Fund” and is specifically earmarked for the maintenance and improvement of its buildings, grounds and collections. Vickery, who was a devoted Amherst alumnus, volunteer, employee and supporter, also was a founding member of the Dickinson Museum’s board of governors.

The Emily Dickinson Museum was founded in 2003 when the neighboring house, The Evergreens, a 19th-century Dickinson home, was transferred to the College. (The Dickinson Homestead has been owned by the College since 1965.). Today, the Museum includes those two historic structures, three acres of the original Dickinson landscape, and more than 7,000 objects. The Museum, a part of Amherst College, earns and raises independently the majority of its own resources.

Of Vickery’s gift, Amherst College President Biddy Martin said, “There was no aspect of Amherst’s mission that did not interest him, no area of the College that did not benefit from his energetic, wry, and deeply insightful engagement. His gift to the Emily Dickinson Museum is a gift to us all and to generations to come, as is his gift to the College’s Department of Music. Bill understood and he helped ensure that the poetry and music that were special to him will remain at the heart of Amherst.”

A pivotal figure in the Museum’s advancement over the last 16 years, “Bill Vickery truly cherished the Emily Dickinson Museum,” said Executive Director Jane Wald. “He was acutely aware of the importance—and possibility—of restoring Emily Dickinson’s Homestead, her brother’s house, The Evergreens, and the historic gardens and grounds. He was at the lead in every undertaking for the Museum’s improvement, and his quiet enthusiasm was infectious and never deterred. His transformative gift will enable the Museum to become the true center of celebration of Emily Dickinson’s life and work.”

Part of the Vickery’s gift will be used to create the “William McCall Vickery ’57 Piano Fund” to fund the restoring, rebuilding, repairing and purchasing of pianos for the College’s music department. A patron of the music program at Amherst, in 2007, in honor of his 50th reunion, Vickery endowed The William McCall Vickery 1957 Professorship, honoring a senior faculty member who is distinguished by and dedicated to teaching and research of art history or musicology.

John Beeson ‘71, chair of the Board of Governors, said, “Bill’s extraordinary legacy gift will inspire others to support a wide range of projects related both to historic preservation and to the continued expansion of key programs about Emily Dickinson’s life and significance. It will require that continued support to help realize the full potential of Bill Vickery’s vision.”

Born in Savannah, Ga., Vickery attended Ridgewood High School in New Jersey. At Amherst College, he majored in economics and graduated cum laude. After earning an MBA from Harvard Business School, he launched a 27-year career in advertising with Dancer Fitzgerald Sample in New York City. In 1987, Vickery retired as vice chair of the company’s board and chair of DFS International. The year following his retirement, Vickery began his “second career” at his alma mater, holding positions in Advancement and as assistant treasurer until his retirement in 2008. Throughout his life, Vickery contributed generously to more than 26 individual funds at Amherst College, including the Russian Culture Fund, the Robert Frost Statue Fund, the squash courts renovation fund, the Orchestra Fund, the women’s basketball program, and the Choral Society, and he endowed the William McCall Vickery 1957 Professor of the History of Art.

Throughout the years, Vickery’s philanthropy set an example and inspired others to support the Emily Dickinson Museum. He served on its collections and physical plant committee and development committee and was a generous supporter of the Museum’s operations and restoration projects, including the campaign to restore Emily Dickinson’s bedroom in 2014, which Vickery led and championed.

“My husband, Hubbard, and I shared a wonderful friendship with Bill for most of our lives,” said Linda Smith, a member of the Museum’s Board of Governors. “He led us and many others into supporting the Emily Dickinson Museum in so many ways. He believed in the truth and enduring nature of Dickinson’s poetry, and he demonstrated his commitment to the Museum’s future over and over again by his extraordinary generosity.” 

Since its inception, the Museum has welcomed more than 150,000 visitors from 50 countries and serves as the premier center for study, interpretation, and celebration of Emily Dickinson’s place in literature, history, and culture. This generous gift will support the Museum in furthering its mission to spark the imagination by amplifying Dickinson’s revolutionary poetic voice from the place she called home. The Museum is open Wednesday through Sunday, 11 a.m. to 4 p.m. Learn more at www.EmilyDickinsonMuseum.org.

Amherst College prepares students to use ideas to make a difference in the world. Since its founding, in 1821, in Western Massachusetts, Amherst has demonstrated steadfast confidence in the value of the liberal arts and the importance of critical thinking. Today, its financial aid program is among the most substantial in the nation, and its student body is among the most diverse. Small classes, an open curriculum and a singular focus on undergraduate education ensure that leading scholars engage daily with talented, curious students, equipping them for leadership in an increasingly global and complex world. The College will celebrate its bicentennial in 2021.