The Props assist the House -:
Restoring the Homestead (Part 1)
Thursday, July 15, 6-7pm

The Props assist the House
Until the House is built
And then the Props withdraw
And adequate, erect,
The House support itself

– (fragment F729)

VIRTUAL PROGRAM

This program is free of charge, but participants must register in advance and donations are encouraged.
Thursday, July 15, 6-7pm
REGISTER FOR THIS PROGRAM

In the first of a three-part series, go behind the scenes of the restoration of Emily Dickinson’s home with Museum Director Jane Wald. The Emily Dickinson Museum is currently embarking on the most significant restoration project to date of the interior architectural features, finishes, and furnishings of the revered poet’s Homestead. This work will not only triple the amount of restored space in the Homestead accessible to guests, but will also add critical details to our understanding of Dickinson’s daily life by providing a more authentic experience of the house she inhabited. In this virtual program, learn how the documentary record yields clues about this historic house and hear first-hand about the research and decisions that go into restoration work.

Jane H. Wald is Executive Director of the Emily Dickinson Museum. Before beginning her tenure at the Dickinson sites in 2001, she worked at Old Sturbridge Village in Sturbridge, Massachusetts. In her tenure at the Emily Dickinson Museum she has been led several major restoration and documentation studies of the houses, including the reconstruction of the poet’s conservatory, restoration of the poet’s bedroom and library, restoration of the Dickinson hedge and fence, and the creation of the Dickinson property Cultural Landscape Report and The Evergreens Historic Structures Report. Wald is the author of “‘Pretty much all real life’: The Material World of the Dickinson Family,” in the Blackwell Companion to Emily Dickinson (2008), and “The ‘Poet Hunters’: Transforming Emily Dickinson’s Home into a Literary Destination,” in the Emily Dickinson Journal (2018).

Two Anenomes grow in front of the Homestead

“Bloom – is Result – to meet a Flower”: Dickinson’s Flowering Favorites with Marta McDowell
Friday, June 25, 12:30pm

Bloom – is Result – to meet a Flower
And casually glance
Would cause one scarcely to suspect
The minor Circumstance

Assisting in the Bright Affair
So intricately done
Then offered as a Butterfly
To the Meridian –

(Excerpt Fr1308)

This program is free of charge, but participants must register in advance and donations are encouraged.
Register

VIRTUAL PROGRAM

In this beloved poem, Emily Dickinson ends, “To be a Flower, is profound Responsibility – “. Indeed, as the poet knelt on her red wool army blanket to tend her garden across the seasons, she understood the weight of each bloom in her hands as a miraculous force. Observing keenly the lifespan of every blossom, the weather it endured and the fauna it encountered, Dickinson transformed her garden knowledge into hundreds of poems inspired directly by her garden.

In this virtual program, join Marta McDowell, master gardener, landscape historian, and author of Emily Dickinson’s Gardening Life for a close look at blooming cultivars from the Homestead in Amherst. We’ll spend an hour savoring blossoms, stories, and verse gathered from Dickinson’s gardens. Learn to identify these Dickinsonian varieties and listen to the language they inspired from our favorite garden poet.

About Marta McDowell:
Marta McDowell teaches landscape history and horticulture at the New York Botanical Garden and consults for private clients and public gardens. Her book Emily Dickinson’s Gardening Life, was published in 2019. Timber Press also published The World of Laura Ingalls Wilder, New York Times-bestselling All the Presidents’ Gardens, and Beatrix Potter’s Gardening Life, now in its seventh printing. Marta’s newest book, Unearthing The Secret Garden about author Frances Hodgson Burnett, is due out from Timber Press in September 2021. She is the 2019 recipient of the Garden Club of America’s Sarah Chapman Francis Medal for outstanding literary achievement.

To learn more about Marta or purchase her books visit www.martamcdowell.com

Headshots of Alena Smith and Martha Ackmann

A Secret told:
An Evening with Alena Smith and Martha Ackmann
Wednesday, June 30, 7pm

VIRTUAL PROGRAM

Emily Dickinson is having a moment. The enigmatic poet’s popularity has surged in recent years, thanks in part to fresh interpretations and perspectives offered up by a new wave of curious and talented artists, writers, and thinkers.

We’re delighted to invite our donors to join Museum Director Jane Wald as she welcomes Alena Smith, creator of the award-winning Apple TV+ series Dickinson, and Martha Ackmann, author of These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson, to a virtual event broadcast from the Dickinson Homestead in Amherst, MA.

Enjoy a lively conversation about Emily Dickinson and her enduring legacy, while you sip on the evening’s signature cocktail:

The Bee’s Knees

2 ounces gin (for mocktail, substitute w/ 2 ounces of ginger ale)
3/4 oz fresh lemon juice
3/4 oz honey syrup (1 TBSP honey mixed with 1/2 TBSP warm water)

Combine ingredients and shake with ice. Strain and pour into a coupe glass. Garnish with a lemon twist. Enjoy!

This program is free to donors who’ve supported the Museum this past year. To those who have already donated, we sent an email with a complimentary registration link.
Please contact connect@emilydickinsonmuseum.org if you need another invitation by email.
In case you are unable to attend, a recording of the event will be shared to all those who register for the program.

Not a donor, but still want to attend? You’re invited!
Become a donor today and register.

About the speakers:

Alena Smith Alena Smith is a playwright and TV writer. She is the creator, showrunner and executive producer of the critically-acclaimed series “Dickinson” starring Hailee Steinfeld as Emily Dickinson, which recently aired its second season on Apple TV+, and is currently in production on its third. Dickinson won a Peabody Award in the category of Entertainment, and was nominated for a GLAAD Media Award for Outstanding Comedy series.Smith previously served as a writer and producer for Showtime’s The Affair and HBO’s The Newsroom. Variety said of her play Icebergs, which had its world premiere in 2016 at the Geffen Playhouse in Los Angeles, “Smith shows impeccable comic timing, and also knows how to layer her drama with pathos.” Other published plays include The Bad Guys, Plucker, The Lacy Project, and The New Sincerity, which The New York Times called “Splendid… entertaining and thought-provoking… comedy with a poignant edge.”
Learn more: New Yorker

Martha Ackmann is a journalist and author who writes about women who have changed America. Her essays and columns have appeared in The New York Times, Paris Review, and The Atlantic. She also is a frequent commentator for New England Public Radio, and has been featured on CNN, National Public Radio, and the BBC. Martha’s award-winning books include The Mercury 13: The True Story of Thirteen Women and the Dream of Space Flight, Curveball: The Remarkable Story of Toni Stone, First Woman to Play Professional Baseball in the Negro League, and These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson. A long-time member of the Gender Studies Department at Mount Holyoke College, Martha taught a popular seminar on Emily Dickinson in the poet’s house, now the Emily Dickinson Museum, in Amherst, Massachusetts.
Learn more: marthaackmann.com

Virtual Poetry Discussion Group
May 18 & May 28

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters.

Join us on Tuesday, May 18 or Friday, May 28 from 1pm to 2:30pm EST on Zoom. Space is limited. To request a space, please fill out this registration form.

This program is free of charge, but we encourage those who are able to do so to make a donation after the program.

“Receiving Emily: Dickinson’s Addressed Poems”

In this session, we will look closely at the social life Emily Dickinson created with her poetry. While certainly not a social butterfly, Dickinson was nevertheless extensive in her social calls via the poetry she sent in, with, or as letters. What was it like to receive a poem from Emily? Through a discussion of poems and their variants, we will consider the ways she addressed her friends and acquaintances, and how we are addressed by her today. Poems for discussion include: variants of “Except the smaller size” (Fr606); variants of “Your – Riches – taught me – poverty!” (F418) and more.

About the Facilitator
Judith Scholes is Assistant Professor of English at St. Mark’s and Corpus Christi Colleges at the University of British Columbia, in Vancouver, Canada. She has a PhD in English from UBC, and specializes in nineteenth-century American print culture, women’s poetry and editing, and Emily Dickinson. She is currently completing a book that examines the rhetoric of women’s poetry as it emerged in mid-nineteenth century American periodicals, and shaped Emily Dickinson’s understanding and representation of herself as a poet. She is also pursuing a new book-length project that investigates the existence and rhetoric of women’s editorial work at U.S. daily newspapers during the first 70 years (~1830-1900) of women’s presence in newsrooms. Her work has appeared in the Emily Dickinson Journal, American Periodicals, and is forthcoming in the Oxford Handbook of Emily Dickinson.

Questions? write edmprograms@emilydickinsonmuseum.org

Annual Poetry Walk
Saturday, May 15, 11:30am

VIRTUAL PROGRAM

“Called Back”: A Virtual Emily Dickinson Poetry Walk
Saturday, May 15, 11:30am ET

Days before her death in 1886, Emily Dickinson wrote her final letter, “Little Cousins, / Called Back. / Emily”. On May 15, the 135th anniversary of the poet’s death, join the Emily Dickinson Museum for an engaging virtual poetry reading and “walk” through Amherst, the town she called “paradise.” At each stop we will see historical and contemporary images of sites of meaning for Dickinson including her garden and conservatory at the Homestead, The Evergreens — home to the poet’s brother and sister-in-law, the town common, Amherst College, and more. Not a lecture, this program infuses place with poetry. At each stop contemporary poets share their Dickinson-inspired poems and volunteers read Dickinson’s own words aloud. The final stop is Dickinson’s grave in West Cemetery where we will share reflections and a light-hearted virtual toast! This year’s Poetry Walk is part of Mass Poetry’s 2021 Massachusetts Poetry Festival.

Registration for this program is free or by donation but it is required in advance.

A Daisy for Dickinson: Be a part of a beloved tradition of outfitting Emily Dickinson’s final resting place at Amherst’s West Cemetery with fresh daisies on the anniversary of her death. Make a supporting donation to the Museum in honor of Emily or in memory of someone you’ve loved and lost, and we’ll place a daisy in their name at the poet’s grave as part of this year’s Poetry Walk (May 15).

We hope you enjoyed this beloved tradition of honoring Emily Dickinson on the anniversary of her death. If you would like to make a supporting gift to the Museum in honor of Emily or in memory of someone you’ve loved and lost, you may do so below.

Rewatch:

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About the participating poets:

Elizabeth Bolton has a PhD in Literacy Education from the Ontario Institute for Studies in Education. She writes articles, essays and poems about the connection between writing and mental health. She grew up in northern California and now lives in Niagara Falls, Ontario with her husband and two daughters.

Lori Desrosiers’ poetry books are The Philosopher’s Daughter, Sometimes I Hear the Clock Speak, and Keeping Planes in the Air, all from Salmon Poetry. Two chapbooks, Inner Sky and Typing with e.e. cummings, are from Glass Lyre Press. She edits Naugatuck River Review, a journal of narrative poetry and Wordpeace.co, an online journal dedicated to social justice. http://loridesrosierspoetry.com

Hannah Baker Saltmarsh is the author of the poetry collection, Hysterical Water, published by The University of Georgia Press in March 2021. She has written a book of poetry criticism, entitled Male Poets and the Agon of the Mother: Contexts in Confessional and Post-confessional Poetry (Univ. of South Carolina P., 2019). She is the mother of three children, and lives with her husband in Cedar Rapids, Iowa, where she teaches and writes.

Kate Godin lives in Western Massachusetts, where she tends to the writing needs of a small liberal arts college, a tween and a teen, a vigorous anxiety, and her poetry (which can be found at kategodin.com). She is a graduate of Bates College and the New School for Social Research.

Bonnie Larson Staiger is a North Dakota Associate Poet Laureate, the recipient of the ‘Poetry of the Plains and Prairies Prize (NDSU Press, 2018) and the ‘Independent Press Award: Distinguished Favorite’ (2019) for her collection, Destiny Manifested. Her second book In Plains Sight, is forthcoming from NDSU Press in 2021. www.bonniestaiger.com

Robin Long (@theotherdickinson) is a queer poet and writer from Austin. She is expanding her fiction thesis on Emily Dickinson, The Other Dickinson, and can be found at theotherdickinson.com. She is a Pushcart Prize nominee, 2020 National Poetry Month Editor’s Pick, and a digital poetry performer with FEELS Zine.

Siri Palreddy is a first-year at Amherst College, hoping to study both English and Neuroscience. An avid reader, she first discovered Emily Dickinson in high school, and has loved her work ever since. Apart from poetry, Siri enjoys writing creative nonfiction and is compelled by stories that navigate one’s identity (or identities) and roots. When not reading or writing, you can find Siri spending her free time volunteering, laying in the sun, or rewatching her favorite comfort shows. https://siridhatripalreddy.wixsite.com/website-1

Peter Schmitt is the author of six books of poems. “Emily Dickinson and the Boston Red Sox” appears in his new collection, Goodbye, Apostrophe (Regal House). A graduate of Amherst and The Iowa Writers Workshop, he lives and teaches in his hometown of Miami, Florida.

Don Skoog is a freelance musician, writer, and teacher living in Oak Park, Illinois. He plays Classical percussion and Jazz drums, as well as Latin American, Arabic, and Persian instruments. He authors books and articles on exploring culture through music—the latest, in Arabic, for The University of Chicago’s Majala magazine—and has written four novels (not all of them published yet). The poem Amherst, is from Adventures in the RhythmVerse, his first chapbook. www.contemporarymusicproject.com

Rebecca Starks is the author of the poetry collections Time Is Always Now, a finalist for the 2019 Able Muse Book Award, and Fetch, Muse (forthcoming from Able Muse Press), and is the recipient of Rattle’s 2018 Neil Postman Award for Metaphor. She lives in Richmond, Vermont. https://rebeccastarks.com

Abigail Price is a 24 year old English poet, writer and Undergraduate student studying Criminology, Criminal Justice and Social Policy at the University of Wolverhampton in England. Most of Abigail’s work is inspired by her past and significantly, nature which aided her recovery from mental illness in her early teenage years. Abigail is an avid writer & reader and her dream is to influence social change through British politics alongside writing beautiful poetry to leave people a little bit better, than when her poems found them. https://abigailtoriprice.wixsite.com/nerve

This program is co-presented with Mass Poetry.

The Massachusetts Poetry Festival, a biennial event based in Boston, MA, returns May 13-16, 2021 for a virtual showcase featuring 50+ readings panels, workshops, performances and more. Find more information or register for other Festival events today at festival.masspoetry.org.

“A Mighty Room” Virtual Studio Session: Bedroom
Friday, May 7, 12-1pm

Sweet hours have perished here;

This is a mighty room;

Within its precincts hopes have played, —

Now shadows in the tomb.

-J1767

VIRTUAL PROGRAM

Space is limited for this program and you may be added to a waitlist.
Update: Registration for this program has filled.

Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry. Whether you are a writer, an artist, a composer, or a poet, you’ll find solace and inspiration for your artistic output in Emily Dickinson’s bedroom. Let this quiet virtual experience jumpstart your next creative journey.

What to expect: As one of a limited number of remote participants, you will need to find a quiet spot with a good internet connection from which to be immersed in a live feed from the poet’s bedroom in the Dickinson family Homestead. Plan to have your camera and audio on. In this room Dickinson found freedom working up late by lamplight. A facilitator in the room welcomes you and gently guides you through three inspirational writing prompts to help you explore this unique physical and psychic space and unleash your own creativity over the course of the hour. Focused on reflection and quietude, this program is not a writing workshop, but you will have the opportunity at the end for a short share-out with the group if you wish.

Virtual Poetry Discussion Group
April 16 & April 20

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters.

Join us on Friday, April 16 from 12pm to 1:30pm EST or Tuesday, April 20, from 6pm to 7:30pm EST on Zoom. Space is limited, and registration for this program is now closed.

This program is free of charge, but we encourage those who are able to do so to make a donation after the program.

Topic: “We – Bee and I – live by the quaffing –”: Exploring Emily Dickinson’s Bees
Bees were incredibly popular figures in nineteenth-century American poetry: Emerson’s “The Humble-Bee” is one celebrated example, but bees also play prominent roles in poems by Henry David Thoreau, Edgar Allan Poe, John Greenleaf Whittier, Priscilla Jane Thompson, among many others. What distinguishes Emily Dickinson from these other poets is the breadth of her representations of bees. Dickinson’s use of bees lends itself to discussion of a remarkably rich array of themes: gender and sexuality, class and race, scientific and ecological discourse, religion, and aesthetics (and no doubt many more). Reflecting on this symbolic density, our discussion will chart points of congruity and incongruity between Dickinson’s changeable bees.

About the Facilitator
Claire Nashar is a scholar, translator, editor, and poet. She earned her Ph.D. from the University of Buffalo (SUNY), supported by a Mellon/ACLS Dissertation Completion Fellowship. Winner of an Excellence in Teaching Award, she has published two books of poems, Lake (2016) and Handmade (2015) and a number of interviews, translations, poems, and critical essays. She edited a special issue of Formes Poétiques Contemporaines and is at work on a book-length translation of Louis Aragon’s Le Fou d’Elsa (1963). Nashar served as curator of the online Australian Poetry Library and as Assistant Project Editor and Manager for the Marianne Moore Digital Archive.

Questions? write edmprograms@emilydickinsonmuseum.org

Phosphorescence Poetry Reading Series
Thursday, December 16, 6-7pm

Phosphorescence December 2021 featured poets:
Julia Lisella and Cammy Thomas

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required.

Register

To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers. Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

Amherst Books is the preferred book seller for the Phosphorescence Poetry Reading Series.

Phosphorescence Lineup 2021

About this month’s poets:

Julia Lisella is the author of two full-length collections of poetry: Always and Terrain (both from WordTech Editions) and the chapbook, Love Song Hiroshima (Finishing Line Press, 2004). Her poems are widely anthologized and have appeared in Ploughshares, Alaska Quarterly Review, Antiphon, Ocean State Review, Literary Mama, Salamander, Prairie Schooner, Valparaiso and many others. She has received residencies from the Vermont Studio Center, MacDowell, Millay, and Dorset colonies, and has received a number of grants from the Massachusetts Cultural Council to lead community poetry workshops. Her scholarship focuses on American women modernists. She is Professor of English at Regis College in Massachusetts where she teaches literature and creative writing. She co-curates the Italian American Writers in Boston Literary Series (originally in Boston’s North End and now on Zoom!). Lisella’s book, Our Lively Kingdom, was named a finalist for the Lauria/Frasca Prize and is due out from Bordighera Press in Fall 2022

Cammy Thomas’ first book, Cathedral of Wish, received the Norma Farber First Book Award from the Poetry Society of America. A fellowship from the Ragdale Foundation helped her complete her second, Inscriptions. Her third collection, Tremors, is forthcoming in 2021. All are published by Four Way Books. Her work appeared recently in the anthology, Poems in the Aftermath. Two of her poems under the title Far Past War were set to music by her sister, composer Augusta Read Thomas. The premiere of this choral work will be performed by the Cathedral Choral Society at the National Cathedral in Washington DC on Oct. 17, 2021. She lives in Lexington, Massachusetts.
cammythomas.com

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.

Phosphorescence Poetry Reading Series
Thursday, November 18, 6-7pm

Phosphorescence November 2021 featured poets:
Rosemarie Dombrowski and Resi Ibañez

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required.
REGISTER FOR PHOSPHORESCENCE NOVEMBER 2021

Amherst Books is the preferred book seller for the Phosphorescence Poetry Reading Series.

Phosphorescence Lineup 2021

About this month’s poets:

Rosemarie Dombrowski is the inaugural Poet Laureate of Phoenix, AZ and the founder/director of Revisionary Arts, a nonprofit that facilitates therapeutic poetry workshops for vulnerable populations and the community at large. She’s also the founding editor of both rinky dink press (a publisher of micro-collections of micro-poetry) and The Revolution (Relaunch), an award-winning, creative resurgence of the official newspaper of the National Woman’s Suffrage Association. She’s published three collections of poetry: The Book of Emergencies (2014), The Philosophy of Unclean Things (2017), and The Cleavage Planes of Southwest Minerals [A Love Story], winner of the 2017 Split Rock Review chapbook competition. Her poem, Atypical, was named a finalist for the Whitman Bicentennial Poetry Contest sponsored by Brooklyn Poets.
rosemariedombrowski.com

Resi Ibañez is a Filipinx genderqueer poet and writer based in unceded Pawtucket and Pennacook land (Lowell, MA), where Ibañez also work as a public historian and community organizer. They have been previously published in Loom Press’s Atlantic Currents: Connecting Cork and Lowell, and LOAM magazine. They have pieces forthcoming from Blue Oak Press in They Rise Like a Wave: an Anthology of Asian American Women Poets, and Marias at Sampaguitas. They are the founder, organizer, and host of the monthly LGBTQ+ Lowell Open Mic, the first and only performance space devoted to LGBTQ+ artists in the city of Lowell (currently on hiatus because of COVID). They have also performed with the Free Soil Arts Collective, a group devoted to creating space for artists of color in the Lowell area.
patreon.com/resi_ibanez

Phosphorescence Poetry Reading Series
Thursday, October 28, 6-7pm

Phosphorescence October 2021 featured poets:
Somrita Ganguly and Danielle Legros Georges

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required.
REGISTER FOR PHOSPHORESCENCE OCTOBER 2021

Amherst Books is the preferred book seller for the Phosphorescence Poetry Reading Series.

Phosphorescence Lineup 2021

About this month’s poets:

Somrita Ganguly is an Indian professor, and award-winning poet and literary translator. She was a Fulbright Doctoral Research Fellow at Brown University, USA, and is an alumna of the University of East Anglia’s International Literary Translation and Creative Writing Summer School. Somrita is serving as a judge for the 2021 PEN America Translation Prize, and is currently Head of the Department of English, Maharaja Manindra Chandra College, University of Calcutta. Her work has been showcased at the London Book Fair, and she has read in cities like Bloomington, Bombay, Boston, Calcutta, Cove, Delhi, Hyderabad, London, Miami, Providence, and Singapore. Somrita is the editor of the first anthology of food poems, Quesadilla and Other Adventures (2019), and has translated Firesongs (2019), Shakuni: Master of the Game (2019), and The Midnight Sun: Love Lyrics and Farewell Songs (2018), among other works.
somritaurniganguly.wordpress.com

Headshot of poet Danielle Legros Georges Danielle Legros Georges is a writer, translator, academic, and author of several books of poetry including The Dear Remote Nearness of You, winner of the New England Poetry Club’s Sheila Margaret Motten book prize. She is a professor in and director of the Lesley University MFA program in Creative Writing, and taught in the Joiner Institute for the Study of War and Social Consequences Writer’s Workshop, at the University of Massachusetts, Boston. Her awards include fellowships from the Massachusetts Cultural Council, the Boston Foundation, and the Black Metropolis Research Consortium. She was appointed the second Poet Laureate of the city of Boston, serving in the role from 2015 to 2019, and collaborating with literary and visual artists, museums and galleries. The Massachusetts Artists Leaders Coalition recognized her civic work with a Champion of Artists Award in 2017. She is the editor of City of Notions: An Anthology of Contemporary Boston Poems. Her most recent work is a book of translations from the French, Island Heart: The Poems of Ida Faubert, published by Subpress Collective in 2021.
daniellelegrosgeorges.com

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About the speakers:

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Phosphorescence December 2021 featured poets: Julia Lisella and Cammy Thomas

VIRTUAL PROGRAM

About this month’s poets:

Phosphorescence November 2021 featured poets: Rosemarie Dombrowski and Resi Ibañez

VIRTUAL PROGRAM

About this month’s poets:

Phosphorescence October 2021 featured poets: Somrita Ganguly and Danielle Legros Georges

VIRTUAL PROGRAM

About this month’s poets:

Phosphorescence December 2021 featured poets:
Julia Lisella and Cammy Thomas

Phosphorescence November 2021 featured poets:
Rosemarie Dombrowski and Resi Ibañez

Phosphorescence October 2021 featured poets:
Somrita Ganguly and Danielle Legros Georges