Marathon Readers bring the Poet’s words to life during the annual Emily Dickinson Poetry Marathon!
Expectations for VIRTUAL/ONLINE Readers:
(Monday, September 23 – Friday, September 27)
- Readers must plan to attend the full Marathon session. Readers are responsible for ensuring a strong wifi connection and a device capable of capturing video and audio.
- During the week of the Festival, each reader will be emailed a Zoom link unique to them and their selected session. Please use this link to join the session.
- Arrival time in the Zoom room is 15 minutes prior to the start of the session. At this time, readers will be assigned a number that will appear in their name box (e.g. 1: Emily Dickinson, 2: Carlo Dickinson, 3: Susan Dickinson).
- During the session, readers read one poem at a time aloud in order of their assigned reader number. This round-robin reading loops continuously back to reader number 1 after the reader with the highest number has read. We will be reading from Ralph Franklin’s The Poems of Emily Dickinson: Reading Edition. We will use screen share to project the poems in Zoom, so don’t worry if you do not have your own copy of Franklin. Each reader typically reads 10-20 poems in total, and reader registration is capped to ensure everyone can read several poems. It will not be possible to assign poems to readers in advance of the Marathon session.
- Marathon sessions may be photographed and recorded.
Expectations for IN-PERSON Readers:
(Saturday, September 28 & Sunday, September 29)
- Please arrive at the Emily Dickinson Museum in Amherst, MA, 10 minutes prior to your reading to check in. Readers must plan to attend the full session.
- During this round-robin reading, we will be reading from editor Ralph Franklin’s The Poems of Emily Dickinson: Reading Edition. Because Dickinson did not title most of her poems, Franklin identifies all 1,789 poems by a number. Don’t worry if you don’t have your own copy of this book; we will provide copies for readers to use. We anticipate that each reader will read 10-20 poems in total. It will not be possible to assign poems to readers in advance of the marathon session.
- This program occurs inside the heated Festival tent and employs a shared, hand-held microphone. Readers are asked to be seated when it is your turn to read, for the benefit of the live stream for listeners at home. In the case of inclement weather, you will be notified of an alternate location.
- By signing up to read you agree to be filmed and livestreamed to virtual attendees through the Festival’s virtual platform.
2024 Tell It Slant Poetry Festival Schedule
Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.

Musical performance featuring the poems of Emily Dickinson with music and lyrics by Rosemary Caine!


Join us in Emily Dickinson’s garden or virtually for a celebration of creativity and poetry! Our headlining poets, 2023 Pulitzer Prize winner Carl Phillips and Sebastian Merrill, read from their work and discuss their poetic practice and inspiration with moderator Kirun Kapur.


Nicole Callihan, Pichchenda Bao, and Jennifer Franklin, the editors of Braving the Body (Harbor Editions, 2024) will discuss a group of Dickinson’s poems about the body and embodied experience, particularly her exploration into the often-contradictory needs between body and mind. We will also read a selection of contemporary poems by women and non-binary poets from Braving the Body who have been inspired by Dickinson’s work. We will provide prompts for a generative writing exercise inspired by Dickinson and/or the poems from the anthology. There will be time for interested participants to share their drafts and to receive feedback from the editors.

Just what does a Poet Laureate do? You have questions and we have answers! Two poets from New England will share their poetic work as well as discuss the programs they implemented for their own communities. They will also discuss how they became Poet Laureates, what kinds of opportunities are available through their positions, as well as what sort of pitfalls are present in navigating the role of public poet.


From invention to revision, this generative workshop will attend to the possibilities of creating new work that is in-tune with a subject that haunts you. We will be looking at how to write and sustain work within a singular focus, obsession, or motif. This workshop introduces poems and works paired with exercises that allow the writer to be haunted by a subject, inviting writers to seek new possibilities, and perhaps provide outlets to future projects and poems. We’ll explore models of poems and hybrid works by authors that find themselves, suddenly facing the ghosts that visit them frequently. Ultimately, we will look to lines from Dickinson that declare:

Like us, Emily Dickinson lived in a time of ecological change and painful civil conflict. Against this backdrop, Dickinson’s poems reach out to the world around her—the frog, the snake, the hummingbird, train, “slant of light,” even the “loaded gun,” addressing these others as companions, fellow witnesses. In this panel, poets Carolina Ebeid, Julia Guez, Anna V. Q. Ross, and Tess Taylor will explore both Dickinson’s and their own dialogues with the nonhuman. The poets will read poems by Dickinson in conversation with each other’s work to plumb that site in which “surpassing/Material Place—” we might instead “Dwell in Possibility.” We follow with writing prompts and conversation.

Emily Dickinson’s poems interact with silence to open spaces of questioning, recognition, and keen attention to spiritual matters and questions of meaning. In this workshop, we’ll place our own poetry in the context of Dickinson’s poetry, offer a short guided meditation and generative prompts for participants to explore their own relation to silence, voice, and spiritual attention.