VIRTUAL PROGRAM — streaming live for online registrants
Registration is required.
Part of the 2026 Tell It Slant Poetry Festival!
Join us for the 14th annual Tell it Slant Poetry Festival, a week of events happening both online and in-person at the Museum!
Enjoy short readings and discussion in response to the idea that poetry acts as filter and sponge for the world to enter, reveal, and inspire. What meanings are our words saturated with, and where does that discovery lead? When do environmental, historical, and sociopolitical realities flood the page? How does the body’s experience of writing impact the poetry itself? At this panel, poets Oliver Baez Bendorf, Patrycja Humienik, and Livia Meneghin will share poetry in response to these understandings of porosity and discuss living within and between language, when and how poetry can surprise us, and where Emily Dickinson’s poetry serves as example.About the presenters
Livia Meneghin (she/her) is the author of feathering and Honey in My Hair. She is Cofounder and Managing Editor at Two Cardinals Literary. At Sundress Publications, she serves as Assistant Chapbook Editor. Livia has been awarded recognition from the Academy of American Poets, Breakwater Review, The Room Magazine, the City of Boston, and elsewhere. Since earning her MFA in poetry, she teaches writing and literature at the collegiate level.
liviameneghin.wordpress.com
Oliver Baez Bendorf is a poet, artist, and author of three collections, most recently Consider the Rooster (Nightboat Books, 2024), a finalist for the National Book Critics Circle Award, the CLMP Firecracker Award, and the Lambda Award for Transgender Poetry. A recipient of a National Endowment for the Arts fellowship, he has taught for over 15 years in programs including the University of Wisconsin-Madison and the MFA Program for Writers at Warren Wilson College. He currently lives and works in exile. oliverbaezbendorf.com
Patrycja Humienik, daughter of Polish immigrants, is the author of We Contain Landscapes (Tin House), selected as a New York Public Library Best New Poetry Book of 2025. An editor and teaching artist, Patrycja has developed writing and movement workshops for Arts+Literature Laboratory, Poets House, The Seventh Wave, Brooklyn Poets, Northwest Film Forum, Henry Art Gallery, and in prisons. Her work can be found in The New Yorker, Gulf Coast, Poetry Daily, Poetry Society of America, The Slowdown Show, and elsewhere. patrycjasara.com
Support The Tell It Slant Poetry Festival
The Tell It Slant Poetry Festival is sustained by the Emily Dickinson Fund, which provides critical, unrestricted support for the Museum’s day-to-day operations. Your generous donation helps us offer immersive poetry programs to a global audience and preserve the historic Dickinson legacy in Amherst. As the Fund supplies 36% of our annual budget, your tax-deductible contribution is essential to our mission. Join us in inspiring learners of all ages by making an immediate impact today.
This workshop will offer three perspectives from Japanese literature—haiku, tanka and haibun—in connection to Emily Dickinson’s poetry. Acclaimed craftswomen of these forms will share a wide range of example works including 10th-century zuihitsu, poems by a 19th-century Japanese female poet (a contemporary of Emily Dickinson), haiku based on the African American experience, as well as their own work inspired by respective examples. The audience will be given writing prompts and invited to share their works and discuss.
The Brain – is wider than the Sky –
Introduced to the European market in the seventeenth-century, trade in tea – and subsequently in coffee and chocolate – became a means of establishing empires and generating the almost frantic consumerism of the eighteenth and nineteenth centuries in the West. Emily Dickinson and her family delighted in these exotic imported beverages and, like the rest of New England, acquired the requisite material goods to make and serve tea, coffee, and chocolate in their own family circle and for their guests. This talk will explore the meanings, settings, and equipment for “taking tea” in Emily Dickinson’s world, including original family objects now in the Museum’s collection.
Beginner and experienced poets of all ages are invited to come and use children’s book covers as diving boards into memory and imagination. Children’s books will be on hand to browse, and participants will also be encouraged to search online for their own current or past favorite children’s books. Using one or more of the five senses (sight, sound, touch, smell & taste), participants will generate drafts of new poems as the vivid literary landscape of rhymes, illustration, and stories of childhood spark memories and new ideas. 
In a time of ecological crisis and increased disconnection from nature, poets create vital space to honor and reflect upon the natural world, with its joys and its losses. In this generative workshop led by The WildStory Podcast host Ann E. Wallace and featured guest Elizabeth Sylvia, poetry and nature enthusiasts of all ages and experience levels are invited to slow down and open their senses to the natural world—the memories it holds, the meanings it carries, and the feelings it inspires. Participants will engage in writing exercises, learn new strategies, and compose a poem draft during the session.
Join us for a generative workshop that pairs the visual art form of collage with poetry! Participants will be guided through a process of discovery with different collaging materials and text to create their own hand-crafted collage. You will walk away with seeds of poems, deeper knowledge and experience with a visual art form, and a found poetry technique to help you — in the immortal words of Emily Dickinson — “tell all the truth but tell it slant “! All levels of experience with poetry and visual art are welcome.
Where do we find home, belonging and comfort in a time of crisis? What might Emily Dickinson tell us about how to find comfort and strength when it sometimes feels like nothing we do can change things for the better? Head editor and chair Zoë Brigley presents three brilliant new editors from the magazine Poetry Wales: Kandace Siobhan Walker, Tangie Mitchell and Zakia Carpenter-Hall. These rising poetry stars will talk about where they find comfort, reading classic poems such as “Hope” is the thing with feathers’ alongside less well known Dickinson poems and their own work.
Callie Siskel and Elizabeth Metzger, poetry co-editors at the Los Angeles Review of Books, and poet Dorothea Lasky, will use the Higginson-Dickinson correspondence to consider the role of the poet as editor or editor as poet today and rethink our assumptions about the editor. Beyond the aim of publishing our work as poets, how might we see the conversation between poet and editor today as expanding possible pathways of creativity? We often think about the relationship between poet and reader, but the special role of the poet-editor offers an intermediary process that has the opportunity to transform, elevate, or pressurize our solitary artistic visions–sometimes by offering concrete feedback, sometimes by asking us to formulate our aesthetic vision or reconsider our projects and values, and other times simply by creating space in our society for a larger conversation around poetry, life, and listening. In a poetry world in which many editors are poets themselves, and a main avenue for becoming a poet is the workshop classroom, how might the editor-poet relationship create a correspondence that is at once formative, supportive, and expansive, and a relationship that is personally and professionally meaningful and ideally non-hierarchical?