Join us for part 6 of the week-long Emily Dickinson Marathon! An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with six other organizations to host the Marathon in two-hour sessions each day of this week. For the Marathon, we will be reading from Ralph Franklin’s The Poems of Emily Dickinson: Reading Edition.
Our part 6 partner is the Emily Dickinson International Society (EDIS). EDIS is an international organization founded to “Promote, perpetuate and enhance the study and appreciation of Emily Dickinson worldwide.” The society publishes The Emily Dickinson Journal and The Emily Dickinson International Society Bulletin, as well as holding annual meetings and international conferences.
In this session we will read poems numbered 1176-1413 in the Franklin.
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hours have perished here;
Join us for part 5 of the week-long Emily Dickinson Marathon! An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with six other organizations to host the marathon in two-hour sessions each day of this week. For the Marathon, we will be reading from Ralph Franklin’s
New to the writing world? Join Editorial Assistants from The Common to learn how literary magazines offer formative spaces for up-and-coming writers, and discover what you can do to get involved and even publish your own work. With our curated writing exercises inspired by poems from the pages of our magazine, we’ll take you through the process of writing pieces with creative poetic structure, content, and themes so that you, too, can create poems with a unique sense of place.
About Franny Choi:
Dr. Shauna M. Morgan, author of the chapbook Fear of Dogs & Other Animals, is a poet and scholar from a rural district in Clarendon, Jamaica. An Associate Professor of creative writing and Africana literature at Howard University in Washington, D.C., she has published poetry in A Gathering Together, ProudFlesh: New Afrikan Journal of Culture, Politics & Consciousness, A Literary Field Guide to Southern Appalachia, Pluck! The Journal of Affrilachian Arts & Culture, Interviewing the Caribbean, and elsewhere. Her critical work has appeared in the Journal of Postcolonial Writing, South Atlantic Review, Bulletin of the School of Oriental and African Studies, and ariel: A Review of International English Literature, among other periodicals. Shauna recently moved to Lexington, Kentucky where she tends to a hopeful garden.
Lisa Pegram is a writer, educator, arts integration specialist and literary publicist. Her chapbook Cracked Calabash was published by Central Square Press, in addition to poems and essays published by Random House, Black Classic Press and Poets.org, among others. She has over 20 years of experience in high-level program design for such organizations as the Smithsonian Institute, Corcoran Gallery of Art and National Geographic. Passionate about the arts as a tool for activism, she served as DC WritersCorps program director for a decade, and as co-chair of United Nations affiliate women’s conferences in the US, India and Bali. Lisa completed her MFA at Lesley University and has an Executive Certification in Arts & Culture Strategies from UPenn. A Washington, DC native, she is currently based in the Caribbean where, in addition to her literary pursuits, she is a personal chef aka food poet. Awards include: Larry Neal Writer’s Award Finalist; Uplifting Human Values Award (Art of Living Foundation) and DC Mayor’s Arts Award for “Outstanding Emerging Artist.” Her official website is: 
Bonita Lee Penn is a Pittsburgh poet, editor, curator and author of the chapbook, Every Morning A Foot Is Looking For My Neck (Central Square Press, 2019). Her work has appeared in JOINT. Literary Magazine, Hot Metal Bridge Journal, The Massachusetts Review, “The Skinny” Poetry Journal, Women Studies Quarterly, Voices from the Attic Anthology and her poem “When Lightning Rides Thunder Bareback” was the Solstice Editors’ Pick for the 2018 summer issue of Solstice: A Magazine of Diverse Voices. A curator of various poetry events, she is a member of the Pittsburgh Black Feminist Reading Group and Managing Editor of the Soul Pitt Quarterly Magazine. Penn is also co-curator of “Common Threads: Faith, Activism, and the Art of Healing,” a Pittsburgh-based art exhibit that examines the political, social, cultural, and aesthetic priorities of women of varying faith traditions.
1864 was a turbulent year for Emily Dickinson. With the Civil War still raging and a consequential presidential election looming, Dickinson faced a medical crisis that kept her confined for months. Nonetheless, she wrote nearly one hundred poems that year, and many of them speak directly to the times that we are in now. Although Dickinson’s poetry can be challenging or even intimidating to readers new and well-versed alike, readers find that her incisive expression of the human experience is well worth the effort. Join us for a program of discussion and exploration as we tackle some beloved favorites and some lesser-known Dickinson poems from 1864. Participants of all levels of comfort with Dickinson are welcome and should be prepared to engage in group conversations facilitated by 
