This statement was originally released on June 3rd 2020:
Today, in our distress over recent devastating events, we stand with our community and with the Black Lives Matter movement against racial injustice and inequality. We recognize that real change is necessary both in our country and in our museum.
We believe that museums are not neutral: they should be part of public conversations on contemporary issues such as racism, injustice, and oppression. Museums have long been institutions that hold and reflect cultural values and collective memory. Now, they have an even greater responsibility to be active participants in challenging age-old and contemporary systems of oppression.
Like other museums, the Emily Dickinson Museum has a duty to examine the history it teaches and to expand the stories it tells. Emily Dickinson lived through a catastrophic Civil War rooted in racial injustice and oppression. Her family was part of a society that benefited from the labor of immigrants, African Americans, and Native Americans in service to a privileged White majority. The poet’s literary work was made possible by the labor of these domestic servants. The Emily Dickinson Museum strives to tell this full story. Our new interpretive plan will place greater emphasis on the perspectives of Irish, Native American, and free Black workers in the Dickinson households, making plain issues of race and class in Dickinson family daily life.
At the Emily Dickinson Museum we recognize that this interpretive work is but one step in the greater effort to increase diversity, equity, inclusion, and access for audiences, staff, and leadership in institutions like ours. Dickinson’s revolutionary poetic voice became an agent of change, both in the literary canon and in the lives of individuals who find depths of meaning in her account of our human condition. As an institution, we are committed to the continuous work of change that museums can and should be doing to build an equitable society.
Settle in for an evening of music and poetry celebrating Emily Dickinson’s ongoing creative legacy with the work of three contemporary artists. Singer-songwriter Kimaya Diggs, brings you new original settings of Dickinson poems live from the poet’s bedroom, and headliners Ada Limón and Jericho Brown read from their work and discuss their poetic practice and inspiration. The evening begins and ends with 20-minute musical sets by Diggs, bookending the headliner poetry reading and Q&A with Brown, Limón, and guest interviewer Nathan McClain. Don’t miss out on this special evening of community through art!
Ada Limón 
Jericho Brown 
Nathan McClain is the author of Scale (Four Way Books, 2017), a recipient of fellowships from Sewanee Writers’ Conference, The Frost Place, Bread Loaf Writers’ Conference, and a graduate of Warren Wilson’s MFA Program for Writers. His poems and prose have recently appeared or are forthcoming in Poetry Northwest, Green Mountains Review, Poem-a-Day, The Common, and The Critical Flame. He teaches at Hampshire College. For more information visit 
Join us for part 6 of the week-long Emily Dickinson Marathon! An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with six other organizations to host the Marathon in two-hour sessions each day of this week. For the Marathon, we will be reading from Ralph Franklin’s 
hours have perished here;
Join us for part 5 of the week-long Emily Dickinson Marathon! An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with six other organizations to host the marathon in two-hour sessions each day of this week. For the Marathon, we will be reading from Ralph Franklin’s