Settle in for an evening of music and poetry celebrating Emily Dickinson’s ongoing creative legacy with the work of three contemporary artists. Singer-songwriter Kimaya Diggs, brings you new original settings of Dickinson poems live from the poet’s bedroom, and headliners Ada Limón and Jericho Brown read from their work and discuss their poetic practice and inspiration. The evening begins and ends with 20-minute musical sets by Diggs, bookending the headliner poetry reading and Q&A with Brown, Limón, and guest interviewer Nathan McClain. Don’t miss out on this special evening of community through art!
Live captioning will be available at this event!
*A note about Rosh Hashanah: We apologize that this event falls on the occasion of the Jewish New Year. The Festival has historically been scheduled in the third week of September for consistency and to avoid overlap with other local events. This program will be recorded and made available to view for three months following the event itself. Please register to receive information on how to view the recording. Shanah Tovah!
About the artists:
Kimaya Diggs has mastered a genre-defying style. Inspired by the acrobatic folk renderings of Joni Mitchell, Ella Fitzgerald’s jazz stylings, and Lianna LaHavas’ soulful charisma, she draws skillfully from her lineage of musical pioneers, creating a musical lane all her own. With a playful presence and frank, transporting storytelling, Diggs’ mastery of her voice is the focal point of each performance, and a transfixing experience. Information and music at kimayadiggs.com or on instagram at @kimayadiggs.
Ada Limón is the author of five books of poetry, including The Carrying (Milkweed Editions, 2018), which won the National Book Critics Circle Award for Poetry and was named one of the top 5 poetry books of the year by the Washington Post. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center. She also works as a freelance writer in Lexington, Kentucky.
Jericho Brown is the recipient of a Whiting Writers’ Award and fellowships from the John Simon Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard University, and the National Endowment for the Arts. Brown’s first book, Please (2008), won the American Book Award. His second book, The New Testament (2014), won the Anisfield-Wolf Book Award and was named one of the best of the year by Library Journal, Coldfront, and the Academy of American Poets. He is also the author of the collection The Tradition (2019), which was a finalist for the 2019 National Book Award and the winner of the 2020 Pulitzer Prize for Poetry. His poems have appeared in Buzzfeed, The Nation, The New York Times, The New Yorker, The New Republic, TIME magazine, and The Pushcart Prize Anthology, and several volumes of The Best American Poetry anthologies. He is an associate professor and the director of the Creative Writing Program at Emory University in Atlanta.
About the interviewer:
Nathan McClain is the author of Scale (Four Way Books, 2017), a recipient of fellowships from Sewanee Writers’ Conference, The Frost Place, Bread Loaf Writers’ Conference, and a graduate of Warren Wilson’s MFA Program for Writers. His poems and prose have recently appeared or are forthcoming in Poetry Northwest, Green Mountains Review, Poem-a-Day, The Common, and The Critical Flame. He teaches at Hampshire College. For more information visit www.nathanmcclain.com.
Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.
Join us for part 6 of the week-long Emily Dickinson Marathon! An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with six other organizations to host the Marathon in two-hour sessions each day of this week. For the Marathon, we will be reading from Ralph Franklin’s 
hours have perished here;
Join us for part 5 of the week-long Emily Dickinson Marathon! An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with six other organizations to host the marathon in two-hour sessions each day of this week. For the Marathon, we will be reading from Ralph Franklin’s
New to the writing world? Join Editorial Assistants from The Common to learn how literary magazines offer formative spaces for up-and-coming writers, and discover what you can do to get involved and even publish your own work. With our curated writing exercises inspired by poems from the pages of our magazine, we’ll take you through the process of writing pieces with creative poetic structure, content, and themes so that you, too, can create poems with a unique sense of place.
About Franny Choi:
Dr. Shauna M. Morgan, author of the chapbook Fear of Dogs & Other Animals, is a poet and scholar from a rural district in Clarendon, Jamaica. An Associate Professor of creative writing and Africana literature at Howard University in Washington, D.C., she has published poetry in A Gathering Together, ProudFlesh: New Afrikan Journal of Culture, Politics & Consciousness, A Literary Field Guide to Southern Appalachia, Pluck! The Journal of Affrilachian Arts & Culture, Interviewing the Caribbean, and elsewhere. Her critical work has appeared in the Journal of Postcolonial Writing, South Atlantic Review, Bulletin of the School of Oriental and African Studies, and ariel: A Review of International English Literature, among other periodicals. Shauna recently moved to Lexington, Kentucky where she tends to a hopeful garden.
Lisa Pegram is a writer, educator, arts integration specialist and literary publicist. Her chapbook Cracked Calabash was published by Central Square Press, in addition to poems and essays published by Random House, Black Classic Press and Poets.org, among others. She has over 20 years of experience in high-level program design for such organizations as the Smithsonian Institute, Corcoran Gallery of Art and National Geographic. Passionate about the arts as a tool for activism, she served as DC WritersCorps program director for a decade, and as co-chair of United Nations affiliate women’s conferences in the US, India and Bali. Lisa completed her MFA at Lesley University and has an Executive Certification in Arts & Culture Strategies from UPenn. A Washington, DC native, she is currently based in the Caribbean where, in addition to her literary pursuits, she is a personal chef aka food poet. Awards include: Larry Neal Writer’s Award Finalist; Uplifting Human Values Award (Art of Living Foundation) and DC Mayor’s Arts Award for “Outstanding Emerging Artist.” Her official website is: 
Bonita Lee Penn is a Pittsburgh poet, editor, curator and author of the chapbook, Every Morning A Foot Is Looking For My Neck (Central Square Press, 2019). Her work has appeared in JOINT. Literary Magazine, Hot Metal Bridge Journal, The Massachusetts Review, “The Skinny” Poetry Journal, Women Studies Quarterly, Voices from the Attic Anthology and her poem “When Lightning Rides Thunder Bareback” was the Solstice Editors’ Pick for the 2018 summer issue of Solstice: A Magazine of Diverse Voices. A curator of various poetry events, she is a member of the Pittsburgh Black Feminist Reading Group and Managing Editor of the Soul Pitt Quarterly Magazine. Penn is also co-curator of “Common Threads: Faith, Activism, and the Art of Healing,” a Pittsburgh-based art exhibit that examines the political, social, cultural, and aesthetic priorities of women of varying faith traditions.