Two Anenomes grow in front of the Homestead

“Bloom – is Result – to meet a Flower”: Dickinson’s Flowering Favorites with Marta McDowell
Friday, June 25, 12:30pm

Anemone grows in the garden beside the Homestead

 

 

Bloom – is Result – to meet a Flower
And casually glance
Would cause one scarcely to suspect
The minor Circumstance

Assisting in the Bright Affair
So intricately done
Then offered as a Butterfly
To the Meridian –

(Excerpt Fr1308)

This program is free of charge, but participants must register in advance and donations are encouraged. 
Register

VIRTUAL PROGRAM

In this beloved poem, Emily Dickinson ends, “To be a Flower, is profound Responsibility – “. Indeed, as the poet knelt on her red wool army blanket to tend her garden across the seasons, she understood the weight of each bloom in her hands as a miraculous force. Observing keenly the lifespan of every blossom, the weather it endured and the fauna it encountered, Dickinson transformed her garden knowledge into hundreds of poems inspired directly by her garden.

In this virtual program, join Marta McDowell, master gardener, landscape historian, and author of Emily Dickinson’s Gardening Life for a close look at blooming cultivars from the Homestead in Amherst. We’ll spend an hour savoring blossoms, stories, and verse gathered from Dickinson’s gardens. Learn to identify these Dickinsonian varieties and listen to the language they inspired from our favorite garden poet.

About Marta McDowell:
Marta McDowell teaches landscape history and horticulture at the New York Botanical Garden and consults for private clients and public gardens. Her book Emily Dickinson’s Gardening Life, was published in 2019. Timber Press also published The World of Laura Ingalls Wilder, New York Times-bestselling All the Presidents’ Gardens, and Beatrix Potter’s Gardening Life, now in its seventh printing. Marta’s newest book, Unearthing The Secret Garden about author Frances Hodgson Burnett, is due out from Timber Press in September 2021. She is the 2019 recipient of the Garden Club of America’s Sarah Chapman Francis Medal for outstanding literary achievement.

To learn more about Marta or purchase her books visit www.martamcdowell.com

Headshots of Alena Smith and Martha Ackmann

A Secret told:
An Evening with Alena Smith and Martha Ackmann
Wednesday, June 30, 7pm

VIRTUAL PROGRAM

Desk

Emily Dickinson is having a moment. The enigmatic poet’s popularity has surged in recent years, thanks in part to fresh interpretations and perspectives offered up by a new wave of curious and talented artists, writers, and thinkers.

We’re delighted to invite our donors to join Museum Director Jane Wald as she welcomes Alena Smith, creator of the award-winning Apple TV+ series Dickinson, and Martha Ackmann, author of These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson, to a virtual event broadcast from the Dickinson Homestead in Amherst, MA.

Enjoy a lively conversation about Emily Dickinson and her enduring legacy, while you sip on the evening’s signature cocktail or mocktail (recipe to come!).

This program is free to donors who’ve supported the Museum this past year. To those who have already donated, we sent an email with a complimentary registration link. 
Please contact connect@emilydickinsonmuseum.org if you need another invitation by email.
In case you are unable to attend, a recording of the event will be shared to all those who register for the program.

Not a donor, but still want to attend? You’re invited!
Become a donor today and register.

About the speakers:

Headshot for Alena SmithAlena Smith Alena Smith is a playwright and TV writer. She is the creator, showrunner and executive producer of the critically-acclaimed series “Dickinson” starring Hailee Steinfeld as Emily Dickinson, which recently aired its second season on Apple TV+, and is currently in production on its third. Dickinson won a Peabody Award in the category of Entertainment, and was nominated for a GLAAD Media Award for Outstanding Comedy series.Smith previously served as a writer and producer for Showtime’s The Affair and HBO’s The Newsroom. Variety said of her play Icebergs, which had its world premiere in 2016 at the Geffen Playhouse in Los Angeles, “Smith shows impeccable comic timing, and also knows how to layer her drama with pathos.” Other published plays include The Bad Guys, Plucker, The Lacy Project, and The New Sincerity, which The New York Times called “Splendid… entertaining and thought-provoking… comedy with a poignant edge.”
Learn more: New Yorker

 

Headshot Martha Ackmann

Martha Ackmann is a journalist and author who writes about women who have changed America.  Her essays and columns have appeared in The New York Times, Paris Review, and The Atlantic. She also is a frequent commentator for New England Public Radio, and has been featured on CNN, National Public Radio, and the BBC. Martha’s award-winning books include The Mercury 13: The True Story of Thirteen Women and the Dream of Space Flight, Curveball: The Remarkable Story of Toni Stone, First Woman to Play Professional Baseball in the Negro League, and These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson. A long-time member of the Gender Studies Department at Mount Holyoke College, Martha taught a popular seminar on Emily Dickinson in the poet’s house, now the Emily Dickinson Museum, in Amherst, Massachusetts. 
Learn more: marthaackmann.com

 

studio sessions

“A Mighty Room” Virtual Studio Session: Bedroom
Friday, May 7, 12-1pm

Emily Dickinson's white dress on a stand in her bedroom

 

Sweet hours have perished here;

This is a mighty room;

Within its precincts hopes have played, —

Now shadows in the tomb.  

-J1767 

 

VIRTUAL PROGRAM

Space is limited for this program and you may be added to a waitlist.
Update: Registration for this program has filled. 

Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry. Whether you are a writer, an artist, a composer, or a poet, you’ll find solace and inspiration for your artistic output in Emily Dickinson’s bedroom. Let this quiet virtual experience jumpstart your next creative journey. 

What to expect: As one of a limited number of remote participants, you will need to find a quiet spot with a good internet connection from which to be immersed in a live feed from the poet’s bedroom in the Dickinson family Homestead. Plan to have your camera and audio on. In this room Dickinson found freedom working up late by lamplight. A facilitator in the room welcomes you and gently guides you through three inspirational writing prompts to help you explore this unique physical and psychic space and unleash your own creativity over the course of the hour. Focused on reflection and quietude, this program is not a writing workshop, but you will have the opportunity at the end for a short share-out with the group if you wish.

Slideshow Test

A Secret told:
An Evening with Alena Smith and Martha Ackmann

A virtual donor event
Wednesday, June 30, 7pm

Events & News

See what’s happening! Discussion groups, reading series, story projects, and more.

Phosphorescence

Poetry Reading Series
Every last Thursday each month

Visit

The Homestead and Evergreens are currently closed to the public.

Restoration Project

The Emily Dickinson Museum is embarking on the most significant restoration project to date of the revered poet’s Homestead.

Virtual Programming

See online exhibits and join us for virtual events.

Support

With your support, the Emily Dickinson Museum has become the essential place for study, work, and play in the Dickinson world.

Education

Sparking an interest in Emily Dickinson’s life and work among learners of all ages is central to the Museum’s mission.

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Headshots of May poets

Phosphorescence Poetry Reading Series
Thursday, May 27, 6-7pm

Phosphorescence May 2021 featured poets:
Melissa Range and Erica Charis-Molling

VIRTUAL PROGRAM

This program is free of charge, but participants must register in advance and donations are encouraged. 
Click here to register!

To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that catches the spark of Dickinson’s own radiant poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers.  Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

Amherst Books is the preferred book seller for the Phosphorescence Poetry Reading Series.

Phosphorescence Lineup 2021

About this month’s poets:

Headshot of poet Melissa RangeMelissa Range is the author of two collections of poetry: Scriptorium, a winner of the 2015 National Poetry Series (Beacon Press, 2016), and Horse and Rider, a winner of the Walt McDonald Prize (Texas Tech University Press, 2010). Recent poems have appeared or are forthcoming in Blackbird, Ecotone, The Iowa Review, The Nation, Ploughshares, and Poetry.  Range is the recipient of awards and fellowships from the National Endowment for the Arts, the Rona Jaffe Foundation, the American Antiquarian Society, and the Fine Arts Work Center in Provincetown. Originally from East Tennessee, she teaches creative writing and American literature at Lawrence University in Wisconsin.
melissarange.com

 

Headshot of poet Erica Charis Molling

Erica Charis-Molling is a lesbian poet, educator, and librarian. Her writing has been published in literary journals including Tinderbox, Redivider, Vinyl, and Entropy, among others. Her poems have been nominated for the Pushcart Prize and Orison anthology. Her chapbook, “How We Burn” has been a finalist in the Frontier Poetry and Orison Press contests. A Mass Cultural Council Fellow, she’s an alum of the Bread Loaf Writers’ Conference and received her M.F.A. in Creative Writing from Antioch University.
ericacharis-molling.squarespace.com

 

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.

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Virtual Poetry Discussion Group
May 18 & May 28

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters.

Join us on Tuesday, May 18 or Friday, May 28 from 1pm to 2:30pm EST on Zoom. Space is limited. To request a space, please fill out this registration form.

This program is free of charge, but we encourage those who are able to do so to make a donation after the program.

“Receiving Emily: Dickinson’s Addressed Poems”

In this session, we will look closely at the social life Emily Dickinson created with her poetry. While certainly not a social butterfly, Dickinson was nevertheless extensive in her social calls via the poetry she sent in, with, or as letters. What was it like to receive a poem from Emily? Through a discussion of poems and their variants, we will consider the ways she addressed her friends and acquaintances, and how we are addressed by her today. Poems for discussion include: variants of “Except the smaller size” (Fr606); variants of “Your – Riches – taught me – poverty!” (F418) and more.

About the Facilitator
Judith Scholes is Assistant Professor of English at St. Mark’s and Corpus Christi Colleges at the University of British Columbia, in Vancouver, Canada. She has a PhD in English from UBC, and specializes in nineteenth-century American print culture, women’s poetry and editing, and Emily Dickinson. She is currently completing a book that examines the rhetoric of women’s poetry as it emerged in mid-nineteenth century American periodicals, and shaped Emily Dickinson’s understanding and representation of herself as a poet. She is also pursuing a new book-length project that investigates the existence and rhetoric of women’s editorial work at U.S. daily newspapers during the first 70 years (~1830-1900) of women’s presence in newsrooms. Her work has appeared in the Emily Dickinson JournalAmerican Periodicals, and is forthcoming in the Oxford Handbook of Emily Dickinson.

Questions? write edmprograms@emilydickinsonmuseum.org

Accesibilidad

El Museo Emily Dickinson da la bienvenida a todos.

In English

Accesibilidad física

El centro de guías, las plantas bajas del Homestead (la casa familiar) y de The Evergreens y una parte de los terrenos del museo son accesibles para sillas de ruedas. Debido a su arquitectura histórica, las primeras plantas de las dos casas no son completamente accesibles para los usuarios de sillas de ruedas y otros visitantes que necesiten evitar las escaleras.

Tenga en cuenta lo siguiente antes de su visita:

  • Debido al carácter histórico de las dos casas de Dickinson, ninguna de las dos incluye ascensor.
  • La planta baja del Homestead incluye el Centro de Guías, los salones y la biblioteca. Se accede al dormitorio de Emily Dickinson por una escalera de quince escalones con barandillas por ambos lados.
  • The Evergreens está ubicado aproximadamente a una distancia de 5-10 minutos del Homestead y esa distancia se puede comunicar por una vía pavimentada o un camino cubierto con pajote. Los visitantes con discapacidades pueden estacionarse en el camino de entrada de The Evergreens con una solicitud adelantada. La planta baja es accesible para sillas de ruedas. Al primer piso se accede por una escalera de trece escalones con barandilla a un lado.
  • Debido a la cantidad de materiales originales en The Evergreens, la calidad de aire puede incomodar a los visitantes que tengan dificultades respiratorias.
  • A los visitantes que no pueden acceder al piso superior entregamos cuadernos ilustrados que describen las exhibiciones del piso superior de las dos casas, además que un iPad con una vista completa del dormitorio de Emily Dickinson. El personal está presente para contestar a preguntas sobre los espacios.
  • Se proporcionan sillas modernas en cada habitación para la comodidad de los visitantes.

Interpretación de lenguaje de señas

  • La interpretación en lenguaje de señas está disponible como un servicio gratuito para visitas guiadas y todos los programas del museo a pedido con dos semanas de anticipación. Si se requieren otros servicios de interpretación, contáctenos y buscamos una solución.

Animales de servicio

  • Los perros de servicio son bienvenidos en todo el establecimiento.

Socios de visitantes con discapacidades

  • Los acompañantes de los visitantes con discapacidades serán admitidos de forma gratuita.

Estacionamiento accesible

  • Hay dos espacios de estacionamiento reservados para visitantes con discapacidades cerca de la entrada del Museo. Si uno de ellos no está disponible a su llegada, llame al número (413) 542-2947 y le ayudaremos.

Si tiene alguna pregunta acerca de la accesibilidad o una sugerencia para mejorar la experiencia de su visita, comuníquese con el museo al correo siguiente: bsteinhauser@emilydickinsonmuseum.org.

Traducción por Javier Whitaker-Castañeda
Photo of Daisies at Emily's tombstone

Annual Poetry Walk
Saturday, May 15, 11:30am

Annual poetry walk graphic which shows an image of Emily's tombstone with text that reads "Annual Poetry Walk. Saturday, May 15, 11:30 a.m. Presented by the Emily Dickinson Museum and Mass Poetry"

VIRTUAL PROGRAM

“Called Back”: A Virtual Emily Dickinson Poetry Walk
Saturday, May 15, 11:30am ET

Days before her death in 1886, Emily Dickinson wrote her final letter, “Little Cousins, / Called Back. / Emily”. On May 15, the 135th anniversary of the poet’s death, join the Emily Dickinson Museum for an engaging virtual poetry reading and “walk” through Amherst, the town she called “paradise.”  At each stop we will see historical and contemporary images of sites of meaning for Dickinson including her garden and conservatory at the Homestead, The Evergreens — home to the poet’s brother and sister-in-law, the town common, Amherst College, and more.  Not a lecture, this program infuses place with poetry. At each stop contemporary poets share their Dickinson-inspired poems and volunteers read Dickinson’s own words aloud. The final stop is Dickinson’s grave in West Cemetery where we will share reflections and a light-hearted virtual toast! This year’s Poetry Walk is part of Mass Poetry’s 2021 Massachusetts Poetry Festival.

Registration for this program is free or by donation but it is required in advance.

A Daisy for Dickinson: Be a part of a beloved tradition of outfitting Emily Dickinson’s final resting place at Amherst’s West Cemetery with fresh daisies on the anniversary of her death.  Make a supporting donation to the Museum in honor of Emily or in memory of someone you’ve loved and lost, and we’ll place a daisy in their name at the poet’s grave as part of this year’s Poetry Walk (May 15).

We hope you enjoyed this beloved tradition of honoring Emily Dickinson on the anniversary of her death. If you would like to make a supporting gift to the Museum in honor of Emily or in memory of someone you’ve loved and lost, you may do so below.

Rewatch:

DONATE

About the participating poets:

Elizabeth Bolton has a PhD in Literacy Education from the Ontario Institute for Studies in Education. She writes articles, essays and poems about the connection between writing and mental health. She grew up in northern California and now lives in Niagara Falls, Ontario with her husband and two daughters.

Lori Desrosiers’ poetry books are The Philosopher’s DaughterSometimes I Hear the Clock Speak, and Keeping Planes in the Air, all from Salmon Poetry. Two chapbooks, Inner Sky and Typing with e.e. cummings, are from Glass Lyre Press. She edits Naugatuck River Review, a journal of narrative poetry and Wordpeace.co, an online journal dedicated to social justice. http://loridesrosierspoetry.com

Hannah Baker Saltmarsh is the author of the poetry collection, Hysterical Water, published by The University of Georgia Press in March 2021. She has written a book of poetry criticism, entitled Male Poets and the Agon of the Mother: Contexts in Confessional and Post-confessional Poetry (Univ. of South Carolina P., 2019). She is the mother of three children, and lives with her husband in Cedar Rapids, Iowa, where she teaches and writes. 

Kate Godin lives in Western Massachusetts, where she tends to the writing needs of a small liberal arts college, a tween and a teen, a vigorous anxiety, and her poetry (which can be found at kategodin.com). She is a graduate of Bates College and the New School for Social Research.

Bonnie Larson Staiger is a North Dakota Associate Poet Laureate, the recipient of the ‘Poetry of the Plains and Prairies Prize (NDSU Press, 2018) and the ‘Independent Press Award: Distinguished Favorite’ (2019) for her collection, Destiny Manifested. Her second book In Plains Sight, is forthcoming from NDSU Press in 2021. www.bonniestaiger.com

Robin Long (@theotherdickinson) is a queer poet and writer from Austin. She is expanding her fiction thesis on Emily Dickinson, The Other Dickinson, and can be found at theotherdickinson.com. She is a Pushcart Prize nominee, 2020 National Poetry Month Editor’s Pick, and a digital poetry performer with FEELS Zine.

Siri Palreddy is a first-year at Amherst College, hoping to study both English and Neuroscience. An avid reader, she first discovered Emily Dickinson in high school, and has loved her work ever since. Apart from poetry, Siri enjoys writing creative nonfiction and is compelled by stories that navigate one’s identity (or identities) and roots. When not reading or writing, you can find Siri spending her free time volunteering, laying in the sun, or rewatching her favorite comfort shows. https://siridhatripalreddy.wixsite.com/website-1

Peter Schmitt is the author of six books of poems. “Emily Dickinson and the Boston Red Sox” appears in his new collection, Goodbye, Apostrophe (Regal House). A graduate of Amherst and The Iowa Writers Workshop, he lives and teaches in his hometown of Miami, Florida.  

Don Skoog is a freelance musician, writer, and teacher living in Oak Park, Illinois. He plays Classical percussion and Jazz drums, as well as Latin American, Arabic, and Persian instruments. He authors books and articles on exploring culture through music—the latest, in Arabic, for The University of Chicago’s Majala magazine—and has written four novels (not all of them published yet). The poem Amherst, is from Adventures in the RhythmVerse, his first chapbook. www.contemporarymusicproject.com

Rebecca Starks is the author of the poetry collections Time Is Always Now, a finalist for the 2019 Able Muse Book Award, and Fetch, Muse (forthcoming from Able Muse Press), and is the recipient of Rattle’s 2018 Neil Postman Award for Metaphor. She lives in Richmond, Vermont.  https://rebeccastarks.com

Abigail Price is a 24 year old English poet, writer and Undergraduate student studying Criminology, Criminal Justice and Social Policy at the University of Wolverhampton in England. Most of Abigail’s work is inspired by her past and significantly, nature which aided her recovery from mental illness in her early teenage years. Abigail is an avid writer & reader and her dream is to influence social change through British politics alongside writing beautiful poetry to leave people a little bit better, than when her poems found them. https://abigailtoriprice.wixsite.com/nerve 

 

This program is co-presented with Mass Poetry

Mass Poetry Festival LogoThe Massachusetts Poetry Festival, a biennial event based in Boston, MA, returns May 13-16, 2021 for a virtual showcase featuring 50+ readings panels, workshops, performances and more. Find more information or register for other Festival events today at festival.masspoetry.org.

Headshots of April poets

Phosphorescence Poetry Reading Series
Thursday, April 22, 6-7pm

Phosphorescence April 2021 featured poets:
Jennifer Franklin, Philip F. Clark, Fred Marchant and Mervyn Taylor

VIRTUAL PROGRAM

This program is free of charge, but participants must register in advance and donations are encouraged. 
Click here to register!

To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers.  Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

Amherst Books is the preferred book seller for the Phosphorescence Poetry Reading Series.

Phosphorescence Lineup 2021

About this month’s poets:

Headshot of Jennifer Franklin

Jennifer Franklin (AB Brown University, MFA Columbia University School of the Arts) has published two full-length collections, most recently No Small Gift (Four Way Books, 2018). Her third book, If Some God Shakes Your House, will be published by Four Way Books in 2023. She was nominated for a Rona Jaffe Award and a Pushcart Prize. Her work has been published in American Poetry Review, Blackbird, Boston Review, Gettysburg Review, Guernica, JAMA, Love’s Executive Order, The Nation, Paris Review, “poem-a-day” on poets.org, and Prairie Schooner. Her poem, “Memento Mori: Pistachios,” will be featured in Poetry Society of America’s Poetry in Motion, RI in February 2021. She teaches in the MFA Program at Manhattanville College. For the past seven years, she has taught manuscript revision at the Hudson Valley Writers Center where she serves as Program Director and co-edits Slapering Hol Press. jenniferfranklinpoet.com

Headshot of poet Philip ClarkePhilip F. Clark is the author of The Carnival of Affection (Sibling Rivalry Press, 2017), and teaches at City College, New York, where he received his M.F.A. in Creative Writing in 2016. He is a Poetry Editor at The Night Heron Barks, A&U Magazine, and The Poet’s Grin. His poetry and writing has been published in Tiferet Journal (nominated for a 2021 Pushcart Prize), Vox Populi, Re: An Ideas Journal, Lambda Literary and other publications. 
philipfclark.wordpress.com

 

Headshot of poet Fred MarchantFred Marchant is the author of five books of poetry, most recently Said Not Said (Graywolf Press, 2017). Graywolf also published his collections Full Moon Boat (2000) and The Looking House (2009). His first book, Tipping Point, won the 1993 Washington Prize from the Word Works. In 2002 Dedalus Press of Dublin Ireland brought out House on Water, House in Air, a new and selected poems. For over thirty years, he taught at Suffolk University in Boston, and is now an Emeritus Professor of English and the founding co-director of the Suffolk University Poetry Center. He continues to teach writing workshops in a number of other venues, including the Colrain Poetry Manuscript Conference, the Fine Arts Work Center in Provincetown, the Hudson Valley Writers Center, and the SF Bay Area Veteran Writing Group.
fredmarchant.com

Headshot of poet Mervyn TaylorMervyn Taylor a Trinidad-born poet and longtime Brooklyn resident, is the author of seven collections of poetry, including No Back Door (2010), Voices Carry (2017), and most recently, Country of Warm Snow (2020), a Poetry Book Society Recommendation, which has also been long listed for the Bocas Prize. His chapbook, News of the Living: Corona Poems was published by Broadstone Books in 2020. Currently, he serves as co-editor on the Advisory Board of Slapering Hol Press, Hudson Valley, New York.
mervyntaylor.com

 

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.

 

A Poetry Month Archives Tour at Houghton Library
Wed., April 14, 6:30pm

VIRTUAL PROGRAM

This program is free of charge, but participants must register in advance and donations are encouraged. 

Join us during National Poetry Month for a very special behind the scenes look at the Dickinson collection at Harvard University’s Houghton Library.

The Houghton Library is known for its holdings of papers of 19th-century American writers, and many would say that the jewel in that crown is the Emily Dickinson Collection. Houghton’s Dickinson Collection is the largest in the world, preserving more than 1,000 autograph poems and some 300 letters. The collection also includes such treasures as: Dickinson’s Herbarium, the family library — including the poet’s Bible, and family furniture and papers that provide insight into the context of the poet’s life and work. The heart of the collection is the 40 hand-sewn manuscript books, or fascicles, into which the poet copied her poems. Houghton Library curator Leslie Morris gives you an up close and personal look at this treasure trove of Dickinsoniana in this virtual tour. Hear the stories these objects can tell and learn about recent work in the collection. A Q&A follows the presentation. This is a virtual program and will be held on Zoom.

About the facilitator: Leslie Morris is the Gore Vidal Curator of Modern Books and Manuscripts at the Houghton Library, Harvard University. She is the General Editor of the open-access Emily Dickinson Archive, which makes images and transcripts of Dickinson’s handwritten poems freely available to millions of visitors every year. Other Dickinson publications include a color facsimile of Emily Dickinson’s Herbarium (2006).  Morris has also been a member of the Board of Governors at the Emily Dickinson Museum for fourteen years.

 

 

Rewatch:

 

Virtual Programs Archive