Twice As Bold

Small desk by a window with paper, fountain pen, and ink well

I took my Power in my Hand –
And went against the World – ’
Twas not so much as David – had –
But I – was twice as bold –
(excerpt from F660)

In 2019, the Emily Dickinson Museum embarked on a new chapter of exploration and planning focused on its evolving role as a site of unparalleled cultural significance and educational promise emanating from its mission to spark the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home.

To fully realize and sustain this mission, the Museum recognized the need to grow and change in ways that will empower it to serve as the premier center for study, interpretation, creative expression, and celebration of Emily Dickinson’s life and legacy

After more than a year of research and analysis, as well as discovery flowing from the poet’s worldwide resonance and the Museum’s tremendous growth in audience during the pandemic, a clear path forward emerged in the form of a Long Range Plan grounded in the following guiding principles:

  • SPARK THE IMAGINATION | Inspire new generations of poets, writers, artists, and thinkers to dive deeply into the life of the mind, the power of creativity, and the world around us as Emily Dickinson did, thus bringing her sense of possibility to life in perpetuity.  
  • AMPLIFY EMILY DICKINSON’S REVOLUTIONARY POETIC VOICE | Connect the programs and resources of the Emily Dickinson Museum with scholars, students, and enthusiasts both around the corner and across the globe. 
  • FROM THE PLACE SHE CALLED HOME | Preserve and care for the material legacy of the Dickinson family—buildings, grounds, gardens, collections—to enliven and enhance the experience offered to the public and create an environment that accurately reflects the poet in her times.

The result is a plan that boldly prioritizes an expanded, fully restored, and accessible campus, leading-edge educational programs and resources, a singular visitor experience both onsite and online, and increased operational capacity for long-term sustainability. 


Join us. Be a part of the Emily Dickinson Museum’s journey by supporting its next steps, celebrating its 20th Anniversary, and securing its bright future. Contact Nora Maroulis at 413-542-5072 or nmaroulis@emilydickinsonmuseum.org


FUNDING NEEDS AND OPPORTUNITIES                      

Long Range Plan Priorities

  • Build and sustain operational capacity for long-term sustainability
  • Create an expanded, restored, and accessible campus
  • Develop and deliver leading-edge public and educational programs and resources    Design and provide a singular visitor experience both onsite and online                                                                                                                                                         

Five-Year Funding Needs and Opportunities 

Opportunities abound for donors at all levels to positively impact and help shape the Museum’s bright future. Priority projects and programs in need of investment and support over the next five years are framed by the Museum’s essential mission. Gifts or bequests of unrestricted endowment are most welcome, as they provide critical support to each and all of these areas. 


SPARK THE IMAGINATION         $1.9M

Audience Engagement and Communication $650K
Two children explore Dickinson's bedroomDigital Capacity and Resource Development ($200K)
Virtual Program Hosting and Conferencing Upgrades ($100K)
Website Accessibility and User-Experience Updates ($50K)
New CRM (Constituent Relationship Management) System ($150K)
Graphic Identity / Branding Updates ($150K)

Teaching and Learning (K-12, College/University, Lifelong) $1.25M
Resource Development (curricula, teacher training modules, etc.) ($550K)
Undergraduate Internships and Graduate Fellowships ($275K)
Honoraria for Visiting and Teaching Artists, Writers, Scholars ($190K)
Scholarships for Visiting K-12 Schools and Teacher Training ($95K)
Poets and Writers Workshops and Classes (FY23+) ($140K)


AMPLIFY EMILY DICKINSON’S REVOLUTIONARY POETIC VOICE           $2.6M

Interpretation and Visitor Experience $800Kimage of Youtube pageThematic Tour Development ($330K)
Self-Guided Map and Interactive Guide ($85K)
Orientation Film ($300K)
Wayfinding ($85K)

Public Programs and Events $1.8M
Poetry Programs $540K

Poetry Festival and Marathon  ($315K)
Phosphorescence Contemporary Poetry Series ($135K)
Poetry Discussion Groups ($90K)

Collections, Restoration, Landscape, and History Programs $270K
Dickinson Book Club Series ($90K)
Buildings, Grounds and Collections Presentations ($90K)
Behind the Scenes Collections / Restoration Series ($90K)

Community-Building Events $450K
Birthday Celebration ($30K)
Poetry Walk ($25K)
Reopening Events and Launch of Dickinson Days ($150K)
Tell It Slant Awards / 20th Anniversary Gala ($245K)

Visual and Performing Art Programs $540K
Dickinson in Performance Series ($135K)
Conservatory and Landscape Installations ($270K)
Dickinson in the World Podcast ($135K)



FROM THE PLACE SHE CALLED HOME                         $3.5M

Completion of Homestead Restoration $1.0MRendering of the Dickinson barn
Design Development ($150K)
Construction / Restoration ($700K)
Decorative Arts and Object Conservation ($150K)

Rebuild Evergreens Carriage House $600K
Design Development ($100K)
Construction ($400K)
Furnishings and Fittings ($100K)

Conserve and Restore The Evergreens $1.0M
Interior Conditions Assessment ($50K)
Treatment Plan Development ($100K)
Conservation and Restoration ($700K)
Decorative Arts and Object Conservation ($150K)

Restore Landscape and Dickinson Gardens $400K
Homestead Gardens restoration ($200K)
Evergreens Gardens restoration ($75K)
Other Landscape restoration ($125K)

Collections Stewardship $500K
Collections Rehousing ($400K)
Conservation ($100K)

Figures are for annual cost over 5 years. Endowment gifts intended to name and/or directly support a specific project or program must cover 60% of associated costs. 

Hailee Steinfeld dressed in character as Emily Dickinson

Press Release:
Apple TV+ Gifts Set Pieces and Costumes to Museum

THE EMILY DICKINSON MUSEUM RECEIVES DONATION
OF SETS, PROPS AND COSTUMES
FROM APPLE TV+’s DICKINSON SERIES

The donation to the Museum made by Apple TV+ and wiip Productions includes over 300 items from the sets of Dickinson and over 100 costume pieces.

Hailee Steinfeld dressed in character as Emily Dickinson

(AMHERST, Mass., December 10, 2021) – The Emily Dickinson Museum today announced a major gift from the Apple TV+ and wiip Productions award-winning series Dickinson, of a full range of set pieces, costumes and props. The gift includes antique furniture and objects acquired by the show to furnish as authentically as possible the sets of the Dickinson residences, the Homestead and the Evergreens, as well as costumes worn by the principal actors. 

Created by Alena Smith, Dickinson is a half-hour comedy series that audaciously explores the constraints of society, gender and family from the perspective of the rebellious young poet, Emily Dickinson. Set in the 19th century, the series is a coming-of-age story that has helped the poet gain hero status among millennials. The series stars Hailee Steinfeld, Toby Huss, Ella Hunt, and Jane Krakowski, and has included guest appearances from Wiz Khalifa, John Mulaney, Zosia Mamet, and Nick Kroll. The third and final season began streaming on Apple+ on November 5, 2021.

The production worked closely with the Emily Dickinson Museum throughout its filming. During pre-production, various members of the production crew visited the Museum in Amherst, Mass., to study the architecture and floor plans of the two homes. Principal actors toured the Museum as they worked on inhabiting members of the Dickinson family and their circle. As the series unfolded, researchers and production staff regularly reached out to the Museum to track down details of family friends and acquaintances, the look and feel of nineteenth century Amherst, and the gardens and grounds, among other topics.

“I can’t imagine a more meaningful conclusion to the journey of making Dickinson than giving this gift to the Dickinson Museum,” said Creator and showrunner Alena Smith. “It is the greatest end to the story I wanted to tell, and makes me feel so proud that these pieces of our production will contribute to Emily’s legacy and help the Museum in its mission of deepening scholarly and historic preservation. I love that the show was able to introduce Emily to new generations around the globe, and that it will continue to help make the Museum a place of even more international prominence. Just to know that in 20 years fans can come to the Museum and see a lasting piece of the Dickinson world we built is amazing to me. It makes my heart sing.”

“The Dickinson show and the Museum share the goal of amplifying Emily Dickinson’s powerful and revolutionary poetic voice,” said Museum Executive Director Jane Wald, “and we’re thrilled that the show has introduced so many to that voice. This wonderful gift from Dickinson, AppleTV+, and wiip Productions is inspired by Dickinson’s poetic legacy–one that inspired the show in the first place and that endures not only here at her home but, as it should, throughout the world.”Photo of 3 Dickinson costumes from the series on mannequins

Antiques from the set of Dickinson are appropriate to the time period of the Dickinson residences that comprise the Museum and were sourced in the same ways the Museum would have done so to acquire appropriate objects for its collection. While these items from the show do not have Dickinson provenance, they will augment the Museum’s collection of original furnishings to imbue the rooms of the Museum with greater immersive power. Future visitors will encounter some of these objects in more fully furnished spaces and enjoy an expanded opportunity to engage with the trappings of daily life at the Homestead and The Evergreens. 

On December 10, 2021, the Emily Dickinson Museum presented a closer look at the items from the donation during the annual Emily Dickinson Birthday Celebration, which marked the 191st anniversary of the poet’s birth. Including interviews with production designers, as well as behind-the-scenes looks at the ongoing Homestead restoration, this virtual program drew a global audience from over 60 countries.

The Museum is currently closed while it is undergoing a major restoration project and will reopen in Spring 2022. 

For images, please visit: bit.ly/DickinsonGiftPhotosEDM

ABOUT THE EMILY DICKINSON MUSEUM

The Emily Dickinson Museum: The Homestead and The Evergreens is dedicated to sparking the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home.

The Emily Dickinson Museum is owned by the Trustees of Amherst College and overseen by a separate Board of Governors. The Museum is responsible for raising its own operating and capital funds. The Museum is proud to celebrate the bicentennial of Amherst College. The Dickinson family were intimately connected with Amherst College in its first 75 years, beginning with the poet’s grandfather, who helped to found the institution. The College was an early and lasting influence in the poet’s own life, playing an inestimable role in her early education and friendships, and later connecting her to an ever-widening local and global community.

The Emily Dickinson Museum is a member of Museums10, a collaboration of ten museums linked to the Five Colleges in the Pioneer Valley—Amherst, Hampshire, Mount Holyoke, and Smith Colleges, and the University of Massachusetts Amherst.

The cast of Apple TV's Dickinson in the parlor wearing Shakespearean costumes and florals

Dickinson’s 191st Birthday Celebration
Friday, December 10, 12pm ET

VIRTUAL PROGRAM
The cast of Apple TV's Dickinson in the parlor wearing Shakespearean costumes and florals

Image courtesy of Apple TV

REGISTER FOR THIS PROGRAM FOR FREE
or 
REGISTER FOR THIS PROGRAM WITH A DONATION

You are cordially invited to the Emily Dickinson Museum’s virtual celebration of the poet’s 191st birthday! On Friday, December 10, join us for an afternoon exploring behind-the-scenes at the Emily Dickinson Museum while we remain closed to the public for our biggest restoration project ever. We will toast to Dickinson’s enduring legacy, and share the ways the Museum is working to preserve her home and story. This program contains sneak-peeks at the new interiors you’ll see when we reopen in spring 2022, and we’ll also be making a BIG ANNOUNCEMENT with our friends over at Apple TV’s Dickinson! We can hardly wait to share it with you!

All are welcome to this free program but registration is required.

Give a Birthday Gift
It’s not a birthday party without gifts! If you’re looking to honor Emily Dickinson with a birthday present, please consider a donation to the Museum to support our free virtual programs which are made possible with your support. Gifts of all sizes are deeply appreciated.

DONATE

A crane lifts a painter up to the top of the Homestead

About Dickinson’s Birthday

Emily Dickinson, the middle child of Edward and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts. She celebrated 55 birthdays before her death in 1886. As an adult she wrote, “We turn not older with years, but newer every day.” (Johnson L379)

 

 

 

 

 

 

NEPM logo

the Homestead lights are on at night time

Call for Submissions:
Phosphorescence Poetry Reading Series 2022

PHOSPHORESCENCE 2022 call for submissions graphic - the Homestead glows at night time.

UPDATE: We are now closed for submissions.
Sign up for our e-newsletter to be the first to know the next time we are accepting program proposals: emilydickinsonmuseum.org/newsletter-signup

The Emily Dickinson Museum is now accepting proposals for the 2nd year of our Phosphorescence Poetry Reading Series — a virtual event held monthly throughout 2022! 

Produced by the Emily Dickinson Museum, the aim of Phosphorescence is to celebrate contemporary creativity that echoes Dickinson’s revolutionary poetic voice. The Series features established and emerging poets who represent the diversity of the flourishing contemporary poetry scene, and fosters community by placing poetry in the public sphere. The Series is a place to connect virtually over a shared love of poetry and an appreciation for Dickinson’s literary legacy.

Featured poets are promoted on the Museum’s event web page, through an event mailing list of roughly 15,000 addresses, and through the Museum’s social media. Each participating poet receives a $200 honorarium.

READINGS:
This program occurs at 6pm ET on the last Thursday of each month. Each reading may feature 1-3 poets. Readings are 15-25 minutes long on average per reader, though this may depend on other program components each month. Poets who submit alone may be paired with other poets if selected. Poets are welcome to promote sales of their books, and/or awareness of other media on the evening of the program. Poets should be prepared to engage in facilitated conversation and/or a Q&A after their readings.

Emily Dickinson Stamp National Postal MuseumSUBMISSION GUIDELINES:
Only submissions made using our online form will be considered.
There is no fee to submit proposals.
Group submissions from up to 3 poets are accepted.

The following submission qualities are especially encouraged:

-build community

-feature BIPOC and/or LBGTQ+ voices

-highlight a connection to Dickinson’s life and legacy

-Push poetic boundaries

SUBMISSIONS DUE: Wednesday, January 5, 2022, 12pm ET.

To submit a proposal please click this link for our submission form.

TIMELINE
Accepted submissions will be notified by the end of January. Participating poets will be asked to sign a letter of agreement confirming participation on assigned dates. 

 

 

 

Archival poster for a lecture on "the real Emily Dickinson" given by Martha Dickinson Bianchi

The “Real” Emily Dickinson at 191
Wednesday, December 1, 4:30pm ET

VIRTUAL PROGRAM

Archival poster for a lecture on "the real Emily Dickinson" given by Martha Dickinson Bianchi

An illustrated talk and birthday celebration with Emily Dickinson Museum Director Jane Wald

CLICK HERE TO REGISTER for this free program.

During her lifetime, Emily Dickinson remained solidly and agreeably planted in Amherst—a known but ultimately withdrawn member of one of the town’s leading families, perhaps known better as a baker than as a poet. Following her death in 1886, the poet’s words came to light through the work of posthumous editors who sought to fill in the story for the public. Now, at the 191st anniversary of her birthday, Dickinson’s poetry speaks powerfully to readers all over the world, but her life seems even more contested in the popular imagination than ever before. Can we know “the real Emily Dickinson”? Would she want us to? Would we even want to? 

In this illustrated talk, Emily Dickinson Museum Executive Director Jane Wald evokes these fraught questions and controversies through an exploration of early biographer and editor Martha Dickinson Bianchi at the 100th anniversary of the poet’s birth, tracing interpretations through contemporary creative portrayals of the poet such as AppleTV’s ‘Dickinson’ starring Hailee Steinfeld, and right back to the ongoing preservation and interpretive work at the poet’s home in Amherst, Massachusetts.

This program is presented in partnership with the Amherst College Center for Humanistic Inquiry.

The homestead parlor with 4 windows, a fireplace, two chairs, a rug and a side table.

The Props assist the House:
Restoring the Homestead (Part 3)
Saturday, September 25, 1pm

The homestead parlor with 4 windows, a fireplace, two chairs, a rug and a side table.Part of the 2021 Tell It Slant Poetry Festival:

In the final installment of this three-part series, go behind the scenes of the restoration of Emily Dickinson’s home with Museum Executive Director Jane Wald and special guest Jeff Baker, preservation architect and partner at Mesick Cohen Wilson Baker Architects. The Emily Dickinson Museum is currently embarking on the most significant restoration project to date of the interior architectural features, finishes, and furnishings of the revered poet’s Homestead. This work will not only triple the amount of restored space in the Homestead accessible to guests, but will also add critical details to our understanding of Dickinson’s daily life by providing a more authentic experience of the house she inhabited. In this virtual program, learn how the documentary record yields clues about this historic house and hear first-hand about the research and decisions that go into restoration work. 

REGISTER

 

Headshot of Jeff Baker

Jeff Baker has been with Mesick Cohen Wilson Baker for over thirty years and has been a firm Partner for over twenty years. After his graduation from Hudson Valley Community College, Jeff attended Rensselaer Polytechnic Institute (RPI) where he earned a Bachelor’s of Building Science and a Bachelor’s of Architecture. Mesick Cohen Wilson Baker specializes in Architecture, Planning and Historic Preservation, and has overseen the success of several previous restoration projects at the Emily Dickinson Museum, as well as numerous other National Historic Landmarks.

A few examples of Jeff’s work include the restoration of Thomas Jefferson’s Monticello in Charlottesville, Virginia; Thomas Jefferson’s Poplar Forest in Lynchburg, Virginia; James Madison’s Montpelier, in Montpelier Station, Virginia; and the Newport Country Club in Newport, Rhode Island. Jeff has also been retained to assist in the restoration of George Washington’s Mount Vernon in Virginia.

Learn more at mcwb-arch.com.

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

Graphic for Tell It Slant Poetry Festival 2021 headliner night with headshots of Tracy K. Smith and Tiana Clark with the Tell It Slant logo.

An Evening with Tracy K. Smith and Tiana Clark
Saturday, September 25, 7:30pm

Graphic for Tell It Slant Poetry Festival 2021 headliner night with headshots of Tracy K. Smith and Tiana Clark with the Tell It Slant logo. Part of the 2021 Tell It Slant Poetry Festival:

Settle in for an evening of poetry celebrating Emily Dickinson’s ongoing creative legacy with the work of two internationally acclaimed contemporary female poets. Headliners Tracy K. Smith and Tiana Clark will read from their work and discuss their poetic practice and inspiration. Don’t miss out on this special evening of community through art and conversation that will dazzle you with the necessity of poetry, or in Smith’s words, “a means of living more deeply with reality”.

Live captioning will be available at this event!

REGISTER

 

 

 

 

About the artists:

Headshot of Tracy K. Smith

Tracy K. Smith received the 2012 Pulitzer Prize in poetry for her third book of poems, Life on Mars. Smith served two terms as Poet Laureate of the United States, during which she traveled across America, hosting poetry readings and conversations in rural communities. She edited the anthology American Journal: Fifty Poems for Our Time during her laureateship, and launched the American Public Media podcast The Slowdown.  In March 2021 she was voted into the American Academy of Arts and Letters.

 

 

Headshot of Tiana ClarkTiana Clark is the author of the poetry collection, I Can’t Talk About the Trees Without the Blood (University of Pittsburgh Press, 2018). Clark is a winner for the 2020 Kate Tufts Discovery Award (Claremont Graduate University), a 2019 National Endowment for the Arts Literature Fellow, and the 2015 Rattle Poetry Prize. She is a recipient of the 2021-2022 Amy Lowell Poetry Traveling Scholarship and the 2019 Pushcart Prize. Her writing has appeared in or is forthcoming from The New Yorker, Poetry Magazine, The Atlantic, The Washington Post, Virginia Quarterly Review, Tin House Online, Kenyon Review, BuzzFeed News, American Poetry Review, Oxford American, Best New Poets 2015, and elsewhere. She is the Grace Hazard Conkling Writer-in-Residence at Smith College.

 

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

Headshot of Tess Taylor

Staging the Poem:
Masterclass with Tess Taylor
Friday, September 24, 12pm

Headshot of Tess Taylor

Part of the 2021 Tell It Slant Poetry Festival:

“Drama is never dead” wrote Emily Dickinson, “Everything is as good as it is dramatic,” wrote Robert Frost. But what is drama in poetry? By turning the lenses of drama on the poems we read and onto our own drafts, we will think about how the theatrical cues of place, voice, and address make a poem legible to us, and help a poem to feel spoken and embodied across time. In this masterclass, we’ll read a few Amherst poets and a few poets from the great wider literary tradition. Using lenses and techniques we learn, we’ll turn our eyes towards our own drafts, seeing how we can refine them for resonance and reverberation.

Closed captioning will be available for this program!

Participants in this program will not be able to turn on their cameras or microphones, but are encouraged to follow along with Tess from home as she facilitates exercises with a group of students. All participants are encouraged to enter questions into the typed Q&A during the program.

REGISTER

 

Tess Taylor is the author of five acclaimed collections of poetry. Her chapbook, The Misremembered World, was selected by Eavan Boland for the Poetry Society of America’s inaugural chapbook fellowship, and The San Francisco Chronicle called her first book, The Forage House, “stunning.”  Her second book, Work & Days, was hailed as “our moment’s Georgic” by critic Stephanie Burt and named one of the 10 best books of poetry of 2016 by The New York TimesLast West, Taylor’s third book, was commissioned by the Museum of Modern Art as part of the Dorothea Lange: Words & Pictures and is currently being adapted for the stage by the Poet’s Theatre. Her most recent book, Rift Zone, from Red Hen Press, was hailed “brilliant” by Stephanie Danler in the LA Times and “stunning” by Naomi Shihab Nye in The New York Times. Taylor’s work has appeared in The Atlantic, The Kenyon ReviewPoetry, Tin House, The Times Literary Supplement, CNN, and The New York Times, and she has received fellowships from MacDowell, Headlands Center for the Arts, and The International Center for Jefferson Studies. She served as Distinguished Fulbright US Scholar at the Seamus Heaney Centre in Queen’s University in Belfast, Northern Ireland and was most recently the Anne Spencer Poet-in-Residence at Randolph College. Taylor has served as the on-air poetry reviewer for NPR’s All Things Considered for over a decade. She grew up and lives again in El Cerrito, California.

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

Headshots of September poets

Phosphorescence Poetry Reading Series
Thursday, September 23, 6-7pm

Phosphorescence September 2021 featured poets:
Chloe Martinez, Rodney A. Brown, Elizabeth Metzger and Moriel Rothman-Zecher

VIRTUAL PROGRAM

This virtual program is free to attend and is part of the Emily Dickinson Museum’s 2021 Tell It Slant Poetry Festival. Registration is required. Registration is now available through the Festival’s virtual platform: click here.

To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers.  Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

Amherst Books is the preferred book seller for the Phosphorescence Poetry Reading Series.

This program is co-produced by The Common, a literary organization based at Amherst College with a mission to deepen our individual and collective sense of place. The Common publishes works that embody particular times and places and feature new and underrepresented voices from around the world.  

About the program host: Sofia Belimova is a senior at Amherst College and the fourth annual Thomas E. Wood ’61 Fellow at The Common, where she has worked since 2019. Her writing has been published in The Amherst Student, The Common, and Cerealization, an online publication that pairs artists and writers. In May 2021, she received the The Peter Burnett Howe Prize for fiction and the 19th Century English Novel Prize. Sofia’s literary interests include ballads and folktales, contemporary poetry, and the Gothic aesthetic. She is currently writing a thesis on William Faulkner’s As I Lay Dying. 

Phosphorescence Lineup 2021

About this month’s poets:

Headshot of Chloe Martinez

Chloe Martinez is a poet and scholar of South Asian religions. She is the author of the chapbook Corner Shrine (Backbone Press, 2020) and a full-length collection, forthcoming from The Word Works in Fall 2021. Her poems have appeared or are forthcoming in Ploughshares, Waxwing, Shenandoah, The Common and elsewhere. She teaches at Claremont McKenna College.
chloeavmartinez.com

 

 

 

Rodney A Brown headshotRodney A. Brown is a poet, writer, choreographer, and interdisciplinary artist whose work draws on he(r) experiences with AIDS, mental illness, and homelessness. He(r) writing has appeared in the Africology: The Journal of Pan African Studies, and their performances on Black lives and mental health have been sponsored at the Society of Dance History Scholars’ Congress on Research in Dance and the United States Conference on AIDS. They taught as a choreographer at the university level and attended the Saint Francis College MFA program in creative writing. 

 

Headshot of poet Elizabeth MetzgerElizabeth Metzger is the author of the chapbook, Bed (Tupelo, 2021), selected by Mark Bibbins for the Sunken Garden Poetry Contest, and Lying In, forthcoming from Milkweed in 2023. She is also the author of The Spirit Papers (UMass, 2017), winner of the Juniper Prize for a first book of poetry, and the chapbook The Nutshell Studies of Unexplained Death (Horsethief, 2017). She was the 2013 winner of the Narrative Magazine Poetry Prize, and her poems have been published in The New Yorker, The Paris Review, Poetry Magazine, American Poetry Review, The Nation, and the Academy of American Poets’ Poem-a-Day, among other places. Her prose has recently been published in Conjunctions, Literary Hub, Guernica, and Boston Review. She is a poetry editor at The Los Angeles Review of Books.
elizabethmetzger.com

 

 

Headshot of Moriel Rothman ZecherMoriel Rothman-Zecher is the author of the novel Sadness Is a White Bird (Atria Books, 2018), for which he received the National Book Foundation’s ‘5 Under 35’ Honor, and which was a finalist for the Dayton Literary Piece Prize, the winner of the Ohioana Book Award, a finalist for the National Jewish Book Award, the winner of the Cincinnati Books by the Banks Author Award, and long listed for the Center for Fiction’s First Novel Prize. His essays and poems have been published in The Common Magazine, Haaretz, The New York Times, The Paris Review’s Daily, Runner’s World, The Tel Aviv Review of Books, ZYZZYVA Magazine, and elsewhere.
morielrothmanzecher.com

 

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.

Graphic for A Stranger in My Own Home

A Stranger in My Own Home:
Black Experiences Within the American Literary Canon
Tuesday, September 21, 7pm

Graphic for A Stranger in My Own Home: Black Experiences Within the American Literary Canon featuring all 7 poets

A panel co-curated by Black Writers Read and Faraday Publishing Company

Part of the 2021 Tell It Slant Poetry Festival:

 
Black voices and experiences have shaped American letters since the first arrival of enslaved Africans in 1619. The first Black woman to publish a book of poetry in what would become the United States, Phillis Wheatley, did so three years before the Declaration of Independence was written. All too often, however, these contributions and myriad others like them have been taught and viewed through the lens of academia and relegated to their own sections in libraries and bookstores. This panel, co-curated by Nicole M. Young (Black Writers Read) and Enzo Silon Surin (Faraday Publishing Company), engages some of the brightest Black poets of our time to consider their own experiences reading the canon, and writing poems to expand it. Moderators Nicole M. Young and Lisa Pegram will be joined by Melanie Henderson, Rage Hezekiah, Krysten Hill, and Brionne Janae for this reading and discussion.

REGISTER

 

About the artists:

Nicole_M_Young headshot

Nicole M. Young is a performer, poet, playwright, director, event producer/curator, and nonprofit professional with over 20 years of experience combined in these areas. Nicole has worked across various disciplines, including theatre, poetry, and classical music. Originally from Detroit, Michigan, Nicole currently resides in Northern Connecticut and works in Western Massachusetts. Nicole released her debut spoken word album, In/Put: Live from the Valley in 2019. It was recorded at CLICK Workspace in Northampton, MA in 2018. Proceeds from the album were used to create a fellowship program for emerging women and nonbinary writers of color through Straw Dog Writers Guild. Nicole is the editor of the chapbook, Locating Me, which is the culmination of a 10-week writing workshop hosted by Attack Bear Press she facilitated in early 2020.

 

 

enzo-silon-surin headshotEnzo Silon Surin, Haitian-born poet, educator, speaker, publisher and social advocate, is the author of When My Body Was A Clinched Fist (Black Lawrence Press, July 2020) and two chapbooks, A Letter of Resignation: An American Libretto (2017) and Higher Ground. He is a PEN New England Celebrated New Voice in Poetry, the recipient of a Brother Thomas Fellowship from The Boston Foundation and a 2020 Denis Diderot [A-i-R] Grant as an Artist-in-Residence at Chateau d’Orquevaux in Orquevaux, France. Surin’s work gives voice to experiences that take place in what he calls “broken spaces” and his poems have been featured in numerous publications and exhibits. He holds an MFA in Creative Writing from Lesley University, teaches creative writing and literature at Bunker Hill Community College and is President and Director of Faraday Publishing.

 

 

Rage Hezekiah headshot

Rage Hezekiah is a New England-based poet and educator, who earned her MFA from Emerson College. She is a Cave Canem, MacDowell, and Ragdale Fellow, and received the Saint Botolph Foundation’s Emerging Artists Award. Her chapbook Unslakable (Paper Nautilus Press, 2019) is a Vella Chapbook Award Winner. Stray Harbor is her debut full-length collection (Finishing Line Press, 2019).

 

 

 

 

Brionne-Janae headshot

Brionne Janae is a poet and teaching artist living in Bedstuy. They are the author of Blessed are the Peacemakers (2021) which won the 2020 Cave Canem Northwestern University Press Poetry Prize, and After Jubilee (2017) published by Boat Press. Brionne has received fellowships to Cave Canem, the Sewanee Writers Conference, the Community of Writers in Squaw Valley, Vermont Studio Center and Hedgebrook. Brionne is a recipient of the St. Botoloph Emerging Artist award, and the winner of the Comstock Review’s Muriel Craft Bailey Prize judged by Kwame Dawes. Their poetry has been published in PloughsharesThe American Poetry ReviewThe Academy of American Poets Poem-a-DayThe Sun Magazine, The Los Angelas Review, Brooklyn Poets, jubilat, and Waxwing among others. Off the page they go by Breezy. 

 

 

Melanie-Henderson headshotMelanie Henderson is a Washington, DC native poet, editor, publisher and photographer. She is the author of Elegies for New York Avenue, winner of the 2011 Main Street Rag Poetry Book Award. 

 

 

 

 

 

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Krysten Hill is the author of How Her Spirit Got Out (Aforementioned Productions, 2016), which received the 2017 Jean Pedrick Chapbook Prize. Her work has been featured in The Academy of American Poets’ Poem-a-Day Series, apt, B O D Y, Boiler Magazine, Up the Staircase Quarterly, Muzzle, PANK, Tinderbox Poetry Journal, Winter Tangerine Review and elsewhere. The recipient of the 2016 St. Botolph Club Foundation Emerging Artist Award and 2020 Mass Cultural Council Poetry Fellowship, she received her MFA in poetry from University of Massachusetts Boston, where she currently teaches. 

 

 

 

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Lisa Pegram is a writer, educator, arts integration specialist and literary publicist. Her chapbook Cracked Calabash was published by Central Square Press and she is contributing author of The Next Verse Mixtape vol. 1. She has over 20 years of experience in high-level program design for such organizations as the Smithsonian Institute, Corcoran Gallery of Art and National Geographic. Passionate about the arts as a tool for activism, she served as DC WritersCorps program director for a decade, and as co-chair of United Nations affiliate international women’s conferences in the US, India and Bali. Lisa completed her MFA at Lesley University and has an Executive Certification in Arts & Culture Strategies from UPenn. A Washington, DC native, she is currently based in the Caribbean where, in addition to her literary pursuits, she is a personal chef aka food poet.

 

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2021 Tell It Slant Poetry Festival Schedule