Phos August 2022 Graphic

Phosphorescence Poetry Reading Series
Thursday, August 25, 6pm ET

Phosphorescence August 2022 featured poets:
Abhijit Sarmah and Annemarie Ní Churreáin

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers.  Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

Phosphorescence Lineup 2022


About this month’s poets:

headshot of poet Abhijit Sarmah

Abhijit Sarmah is a poet and researcher of global indigenous writing, with particular focus on Native American women writers and literatures from Northeast India. His work is published or forthcoming in Lunch Ticket, The Albion Review, Glassworks Magazine, GASHER Journal, Rigorous Magazine, South 85Journal, The Roadrunner Review and others.

 

 

 


headshot of poet Annemarie Ní ChurreáinAnnemarie Ní Churreáin is a poet from the Gaeltacht region of northwest Ireland. Her publications include Bloodroot (Doire Press, 2017), Town (The Salvage Press, 2018) and The Poison Glen (The Gallery Press, 2021). She is a recipient of the Arts Council’s Next Generation Artist Award and a co-recipient of The Markievicz Award. Ní Churreáin has written on various care institutions in Ireland including mother and baby homes, state industrial schools, orphanages and hospitals. A former literary fellow of Akademie Schloss Solitude and The Jack Kerouac House of Orlando, Ní Churreáin currently lectures at the Yeats Academy of Arts, Design and Architecture, Atlantic Technological University, and IT Sligo. 
studiotwentyfive.com

 

 


 

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.

Phosphorescence graphics for December 2022

Phosphorescence Poetry Reading Series
Thursday, December 15, 6pm ET

Phosphorescence December 2022 featured poets:
Eleanor Hooker and Cori A. Winrock

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers.  Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

Phosphorescence Lineup 2022


About this month’s poets:

headshot of poet Eleanor HookerEleanor Hooker is an Irish poet and writer. Her third poetry collection Of Ochre and Ash (Dedalus Press) is the recipient of the 2022 Michael Hartnett Award. Her other poetry collections with Dedalus Press are: A Tug of Blue (2016) and The Shadow Owner’s Companion (2012), shortlisted for the Strong/Shine Award for Best First Irish Collection 2012. Her chapbook Legion (Bonnefant Press, Netherlands) was published in 2021, and Where Memory Lies, a 2021 recipient of the Markievicz Award, is due for publication by Bonnefant Press in 2023. Eleanor’s poetry has been published internationally in Ireland, UK, USA, Holland, Romania, Hungary, India, Australia and Italy (forthcoming). Her work has appeared in literary journals including Poetry Ireland Review, POETRY, Poetry Review, PN Review, Agenda, The North, The Stinging Fly, Winter Papers, New Hibernia Review, New England Review (forthcoming), Archipelago (forthcoming). Eleanor is currently a PhD candidate at the University of Limerick. She holds an MPhil in Creative Writing from Trinity College, Dublin, an MA in Cultural History from the University of Northumbria, and a BA from the Open University. Eleanor is a Fellow of the Linnean Society of London. She’s a helm and Press Officer for Lough Derg RNLI Lifeboat. She began her career as an Intensive Care Nurse and trained as a midwife at the National Maternity Hospital, Dublin.
eleanorhooker.com


headshot of poet Cori A. WinrockCori A. Winrock, author of Little Envelopes of Earth Conditions (Alice James Books 2020), is a poet/multimedia essayist. Her book-length lyric essay, Alterations, is forthcoming from Transit Books as part of their Undelivered Lectures series. She is the winner of the Boston Review Poetry Prize and her essay on twins was selected as a notable essay in Best American Essays 2020. Her work has appeared in Poetry, the Best New Poets anthology, Bennington Review, Black Warrior Review, West Branch, Fairy Tale Review and elsewhere. Winrock holds an MFA from Cornell University and a PhD in Literature and Creative Writing from University of Utah. Winrock is currently a Visiting Assistant Professor at Western Washington University. 
coriwinrock.com


 

Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.

Phosphorescence graphics for September 2022

Phosphorescence Poetry Reading Series
Thursday, September 22, 6pm ET

Phosphorescence September 2022 featured poets:
Jessica Cuello, Eugenia Leigh, and Joan Kwon Glass

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

Part of the 2022 Tell It Slant Poetry Festival

To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers.  Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

Phosphorescence Lineup 2022

REGISTER FOR THE FESTIVAL


About this month’s poets:

headshot of poet Jessica Cuello

Jessica Cuello’s manuscript, Liar, has been selected by Dorianne Laux for the 2020
Barrow Street Book Prize, forthcoming in October 2021. She is also the author of Pricking (Tiger Bark Press 2016), winner of the 2017 CNY Book Award, and Hunt (The Word Works 2017), winner of the 2016 Washington Prize. In addition, Cuello has published three chapbooks: My Father’s Bargain (2015), By Fire (2013), and Curie (2011). Cuello was the recipient of The 2018 New Ohio Review Poetry Prize, The 2013 New Letters Poetry Prize, and a 2015 Saltonstall Writing Fellowship. In 2014 she was awarded The Decker Award from Hollins University for outstanding secondary teaching. She teaches French in Central NY and is a poetry editor for Tahoma Literary Review.
jessicacuello.com


headshot of poet Eugenia LeighEugenia Leigh is a Korean American poet and the author of Bianca (Four Way Books, forthcoming 2023) and Blood, Sparrows and Sparrows (Four Way Books, 2014). Her poems and essays have appeared in numerous publications including The Nation, Pleiades, Ploughshares, Poetry, Waxwing, and the 2017 Best of the Net Anthology. The recipient of Poetry’s 2021 Bess Hokin Prize as well as fellowships and awards from Poets & Writers Magazine, Kundiman, and elsewhere, Eugenia received her MFA from Sarah Lawrence College.
eugenialeigh.com

 


headshot of poet Joan Kwon Glass

Joan Kwon Glass (she/her) is the biracial, Korean American author of NIGHT SWIM, winner of the 2021 Diode Editions Book Contest, & is author of three chapbooks (Harbor Editions & Milk & Cake Press). Joan is the Editor-in-Chief of Harbor Review, a Brooklyn Poets mentor, poet laureate of Milford, CT & poetry co-editor of West Trestle Review.  She is a proud Smith College graduate & has been a public school educator for 20 years.  Her poems have appeared in Diode, Rattle, The Rupture, Dialogist, South Florida Poetry Journal & many others & have been nominated for the Pushcart Prize & Sundress Anthology Best of the Net. She grew up in Michigan & South Korea & lives in Connecticut with her family.
joankwonglass.com

 

 


Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.

 

2022 Tell It Slant Poetry Festival Schedule

Marta Macdowell and a volunteer work in Dickinson's garden

Garden Days 2022
Saturday and Sunday
June 11 and 12

IN-PERSON PROGRAM
UPDATE: REGISTRATION IS FULL

Celebrate the beauty of early summer during Garden Days at the Emily Dickinson Museum! As summer temperatures arrive in Amherst, Emily’s garden begs to be tended. Join master gardener Marta McDowell and a group of fellow volunteers to aid in the cultivation and growth of the historic Dickinson family landscape. You do not need to be an expert gardener for this “all levels” program. Learn from volunteers who have tended the gardens in the past and become part of a new generation of caretakers for this precious piece of land. During Garden Days, participants will help to weed, divide older perennials, plant new perennials and annuals, edge flower beds, and more! 

 
DETAILS:

Emily's garden with Homestead in the background

All are welcome, no gardening experience required.
Volunteers are encouraged to bring the following:
-Gloves
-Clean hand trowel and clipper
-Bucket
-Kneeling pad
-Water bottle
-Comfortable footwear
-Sun protection
-Lunch (if you are staying for the whole day)
 
Advance sign-ups only and space is limited! The program will run rain or shine. This program is run in four sessions across the weekend and participants may register for up to two sessions. The sessions are 9:30am-12:30pm ET and 1:30-4:30pm ET on both Saturday and Sunday.

Questions? Write edmprograms@emilydickinsonmuseum.org

 
About Marta McDowell:
Marta Macdowell and a volunteer work in Dickinson's gardenMarta McDowell teaches landscape history and horticulture at the New York Botanical Garden and consults for private clients and public gardens. Her latest book, Unearthing The Secret Garden explores the plants and places that inspired Frances Hodgson Burnett to write the classic children’s book. Timber Press also published Emily Dickinson’s Gardening LifeThe World of Laura Ingalls WilderAll the Presidents’ Gardens, and Beatrix Potter’s Gardening Life. All the Presidents’ Gardens made The New York Times bestseller list and won an American Horticultural Society book award in 2017. Beatrix Potter’s Gardening Life won the Gold Award from the Garden Writers Association and is now in its eighth printing. Her books have been translated into Chinese, Japanese and Korean. She is the 2019 recipient of the Garden Club of America’s Sarah Chapman Francis Medal for outstanding literary achievement. 
graphic for Tell It Slant Poetry Festival program: Does Translation Tell It Slant?

Does Translation ‘Tell It Slant’?
Translators on Process

Sunday, Sept. 25, 11am ET

In-Person Program

graphic for Tell It Slant Poetry Festival program: Does Translation Tell It Slant?

Part of the 2022 Tell It Slant Poetry Festival

Does the translation of a poem “tell it slant”? Do translators aim to tell the truth, but not the whole truth? What truths are uncovered when poems are given a new language? Do translators who are fluent in the language “uncover,” while those who may be just learning “discover”? In this session, panelists speak about their process of translating poetry and their relationship with truth-making, as well as read from their recently published translations. This program is brought to you by Festival partner, Massachusetts Center for the Book.

REGISTER FOR THE FESTIVAL


About the poets:

Danielle Legros Georges is a creative and critical writer, translator, and academic whose work sits in the fields of contemporary U.S. poetry, Black and African-diasporic poetry and literature, Caribbean/Latin American and Haitian studies, and literary translation. She is the author of several books of poetry including Maroon (2001), The Dear Remote Nearness of You (2016), and Island Heart (2021) translations of the poems of 20th-century Haitian-French poet Ida Faubert. Her poems have been widely published, anthologized, and contained in artistic commissions and collaborations. She was appointed Poet Laureate of Boston in 2014 and served in the role from 2015 through 2019. She is a professor of creative writing at Lesley University.

Ilan Stavans‘ book Selected Translations: Poems 2000-2020 (University of Pittsburgh Press, 2021) features about 100 translations he did over two decades from about 20 different languages, including languages he doesn’t know. Emily Dickinson’s line “Tell it slant” serves as the volume’s epigraph; there are also poems by her included that he translated into Spanish. His conviction is that translation is a process whereby a poem is “reborn” in a new habitat and that such rebirth forces us to recalibrate the way we read the original poem as well.

Dr. Regina Galasso is a writer, translator, and educator. Her award-winning scholarly work highlights the role of translation in literary histories and contemporary culture. Her forthcoming publications include This Is a Classic: Translators on Making Writers Global. She creates and supports ways to promote translation education to encourage greater understanding of this needed service and intellectual activity. With her students, she curated the 2022 exhibition “Read the World: Picture Books and Translation” for the Reading Library at the Eric Carle Museum of Picture Book Art. She works with school districts to improve their language access services and initiatives. She is Director of the Translation Center and Associate Professor in the Spanish and Portuguese Studies Program at the University of Massachusetts Amherst and can be reached at rgalasso@umass.edu.


Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.


2022 Tell It Slant Poetry Festival Schedule

The front facade of the Homestead

A Virtual Exploration of
the Homestead and The Evergreens

The front facade of the Homestead

The Homestead, built in 1813.

Over the course of her life in Amherst, Massachusetts, Emily Dickinson forged her powers of creativity and insight in the intimate environs of her beloved home, creating extraordinary poetry that touches the world. The poet’s daily life became the spark for extraordinary writing and her home proved a sanctuary for her boundless creative energy that produced almost 1,800 poems and a profusion of vibrant letters. Here, Dickinson fully embraced her unique personal vision, leaving behind a poetic legacy that is revolutionary in form and substance. Today, her voice and her story continue to inspire diverse audiences around the globe.

Visitors to the Emily Dickinson Museum explore the Homestead, where Dickinson was born, died, and did most of her writing, and The Evergreens, home of the poet’s brother, sister-in-law, and their three children. The Homestead, lived in by other families after Dickinson’s death, is in the process of being restored to its appearance during the poet’s writing years. The Evergreens was only ever lived in by Dickinsons or family heirs and its original 19th-century finishes remain intact. Dickinson’s life story and the story of her posthumous publication is uniquely entwined with these two houses and the three acres upon which they sit in Amherst.

BEGIN YOUR EXPLORATION

In this online exploration, you will visit several rooms within the two houses of the Dickinson family. Along the way you will see video and photographs of these historic spaces and learn more about how the poet’s life unfolded here. You will meet friends and family members, and encounter Dickinson’s own words quoted from extant poems and letters. Wherever you are, we hope this virtual exploration transports you to Emily Dickinson’s Amherst home.

The exterior of the 2nd floor of the Evergreens viewed from the ground

The Evergreens, built in 1856

 

Long Years apart – can make no
Breach a second cannot fill –
The absence of the Witch does not
Invalidate the spell –

The embers of a Thousand Years
Uncovered by the Hand
That fondled them when they were Fire
Will stir and understand

Fr1405

 

The Virtual Exploration of the Homestead and The Evergreens has been made possible in part by a grant from Mass Humanities and the generous support of Nicole P. Heath and of Susan R. Snively.

Mass Humanities logo
 
Tell-It-Slant-2022-Square-Web-Graphics

Tell It Slant Poetry Festival 2023

The Tell It Slant Poetry Festival returns September 25 – October 1, 2023!

The year’s Festival will be hybrid with events happening online, as well as in-person at the Museum in Amherst, MA.
Lineup and schedule TBA.

The Emily Dickinson Museum’s annual Tell It Slant Poetry Festival is an event with international reach that celebrates Emily Dickinson’s poetic legacy and the contemporary creativity she and her work continues to inspire from the place she called home.

Save the date!: Join the Facebook event

About the Festival:

The Emily Dickinson Museum’s Annual Tell It Slant Poetry Festival is an event with international reach that celebrates Emily Dickinson’s poetic legacy and the contemporary creativity she and her work continues to inspire from the place she called home.

The Festival, which runs each September, is named for Dickinson’s poem, “Tell all the truth but tell it slant,” underscoring the revolutionary power of poetry to shift our perspective and reveal new truths. Festival organizers are committed to featuring established and emerging poets who represent the diversity of the contemporary poetry landscape and to fostering community by placing poetry in the public sphere. 

The annual event attracts a diverse audience of Dickinson fans and poetry-lovers, including students, educators, aspiring writers, and those who are new to poetry and literary events. Past Festival headliners have included Tracy K. Smith, Tiana Clark, Tess Taylor, Ada Limón, Jericho Brown, Franny Choi, Aimee Nezhukumatathil, Paisley Rekdal, Adrian Matejka, Kaveh Akbar, and Ocean Vuong

For information on last year’s Festival: 2022 Tell It Slant Poetry Festival


Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.

 

graphic for Tell It Slant Poetry Festival program: Dickinsonian Death-Conscious Exclamation Point

The Dickinsonian [Death-Conscious]
Exclamation Point! A Workshop

Sunday, Sept. 25, 11am ET

Virtual Program

graphic for Tell It Slant Poetry Festival program: Dickinsonian Death-Conscious Exclamation Point

Part of the 2022 Tell It Slant Poetry Festival

Elmore Leonard famously suggested that writers use 1-2 exclamation points per 100,000 words of writing. Theodor Adorno called the exclamation point “intolerable.” Emily Dickinson used around 384 exclamation points in her collected work, and her wielding of this controversial mark has provided an exemplary model of how poets might add a note of ecstasy and death-consciousness into their writing. In this workshop, we will begin by discussing three primary modes in which exclamation points appear in contemporary poetry and then segue into a series of light-hearted and serious writing exercises centered around this piece of punctuation.

REGISTER FOR THE FESTIVAL


About the poet:

Moriel Rothman-Zecher is the author of the novels Sadness Is a White Bird (Atria, 2018) for which he received the National Book Foundation’s ‘5 Under 35’ Honor, and Before All the World, which will be published by Farrar, Straus and Giroux on October 11, 2022. His poetry and essays have been published or are forthcoming in Barrelhouse, Colorado Review, The Common, The New York Times, The Paris Review’s Daily, Zyzzyva and elsewhere, and he is the recipient of two MacDowell Fellowships for Literature, and a Bennington Writing Seminars Donald Hall Scholarship for Poets.


Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.


2022 Tell It Slant Poetry Festival Schedule

Annual Poetry Walk 2022
Saturday, May 14, 11:30am ET

VIRTUAL PROGRAM

This virtual program is free to attend. Registration is required. 

REGISTER

REGISTER WITH DONATION

Dickinson's tombstone covered in daisies

Days before her death in 1886, Emily Dickinson wrote her final letter, “Little Cousins, / Called Back. / Emily”. On May 14, in honor of the 136th anniversary of the poet’s death, join the Emily Dickinson Museum for an engaging virtual poetry reading and “walk” through Amherst, the town she called “paradise.”  At each stop we will explore sites of meaning for Dickinson including her garden and conservatory at the Homestead, The Evergreens — home to the poet’s brother and sister-in-law, the town common, Amherst College, and more.  Not a lecture, this program infuses place with poetry. At each stop volunteers read Dickinson’s own words aloud. The final stop is Dickinson’s grave in West Cemetery where we will share reflections and a light-hearted virtual toast! 

Registration for this program is free or by donation, but it is required in advance.


a boy places a daisy on Dickinson's graveA Daisy for Dickinson: Be a part of a beloved tradition of outfitting Emily Dickinson’s final resting place at Amherst’s West Cemetery with fresh daisies on the anniversary of her death.  Make a supporting donation to the Museum in honor of Emily or in memory of someone you’ve loved and lost, and we’ll place a daisy in their name at the poet’s grave as part of this year’s Poetry Walk (May 14).

We hope you enjoyed this beloved tradition of honoring Emily Dickinson on the anniversary of her death. If you would like to make a supporting gift to the Museum in honor of Emily or in memory of someone you’ve loved and lost, you may do so below.

DONATE

 

 

 

 

 

NEPM logo

Twice as Bold Campaign

View of Homestead from garden

I took my Power in my Hand –
And went against the World –
’Twas not so much as David – had –
But I – was twice as bold –
(excerpt from F660)

We invite you to be part of the Twice as Bold initiative by making a gift to the Museum in support of its program and core mission, in celebration of the 20th Anniversary, and in honor of Emily Dickinson and her enduring relevance.

DONATE

 

During the Emily Dickinson Museum’s two-year closure, we’ve opened a new chapter focused on the Museum’s evolving role as a site of unparalleled cultural significance and educational promise emanating from its mission to spark the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home. 

To fully realize and sustain this mission, the Museum has created a long range plan that empowers it to serve as the premier center for study, interpretation, creative expression, and celebration of Emily Dickinson’s life and legacy — to be “twice as bold.” Emily Dickinson’s worldwide resonance and the Museum’s tremendous growth in audience during the pandemic, demonstrates a clear path forward.

This new chapter and initiative, called Twice as Bold, prioritizes an expanded, fully restored, and accessible campus, leading-edge educational programs and resources, a singular visitor experience both onsite and online, and increased operational capacity for the Museum’s long-term sustainability. A first step in achieving this bold vision is a goal to raise $8 million for programmatic support and capital projects by 2026.

The Emily Dickinson Museum is grateful to John and Elizabeth Armstrong for leading the way in this Twice as Bold initiative with their gift of $600,000. The Armstrongs’ gift allows the Museum to begin work immediately on reconstructing the Evergreens’ Carriage House–critical space, first, for welcoming visitors, and ultimately for educational programming. 

We invite you to be part of the Museum’s journey and the Twice as Bold initiative by making a gift to the Museum in support of its program and core mission support, in celebration of our 20th Anniversary, and in honor of Emily Dickinson and her enduring relevance. Additional funding opportunities are also available. Please contact Nora Maroulis, Senior Director of Development and Communications at nmaroulis@EmilyDickinsonMuseum.org or 413-542-5072.


FUNDING NEEDS AND OPPORTUNITIES                      

Long Range Plan Priorities

  • Build and sustain operational capacity for long-term sustainability
  • Create an expanded, restored, and accessible campus
  • Develop and deliver leading-edge public and educational programs and resources   
  • Design and provide a singular visitor experience both onsite and online                                                                                                                                                         

Five-Year Funding Needs and Opportunities 

Opportunities abound for donors at all levels to positively impact and help shape the Museum’s bright future. Priority projects and programs in need of investment and support over the next five years are framed by the Museum’s essential mission. Gifts or bequests of unrestricted endowment are most welcome, as they provide critical support to each and all of these areas. 


SPARK THE IMAGINATION         $1.9M

Audience Engagement and Communication $650K
Two children explore Dickinson's bedroomDigital Capacity and Resource Development ($200K)
Virtual Program Hosting and Conferencing Upgrades ($100K)
Website Accessibility and User-Experience Updates ($50K)
New CRM (Constituent Relationship Management) System ($150K)
Graphic Identity / Branding Updates ($150K)

Teaching and Learning (K-12, College/University, Lifelong) $1.25M
Resource Development (curricula, teacher training modules, etc.) ($550K)
Undergraduate Internships and Graduate Fellowships ($275K)
Honoraria for Visiting and Teaching Artists, Writers, Scholars ($190K)
Scholarships for Visiting K-12 Schools and Teacher Training ($95K)
Poets and Writers Workshops and Classes (FY23+) ($140K)


AMPLIFY EMILY DICKINSON’S REVOLUTIONARY POETIC VOICE           $2.6M

Interpretation and Visitor Experience $800K

image of Youtube pageThematic Tour Development ($330K)
Self-Guided Map and Interactive Guide ($85K)
Orientation Film ($300K)
Wayfinding ($85K)

Public Programs and Events $1.8M
Poetry Programs $540K

Poetry Festival and Marathon  ($315K)
Phosphorescence Contemporary Poetry Series ($135K)
Poetry Discussion Groups ($90K)

Collections, Restoration, Landscape, and History Programs $270K
Dickinson Book Club Series ($90K)
Buildings, Grounds and Collections Presentations ($90K)
Behind the Scenes Collections / Restoration Series ($90K)

Community-Building Events $450K
Birthday Celebration ($30K)
Poetry Walk ($25K)
Reopening Events and Launch of Dickinson Days ($150K)
Tell It Slant Awards / 20th Anniversary Gala ($245K)

Visual and Performing Art Programs $540K
Dickinson in Performance Series ($135K)
Conservatory and Landscape Installations ($270K)
Dickinson in the World Podcast ($135K)



FROM THE PLACE SHE CALLED HOME                         $3.5M

Completion of Homestead Restoration $1.0MRendering of the Dickinson barn
Design Development ($150K)
Construction / Restoration ($700K)
Decorative Arts and Object Conservation ($150K)

Rebuild Evergreens Carriage House $600K
Design Development ($100K)
Construction ($400K)
Furnishings and Fittings ($100K)

Conserve and Restore The Evergreens $1.0M
Interior Conditions Assessment ($50K)
Treatment Plan Development ($100K)
Conservation and Restoration ($700K)
Decorative Arts and Object Conservation ($150K)

Restore Landscape and Dickinson Gardens $400K
Homestead Gardens restoration ($200K)
Evergreens Gardens restoration ($75K)
Other Landscape restoration ($125K)

Collections Stewardship $500K
Collections Rehousing ($400K)
Conservation ($100K)

Figures are for annual cost over 5 years. Endowment gifts intended to name and/or directly support a specific project or program must cover 60% of associated costs.