the Homestead lights are on at night time

Call for Submissions:
Phosphorescence Poetry Reading Series 2023

The 2023 Phosphorescence Poetry Reading Series schedule will be announced soon! 
Sign-up for our e-newsletter to be the first to know

The Emily Dickinson Museum is now accepting proposals for the 3rd year of our Phosphorescence Poetry Reading Series — a virtual event held monthly from May-October in 2023! This year, opportunities for reading on-site at the Emily Dickinson Museum and remotely will be available. Please make sure to select your preference in the submission form.

Produced by the Emily Dickinson Museum, the aim of Phosphorescence is to celebrate contemporary creativity that echoes Dickinson’s revolutionary poetic voice. The Series features established and emerging poets who represent the diversity of the flourishing contemporary poetry scene, and fosters community through poetry. The Series is a place to connect virtually over a shared love of language and an appreciation for Dickinson’s literary legacy.

Featured poets are promoted on the Museum’s event web page, through an event mailing list of roughly 18,000 addresses, and through the Museum’s social media. Each participating poet receives a $200 honorarium.

READINGS:
This program occurs at 6pm ET on a Thursday each month. Each reading may feature 1-3 poets. Readings are 15-25 minutes long on average per reader, though this may depend on other program components each month. Group submissions are strongly encouraged. Poets who submit alone will be paired with other poets if selected. Poets are welcome to promote sales of their books, and/or awareness of other media on the evening of the program. Poets should be prepared to engage in facilitated conversation and/or a Q&A after their readings on subjects including inspiration, craft, and Emily Dickinson.

SUBMISSION GUIDELINES:
Only submissions made using our online form and Dropbox folder will be considered. We will not accept email or paper submissions.
There is no fee to submit proposals.
Group submissions from up to 3 poets are accepted.

The following submission qualities are especially encouraged:

  • builds community
  • features BIPOC and/or LBGTQ+ voices
  • highlights a connection to Dickinson’s life and legacy
  • pushes poetic boundaries

SUBMISSIONS DUE: Sunday, February 12, 2023, 12pm ET.

TIMELINE
All submissions will be notified of their acceptance status by early April. Participating poets will be asked to sign a letter of agreement confirming participation on assigned dates.


View last year’s Phosphorescence Schedule

Watch Phosphorescence on Youtube

 

Archival poster for a lecture on "the real Emily Dickinson" given by Martha Dickinson Bianchi

The “Real” Emily Dickinson at 191
Wednesday, December 1, 4:30pm ET

VIRTUAL PROGRAM

Archival poster for a lecture on "the real Emily Dickinson" given by Martha Dickinson Bianchi

An illustrated talk and birthday celebration with Emily Dickinson Museum Director Jane Wald

CLICK HERE TO REGISTER for this free program.

During her lifetime, Emily Dickinson remained solidly and agreeably planted in Amherst—a known but ultimately withdrawn member of one of the town’s leading families, perhaps known better as a baker than as a poet. Following her death in 1886, the poet’s words came to light through the work of posthumous editors who sought to fill in the story for the public. Now, at the 191st anniversary of her birthday, Dickinson’s poetry speaks powerfully to readers all over the world, but her life seems even more contested in the popular imagination than ever before. Can we know “the real Emily Dickinson”? Would she want us to? Would we even want to? 

In this illustrated talk, Emily Dickinson Museum Executive Director Jane Wald evokes these fraught questions and controversies through an exploration of early biographer and editor Martha Dickinson Bianchi at the 100th anniversary of the poet’s birth, tracing interpretations through contemporary creative portrayals of the poet such as AppleTV’s ‘Dickinson’ starring Hailee Steinfeld, and right back to the ongoing preservation and interpretive work at the poet’s home in Amherst, Massachusetts.

This program is presented in partnership with the Amherst College Center for Humanistic Inquiry.

The cast of Apple TV's Dickinson in the parlor wearing Shakespearean costumes and florals

Dickinson’s 191st Birthday Celebration
Friday, December 10, 12pm ET

VIRTUAL PROGRAM
The cast of Apple TV's Dickinson in the parlor wearing Shakespearean costumes and florals

Image courtesy of Apple TV

REGISTER FOR THIS PROGRAM FOR FREE
or 
REGISTER FOR THIS PROGRAM WITH A DONATION

You are cordially invited to the Emily Dickinson Museum’s virtual celebration of the poet’s 191st birthday! On Friday, December 10, join us for an afternoon exploring behind-the-scenes at the Emily Dickinson Museum while we remain closed to the public for our biggest restoration project ever. We will toast to Dickinson’s enduring legacy, and share the ways the Museum is working to preserve her home and story. This program contains sneak-peeks at the new interiors you’ll see when we reopen in spring 2022, and we’ll also be making a BIG ANNOUNCEMENT with our friends over at Apple TV’s Dickinson! We can hardly wait to share it with you!

All are welcome to this free program but registration is required.

Give a Birthday Gift
It’s not a birthday party without gifts! If you’re looking to honor Emily Dickinson with a birthday present, please consider a donation to the Museum to support our free virtual programs which are made possible with your support. Gifts of all sizes are deeply appreciated.

DONATE

A crane lifts a painter up to the top of the Homestead

About Dickinson’s Birthday

Emily Dickinson, the middle child of Edward and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts. She celebrated 55 birthdays before her death in 1886. As an adult she wrote, “We turn not older with years, but newer every day.” (Johnson L379)

 

 

 

 

 

 

NEPM logo

Graphic for A Stranger in My Own Home

A Stranger in My Own Home:
Black Experiences Within the American Literary Canon
Tuesday, September 21, 7pm

Graphic for A Stranger in My Own Home: Black Experiences Within the American Literary Canon featuring all 7 poets

A panel co-curated by Black Writers Read and Faraday Publishing Company

Part of the 2021 Tell It Slant Poetry Festival:

 
Black voices and experiences have shaped American letters since the first arrival of enslaved Africans in 1619. The first Black woman to publish a book of poetry in what would become the United States, Phillis Wheatley, did so three years before the Declaration of Independence was written. All too often, however, these contributions and myriad others like them have been taught and viewed through the lens of academia and relegated to their own sections in libraries and bookstores. This panel, co-curated by Nicole M. Young (Black Writers Read) and Enzo Silon Surin (Faraday Publishing Company), engages some of the brightest Black poets of our time to consider their own experiences reading the canon, and writing poems to expand it. Moderators Nicole M. Young and Lisa Pegram will be joined by Melanie Henderson, Rage Hezekiah, Krysten Hill, and Brionne Janae for this reading and discussion.

REGISTER

 

About the artists:

Nicole_M_Young headshot

Nicole M. Young is a performer, poet, playwright, director, event producer/curator, and nonprofit professional with over 20 years of experience combined in these areas. Nicole has worked across various disciplines, including theatre, poetry, and classical music. Originally from Detroit, Michigan, Nicole currently resides in Northern Connecticut and works in Western Massachusetts. Nicole released her debut spoken word album, In/Put: Live from the Valley in 2019. It was recorded at CLICK Workspace in Northampton, MA in 2018. Proceeds from the album were used to create a fellowship program for emerging women and nonbinary writers of color through Straw Dog Writers Guild. Nicole is the editor of the chapbook, Locating Me, which is the culmination of a 10-week writing workshop hosted by Attack Bear Press she facilitated in early 2020.

 

 

enzo-silon-surin headshotEnzo Silon Surin, Haitian-born poet, educator, speaker, publisher and social advocate, is the author of When My Body Was A Clinched Fist (Black Lawrence Press, July 2020) and two chapbooks, A Letter of Resignation: An American Libretto (2017) and Higher Ground. He is a PEN New England Celebrated New Voice in Poetry, the recipient of a Brother Thomas Fellowship from The Boston Foundation and a 2020 Denis Diderot [A-i-R] Grant as an Artist-in-Residence at Chateau d’Orquevaux in Orquevaux, France. Surin’s work gives voice to experiences that take place in what he calls “broken spaces” and his poems have been featured in numerous publications and exhibits. He holds an MFA in Creative Writing from Lesley University, teaches creative writing and literature at Bunker Hill Community College and is President and Director of Faraday Publishing.

 

 

Rage Hezekiah headshot

Rage Hezekiah is a New England-based poet and educator, who earned her MFA from Emerson College. She is a Cave Canem, MacDowell, and Ragdale Fellow, and received the Saint Botolph Foundation’s Emerging Artists Award. Her chapbook Unslakable (Paper Nautilus Press, 2019) is a Vella Chapbook Award Winner. Stray Harbor is her debut full-length collection (Finishing Line Press, 2019).

 

 

 

 

Brionne-Janae headshot

Brionne Janae is a poet and teaching artist living in Bedstuy. They are the author of Blessed are the Peacemakers (2021) which won the 2020 Cave Canem Northwestern University Press Poetry Prize, and After Jubilee (2017) published by Boat Press. Brionne has received fellowships to Cave Canem, the Sewanee Writers Conference, the Community of Writers in Squaw Valley, Vermont Studio Center and Hedgebrook. Brionne is a recipient of the St. Botoloph Emerging Artist award, and the winner of the Comstock Review’s Muriel Craft Bailey Prize judged by Kwame Dawes. Their poetry has been published in PloughsharesThe American Poetry ReviewThe Academy of American Poets Poem-a-DayThe Sun Magazine, The Los Angelas Review, Brooklyn Poets, jubilat, and Waxwing among others. Off the page they go by Breezy. 

 

 

Melanie-Henderson headshotMelanie Henderson is a Washington, DC native poet, editor, publisher and photographer. She is the author of Elegies for New York Avenue, winner of the 2011 Main Street Rag Poetry Book Award. 

 

 

 

 

 

Krysten-Hill headshot

Krysten Hill is the author of How Her Spirit Got Out (Aforementioned Productions, 2016), which received the 2017 Jean Pedrick Chapbook Prize. Her work has been featured in The Academy of American Poets’ Poem-a-Day Series, apt, B O D Y, Boiler Magazine, Up the Staircase Quarterly, Muzzle, PANK, Tinderbox Poetry Journal, Winter Tangerine Review and elsewhere. The recipient of the 2016 St. Botolph Club Foundation Emerging Artist Award and 2020 Mass Cultural Council Poetry Fellowship, she received her MFA in poetry from University of Massachusetts Boston, where she currently teaches. 

 

 

 

Lisa Pegram headshot

Lisa Pegram is a writer, educator, arts integration specialist and literary publicist. Her chapbook Cracked Calabash was published by Central Square Press and she is contributing author of The Next Verse Mixtape vol. 1. She has over 20 years of experience in high-level program design for such organizations as the Smithsonian Institute, Corcoran Gallery of Art and National Geographic. Passionate about the arts as a tool for activism, she served as DC WritersCorps program director for a decade, and as co-chair of United Nations affiliate international women’s conferences in the US, India and Bali. Lisa completed her MFA at Lesley University and has an Executive Certification in Arts & Culture Strategies from UPenn. A Washington, DC native, she is currently based in the Caribbean where, in addition to her literary pursuits, she is a personal chef aka food poet.

 

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

Headshot of Tess Taylor

Staging the Poem:
Masterclass with Tess Taylor
Friday, September 24, 12pm

Headshot of Tess Taylor

Part of the 2021 Tell It Slant Poetry Festival:

“Drama is never dead” wrote Emily Dickinson, “Everything is as good as it is dramatic,” wrote Robert Frost. But what is drama in poetry? By turning the lenses of drama on the poems we read and onto our own drafts, we will think about how the theatrical cues of place, voice, and address make a poem legible to us, and help a poem to feel spoken and embodied across time. In this masterclass, we’ll read a few Amherst poets and a few poets from the great wider literary tradition. Using lenses and techniques we learn, we’ll turn our eyes towards our own drafts, seeing how we can refine them for resonance and reverberation.

Closed captioning will be available for this program!

Participants in this program will not be able to turn on their cameras or microphones, but are encouraged to follow along with Tess from home as she facilitates exercises with a group of students. All participants are encouraged to enter questions into the typed Q&A during the program.

REGISTER

 

Tess Taylor is the author of five acclaimed collections of poetry. Her chapbook, The Misremembered World, was selected by Eavan Boland for the Poetry Society of America’s inaugural chapbook fellowship, and The San Francisco Chronicle called her first book, The Forage House, “stunning.”  Her second book, Work & Days, was hailed as “our moment’s Georgic” by critic Stephanie Burt and named one of the 10 best books of poetry of 2016 by The New York TimesLast West, Taylor’s third book, was commissioned by the Museum of Modern Art as part of the Dorothea Lange: Words & Pictures and is currently being adapted for the stage by the Poet’s Theatre. Her most recent book, Rift Zone, from Red Hen Press, was hailed “brilliant” by Stephanie Danler in the LA Times and “stunning” by Naomi Shihab Nye in The New York Times. Taylor’s work has appeared in The Atlantic, The Kenyon ReviewPoetry, Tin House, The Times Literary Supplement, CNN, and The New York Times, and she has received fellowships from MacDowell, Headlands Center for the Arts, and The International Center for Jefferson Studies. She served as Distinguished Fulbright US Scholar at the Seamus Heaney Centre in Queen’s University in Belfast, Northern Ireland and was most recently the Anne Spencer Poet-in-Residence at Randolph College. Taylor has served as the on-air poetry reviewer for NPR’s All Things Considered for over a decade. She grew up and lives again in El Cerrito, California.

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

Emily Dickinson Poetry Marathon
September 20 – 26

Emily Dickinson Poetry Marathon graphic with Tell It Slant Poetry Festival LogoPart of the 2021 Tell It Slant Poetry Festival:

An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with five other organizations to host the Marathon in two-hour sessions each day of this week. We will be reading from Ralph Franklin’s The Poems of Emily Dickinson: Reading Edition.

There are two ways to participate in the Marathon: as a reader or as a listener. It can be especially rewarding to be a reader for some sessions and a listener for others:
  • Listeners sit back and enjoy the group reading, which beautifully blends the voices of volunteer readers coming to Dickinson from different places, times in their lives, and levels of familiarity with the Poet. Listeners need to simply click “register” in the platform to sign up.
  • Readers volunteer to read 6-10 poems as part of the circle reading. Reader spots are limited and available on a first-come, first-served basis. If you are interested in being a reader, please click register in the Festival platform, then fill out the Register as a Marathon Reader form to learn more and request a space. Readers of all levels of experience are invited to participate!

REGISTER AS LISTENER

THE SCHEDULE:


Monday, September 20
Emily Dickinson Poetry Marathon Part 1
with the Emily Dickinson Museum
5:00 pm ET


Tuesday, September 21
Emily Dickinson Poetry Marathon Part 2

with the Jones Library
12:00pm ET


Wednesday, September 22
Emily Dickinson Poetry Marathon Part 3
with the Houghton Library
5:00pm ET


Thursday, September 23
Emily Dickinson Poetry Marathon Part 4

with the Frost Library
12:00pm ET


Friday, September 24
Emily Dickinson Poetry Marathon Part 5
with the Folger Shakespeare Library
3:30pm ET


Saturday, September 25
Emily Dickinson Poetry Marathon Part 6
with the Emily Dickinson International Society
5:00pm ET


Sunday, September 26
Emily Dickinson Poetry Marathon Part 7
with the Emily Dickinson Museum 
11:30am ET


To reserve your spot and learn more about each program:
my.eventcadence.com/events/tell-it-slant-poetry-festival-2021

 

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

The homestead parlor with 4 windows, a fireplace, two chairs, a rug and a side table.

The Props assist the House:
Restoring the Homestead (Part 3)
Saturday, September 25, 1pm

The homestead parlor with 4 windows, a fireplace, two chairs, a rug and a side table.Part of the 2021 Tell It Slant Poetry Festival:

In the final installment of this three-part series, go behind the scenes of the restoration of Emily Dickinson’s home with Museum Executive Director Jane Wald and special guest Jeff Baker, preservation architect and partner at Mesick Cohen Wilson Baker Architects. The Emily Dickinson Museum is currently embarking on the most significant restoration project to date of the interior architectural features, finishes, and furnishings of the revered poet’s Homestead. This work will not only triple the amount of restored space in the Homestead accessible to guests, but will also add critical details to our understanding of Dickinson’s daily life by providing a more authentic experience of the house she inhabited. In this virtual program, learn how the documentary record yields clues about this historic house and hear first-hand about the research and decisions that go into restoration work. 

REGISTER

 

Headshot of Jeff Baker

Jeff Baker has been with Mesick Cohen Wilson Baker for over thirty years and has been a firm Partner for over twenty years. After his graduation from Hudson Valley Community College, Jeff attended Rensselaer Polytechnic Institute (RPI) where he earned a Bachelor’s of Building Science and a Bachelor’s of Architecture. Mesick Cohen Wilson Baker specializes in Architecture, Planning and Historic Preservation, and has overseen the success of several previous restoration projects at the Emily Dickinson Museum, as well as numerous other National Historic Landmarks.

A few examples of Jeff’s work include the restoration of Thomas Jefferson’s Monticello in Charlottesville, Virginia; Thomas Jefferson’s Poplar Forest in Lynchburg, Virginia; James Madison’s Montpelier, in Montpelier Station, Virginia; and the Newport Country Club in Newport, Rhode Island. Jeff has also been retained to assist in the restoration of George Washington’s Mount Vernon in Virginia.

Learn more at mcwb-arch.com.

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

Graphic for Tell It Slant Poetry Festival 2021 headliner night with headshots of Tracy K. Smith and Tiana Clark with the Tell It Slant logo.

An Evening with Tracy K. Smith and Tiana Clark
Saturday, September 25, 7:30pm

Graphic for Tell It Slant Poetry Festival 2021 headliner night with headshots of Tracy K. Smith and Tiana Clark with the Tell It Slant logo. Part of the 2021 Tell It Slant Poetry Festival:

Settle in for an evening of poetry celebrating Emily Dickinson’s ongoing creative legacy with the work of two internationally acclaimed contemporary female poets. Headliners Tracy K. Smith and Tiana Clark will read from their work and discuss their poetic practice and inspiration. Don’t miss out on this special evening of community through art and conversation that will dazzle you with the necessity of poetry, or in Smith’s words, “a means of living more deeply with reality”.

Live captioning will be available at this event!

REGISTER

 

 

 

 

About the artists:

Headshot of Tracy K. Smith

Tracy K. Smith received the 2012 Pulitzer Prize in poetry for her third book of poems, Life on Mars. Smith served two terms as Poet Laureate of the United States, during which she traveled across America, hosting poetry readings and conversations in rural communities. She edited the anthology American Journal: Fifty Poems for Our Time during her laureateship, and launched the American Public Media podcast The Slowdown.  In March 2021 she was voted into the American Academy of Arts and Letters.

 

 

Headshot of Tiana ClarkTiana Clark is the author of the poetry collection, I Can’t Talk About the Trees Without the Blood (University of Pittsburgh Press, 2018). Clark is a winner for the 2020 Kate Tufts Discovery Award (Claremont Graduate University), a 2019 National Endowment for the Arts Literature Fellow, and the 2015 Rattle Poetry Prize. She is a recipient of the 2021-2022 Amy Lowell Poetry Traveling Scholarship and the 2019 Pushcart Prize. Her writing has appeared in or is forthcoming from The New Yorker, Poetry Magazine, The Atlantic, The Washington Post, Virginia Quarterly Review, Tin House Online, Kenyon Review, BuzzFeed News, American Poetry Review, Oxford American, Best New Poets 2015, and elsewhere. She is the Grace Hazard Conkling Writer-in-Residence at Smith College.

 

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

Wide shot of the Parlor at the Homestead

The Props assist the House:
Restoring the Homestead (Part 2)
Thursday, August 19, 6-7pm

The parlor at the Homestead. Wide-shot featuring a doorway, two chairs, a desk, a gold framed mirror, and the fireplace

 

The Props assist the House
Until the House is built
And then the Props withdraw
And adequate, erect,
The House support itself

– (fragment F729)

 

VIRTUAL PROGRAM

This program is free of charge, but participants must register in advance and donations are encouraged.
Thursday, August 19, 6-7pm
REGISTER FOR THIS PROGRAM
 
In the second of this three-part series, go behind the scenes of the restoration of Emily Dickinson’s home with Museum Executive Director Jane Wald and special guest Marylou Davis, conservator and specialist in historic decorative finishes. The Emily Dickinson Museum is currently embarking on the most significant restoration project to date of the interior architectural features, finishes, and furnishings of the revered poet’s Homestead. This work will not only triple the amount of restored space in the Homestead accessible to guests, but will also add critical details to our understanding of Dickinson’s daily life by providing a more authentic experience of the house she inhabited. In this virtual program, learn how the documentary record yields clues about this historic house and hear first-hand about the research and decisions that go into restoration work. 
 
Marylou Davis is seated and painting an organ panel.Marylou Davis is a specialist in documentation, conservation, design, and replication of decorative paints and gilding on historic architectural surfaces and objects. Davis’ work includes: replications of 19th-century factory made block printed floorcloths installed at the Gardner-Pingree House, Peabody Essex Museum in Salem, MA and the Harriet Beecher Stowe House in Hartford, CT; replicated flame mahogany wood graining at Boscobel Restoration at Garrison, NY, and cedar graining in the George Washington bedchamber at the Joseph Webb House in Wethersfield, CT. Marylou’s’ work has increasingly turned toward project management for restoration projects within historic churches and house museums. At the Emily Dickinson Homestead she has worked with Director Jane Wald in surveying extant physical and written evidence toward the restoration now in progress.
 
 
Circular image of the Earth with Emily's handwriting overlaid atop

Emily Dickinson International Society
Annual Meeting
August 6 – 7

Circular image of the Earth with Emily's handwriting overlaid atop

Emily Dickinson International Society

 

“‘Stratford on Avon’ – accept us all!”

Dickinson and Shakespeare:

2021 Annual Meeting

 

VIRTUAL PROGRAM
August 6+7
REGISTER

 
 
 
 
In collaboration with the Emily Dickinson Museum, the 2021 EDIS Annual Meeting will be held remotely on August 6+7, 2021. This year’s focus is Dickinson’s great love of Shakespeare with a variety of scholarly panels, lectures, and workshops.

Discuss aspects of Dickinson’s reading of or response to Shakespeare, and compare Dickinson’s and Shakespeare’s writings. Consider Shakespeare’s place in Dickinson’s society and literary culture and how Dickinson’s contemporaries engaged with Shakespeare.

Highlights include a keynote lecture by Adeline Chevrier-Bosseau, seminar-discussions led by Páraic Finnerty and Martha Nell Smith, Shakespeare readings, special Shakespeare-related tours of the Dickinson Museum and an exhibit of watercolors by Victoria Dickson. More details will be forthcoming in the next few weeks. Join the Emily Dickinson International Society for an opportunity to discuss the connections between these two extraordinary writers this summer!