Phosphorescence graphics for December 2022

Phosphorescence Poetry Reading Series
Thursday, December 15, 6pm ET

Phosphorescence December 2022 featured poets:
Eleanor Hooker and Cori A. Winrock


This virtual program is free to attend. Registration is required. 

Registration TBA

To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers.  Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.

Phosphorescence Lineup 2022

About this month’s poets:

headshot of poet Eleanor HookerEleanor Hooker is a poet and writer. She lives in North Tipperary with her husband Peter, they have two sons. Eleanor Hooker’s third poetry collection ‘Of Ochre and Ash’ (Dedalus Press) was published October 8 2021. Her two other poetry collections with Dedalus Press are: ‘A Tug of Blue’ (2016); ‘The Shadow Owner’s Companion’ (2012), shortlisted for the Strong/Shine Award for Best First Irish Collection 2012. Her chapbook Legion (Bonnefant Press, Netherlands) was published July 2021.



headshot of poet Cori A. WinrockCori A. Winrock, author of Little Envelopes of Earth Conditions (Alice James Books 2020), is a poet/multimedia essayist. She is the winner of the Boston Review Poetry Prize and her essay on twins was selected as a notable essay in Best American Essays 2020. Her work has appeared in Poetry, the Best New Poets anthology, Bennington Review, Black Warrior Review, West Branch, Fairy Tale Review and elsewhere. Winrock holds an MFA from Cornell University and a PhD in Literature and Creative Writing from University of Utah. Winrock is currently an Assistant Professor at the Cleveland Institute of Art.


Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.

Annual Poetry Walk 2022
Saturday, May 14, 11:30am ET


This virtual program is free to attend. Registration is required. 



Dickinson's tombstone covered in daisies

Days before her death in 1886, Emily Dickinson wrote her final letter, “Little Cousins, / Called Back. / Emily”. On May 14, in honor of the 136th anniversary of the poet’s death, join the Emily Dickinson Museum for an engaging virtual poetry reading and “walk” through Amherst, the town she called “paradise.”  At each stop we will explore sites of meaning for Dickinson including her garden and conservatory at the Homestead, The Evergreens — home to the poet’s brother and sister-in-law, the town common, Amherst College, and more.  Not a lecture, this program infuses place with poetry. At each stop volunteers read Dickinson’s own words aloud. The final stop is Dickinson’s grave in West Cemetery where we will share reflections and a light-hearted virtual toast! 

Registration for this program is free or by donation, but it is required in advance.

a boy places a daisy on Dickinson's graveA Daisy for Dickinson: Be a part of a beloved tradition of outfitting Emily Dickinson’s final resting place at Amherst’s West Cemetery with fresh daisies on the anniversary of her death.  Make a supporting donation to the Museum in honor of Emily or in memory of someone you’ve loved and lost, and we’ll place a daisy in their name at the poet’s grave as part of this year’s Poetry Walk (May 14).

We hope you enjoyed this beloved tradition of honoring Emily Dickinson on the anniversary of her death. If you would like to make a supporting gift to the Museum in honor of Emily or in memory of someone you’ve loved and lost, you may do so below.







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The front facade of the Homestead

A Virtual Exploration of
The Homestead and The Evergreens

The front facade of the Homestead

The Homestead, built in 1813.

Over the course of her life in Amherst, Massachusetts, Emily Dickinson forged her powers of creativity and insight in the intimate environs of her beloved home, creating extraordinary poetry that touches the world. The poet’s daily life became the spark for extraordinary writing and her home proved a sanctuary for her boundless creative energy that produced almost 1,800 poems and a profusion of vibrant letters. Here, Dickinson fully embraced her unique personal vision, leaving behind a poetic legacy that is revolutionary in form and substance. Today, her voice and her story continue to inspire diverse audiences around the globe.

Visitors to the Emily Dickinson Museum explore the Homestead, where Dickinson was born, died, and did most of her writing, and The Evergreens, home of the poet’s brother, sister-in-law, and their three children. The Homestead, lived in by other families after Dickinson’s death, is in the process of being restored to its appearance during the poet’s writing years. The Evergreens was only ever lived in by Dickinsons or family heirs and its original 19th-century finishes remain intact. Dickinson’s life story and the story of her posthumous publication is uniquely entwined with these two houses and the three acres upon which they sit in Amherst.


In this online exploration, you will visit several rooms within the two houses of the Dickinson family. Along the way you will see video and photographs of these historic spaces and learn more about how the poet’s life unfolded here. You will meet friends and family members, and encounter Dickinson’s own words quoted from extant poems and letters. Wherever you are, we hope this virtual exploration transports you to Emily Dickinson’s Amherst home.

The exterior of the 2nd floor of the Evergreens viewed from the ground

The Evergreens, built in 1856


Long Years apart – can make no
Breach a second cannot fill –
The absence of the Witch does not
Invalidate the spell –

The embers of a Thousand Years
Uncovered by the Hand
That fondled them when they were Fire
Will stir and understand



The Virtual Exploration of the Homestead and The Evergreens has been made possible in part by a grant from Mass Humanities and the generous support of Nicole P. Heath and of Susan R. Snively.

Mass Humanities logo

Twice As Bold

Small desk by a window with paper, fountain pen, and ink well

The Emily Dickinson Museum has embarked on a new chapter of exploration and planning focused on its evolving role as a site of unparalleled cultural significance and educational promise emanating from its mission to spark the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home.

To fully realize and sustain this mission, the Museum is growing and changing in ways that will empower it to serve as the premier center for study, interpretation, creative expression, and celebration of Emily Dickinson’s life and legacy

After more than a year of research and analysis, as well as discovery flowing from the poet’s worldwide resonance and the Museum’s tremendous growth in audience during the pandemic, a clear path forward emerged in the form of a Long Range Plan grounded in the following guiding principles:

  • SPARK THE IMAGINATION | Inspire new generations of poets, writers, artists, and thinkers to dive deeply into the life of the mind, the power of creativity, and the world around us as Emily Dickinson did, thus bringing her sense of possibility to life in perpetuity.  
  • AMPLIFY EMILY DICKINSON’S REVOLUTIONARY POETIC VOICE | Connect the programs and resources of the Emily Dickinson Museum with scholars, students, and enthusiasts both around the corner and across the globe. 
  • FROM THE PLACE SHE CALLED HOME | Preserve and care for the material legacy of the Dickinson family—buildings, grounds, gardens, collections—to enliven and enhance the experience offered to the public and create an environment that accurately reflects the poet in her times.

This plan boldly prioritizes an expanded, fully restored, and accessible campus, leading-edge educational programs and resources, a singular visitor experience both onsite and online, and increased operational capacity for long-term sustainability. 

The journey has begun with the effort to raise the first $3.5M-of a total five-year goal of $8M- by the end of the Museum’s 20th Anniversary celebration in the summer of 2024. We are grateful to John and Elizabeth Armstrong for leading the way in this effort with their challenge gift of $600,000. 

Join us. Be a part of the Emily Dickinson Museum’s journey by supporting its next steps, celebrating its 20th Anniversary, and securing its bright future. Contact Nora Maroulis at 413-542-5072 or

I took my Power in my Hand –
And went against the World –
’Twas not so much as David – had –
But I – was twice as bold –
(excerpt from F660)


Long Range Plan Priorities

  • Build and sustain operational capacity for long-term sustainability
  • Create an expanded, restored, and accessible campus
  • Develop and deliver leading-edge public and educational programs and resources   
  • Design and provide a singular visitor experience both onsite and online                                                                                                                                                         

Five-Year Funding Needs and Opportunities 

Opportunities abound for donors at all levels to positively impact and help shape the Museum’s bright future. Priority projects and programs in need of investment and support over the next five years are framed by the Museum’s essential mission. Gifts or bequests of unrestricted endowment are most welcome, as they provide critical support to each and all of these areas. 


Audience Engagement and Communication $650K
Two children explore Dickinson's bedroomDigital Capacity and Resource Development ($200K)
Virtual Program Hosting and Conferencing Upgrades ($100K)
Website Accessibility and User-Experience Updates ($50K)
New CRM (Constituent Relationship Management) System ($150K)
Graphic Identity / Branding Updates ($150K)

Teaching and Learning (K-12, College/University, Lifelong) $1.25M
Resource Development (curricula, teacher training modules, etc.) ($550K)
Undergraduate Internships and Graduate Fellowships ($275K)
Honoraria for Visiting and Teaching Artists, Writers, Scholars ($190K)
Scholarships for Visiting K-12 Schools and Teacher Training ($95K)
Poets and Writers Workshops and Classes (FY23+) ($140K)


Interpretation and Visitor Experience $800K

image of Youtube pageThematic Tour Development ($330K)
Self-Guided Map and Interactive Guide ($85K)
Orientation Film ($300K)
Wayfinding ($85K)

Public Programs and Events $1.8M
Poetry Programs $540K

Poetry Festival and Marathon  ($315K)
Phosphorescence Contemporary Poetry Series ($135K)
Poetry Discussion Groups ($90K)

Collections, Restoration, Landscape, and History Programs $270K
Dickinson Book Club Series ($90K)
Buildings, Grounds and Collections Presentations ($90K)
Behind the Scenes Collections / Restoration Series ($90K)

Community-Building Events $450K
Birthday Celebration ($30K)
Poetry Walk ($25K)
Reopening Events and Launch of Dickinson Days ($150K)
Tell It Slant Awards / 20th Anniversary Gala ($245K)

Visual and Performing Art Programs $540K
Dickinson in Performance Series ($135K)
Conservatory and Landscape Installations ($270K)
Dickinson in the World Podcast ($135K)

FROM THE PLACE SHE CALLED HOME                         $3.5M

Completion of Homestead Restoration $1.0MRendering of the Dickinson barn
Design Development ($150K)
Construction / Restoration ($700K)
Decorative Arts and Object Conservation ($150K)

Rebuild Evergreens Carriage House $600K
Design Development ($100K)
Construction ($400K)
Furnishings and Fittings ($100K)

Conserve and Restore The Evergreens $1.0M
Interior Conditions Assessment ($50K)
Treatment Plan Development ($100K)
Conservation and Restoration ($700K)
Decorative Arts and Object Conservation ($150K)

Restore Landscape and Dickinson Gardens $400K
Homestead Gardens restoration ($200K)
Evergreens Gardens restoration ($75K)
Other Landscape restoration ($125K)

Collections Stewardship $500K
Collections Rehousing ($400K)
Conservation ($100K)

Figures are for annual cost over 5 years. Endowment gifts intended to name and/or directly support a specific project or program must cover 60% of associated costs. 

Photo of donors John and Elizabeth Armstrong standing in front of a bookshelf

Press Release:
Armstrong Carriage House Gift


Challenge gift from John and Elizabeth Armstrong kicks off major $3.5M 20th Anniversary fundraising effort, Twice as Bold, in support of Museum’s long range plan

Photo of donors John and Elizabeth Armstrong standing in front of a bookshelf(AMHERST, Mass., February 9, 2022) – The Emily Dickinson Museum today announced a major pledge of $600,000 from former Board members and long-time friends John and Elizabeth Armstrong for the design and reconstruction of the Carriage House that once stood to the east of The Evergreens, the home of Emily Dickinson’s brother Austin and his wife Susan. The project flows from a recently-completed long range plan, which maps programmatic and capital enhancements over the next decade at the Museum’s historic downtown Amherst location. By significantly expanding access to the Museum and its programs for both onsite and online visitors, the changes firmly establish the Museum as the premier center for the study and celebration of Dickinson’s life and work, and as a source and site of inspiration for new generations of poets, artists, writers, and thinkers.

The Armstrongs’ commitment is the largest received to date in the effort to raise $3.5 million in operating, program, and capital support by the end of the Museum’s 20th Anniversary festivities, which kick off next year and run through the summer of 2024. The initiative, called Twice as Bold after one of Dickinson’s poems, aims to raise awareness and support for the Museum at a pivotal time in its history. Gifts from other Museum stakeholders will be sought to meet and amplify the Armstrongs’ generous start. “Elizabeth and I are delighted to be able to pledge our support to this important project,” states John Armstrong, “Emily Dickinson’s poetry and the place she called home have proven themselves to be enduring gifts to the world. It is both our pleasure and responsibility to give back, and to invite others at every level to join us.”

The reconstructed Evergreens Carriage House–scheduled for completion in early 2024–will initially serve as a much-needed site for visitor welcome, orientation, and services while a third and final phase of Dickinson Homestead restoration concludes. In the longer term, the Carriage House will be dedicated to student and visitor learning and engagement. Initial design plans call for reconstructing the historic appearance of the exterior of the Carriage House as faithfully as possible while optimizing interior functions and flow. In addition to this and the Homestead projects, the Museum’s plans include restoration of The Evergreens and the surrounding landscape and gardens, as well as significant enhancements to the Museum’s public and educational program offerings, in which tens of thousands of virtual visitors from around the world have participated during the pandemic.

“It is fitting that John and Elizabeth Armstrong have started us off with this truly inspiring challenge gift,” stated the Museum’s Executive Director, Jane Wald, “Their unwavering dedication before the Museum’s formal beginning twenty years ago has been a catalyst for the exponential impact the Emily Dickinson Museum can have as the true and generative center of the life and work of one of this country’s greatest poets. They are ever and always willing to lead by example.”

Lithograph aerial view of Amherst with Evergreens and HomesteadAdded Wald, “In addition to providing innovatively designed program space, the Carriage House will serve as a clear signal that the Museum is pivoting in important ways toward the public, is expanding Emily Dickinson’s outreach to the world from her home ground, and is committed to welcoming new Dickinson enthusiasts and tourists to Amherst.”

The Armstrongs chose Amherst as their new home in 1995 after John’s retirement from IBM, where he served for 30 years and was a vice president for science and technology and director of research. Their involvement with the Museum began when Elizabeth (Lise to family and friends) volunteered her time and talent as a seasonal guide at The Evergreens. Both John and Elizabeth served as founding members of the Board of Governors when the Homestead and Evergreens properties merged to form the Museum in 2003. They have continued to be involved in the Museum’s leadership, with John serving as Board Chair from 2013 to 2015, and Elizabeth a long-time and valued member of the Development Committee.

“We’ve always been proud of our association with the Museum, recognizing its importance to our regional community and now–through the wonders of technology–to the world.” stated Elizabeth, adding “We’ve been drawn over the years to supporting singular projects that open multiple possibilities for the Museum. The Carriage House is just such a project…clearing the way for other campus improvements and for enriching the visitor experience.”

The Museum is currently closed to the public while it completes the second phase of a three-part restoration project at the Homestead. Its much-anticipated reopening later this year will mark the start of the Museum’s 20th Anniversary celebration.

For more information about the Museum’s plans and fundraising effort, visit

For images, please visit:


The Emily Dickinson Museum is dedicated to sparking the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home.

The Museum comprises two historic houses—the Dickinson Homestead and The Evergreens—in the center of Amherst, Massachusetts, that were home to the poet (1830-1886) and members of her immediate family during the nineteenth and early twentieth centuries. The Museum was created in 2003 when the two houses merged under the ownership and 501(c)(3) status of the Trustees of Amherst College. The Museum is overseen by a separate Board of Governors and is responsible for raising its own operating, program, and capital funds.

The Emily Dickinson Museum is a member of Museums10, a collaboration of ten museums linked to the Five Colleges in the Pioneer Valley—Amherst, Hampshire, Mount Holyoke, and Smith Colleges, and the University of Massachusetts Amherst.

The cast of Apple TV's Dickinson in the parlor wearing Shakespearean costumes and florals

Dickinson’s 191st Birthday Celebration
Friday, December 10, 12pm ET

The cast of Apple TV's Dickinson in the parlor wearing Shakespearean costumes and florals

Image courtesy of Apple TV


You are cordially invited to the Emily Dickinson Museum’s virtual celebration of the poet’s 191st birthday! On Friday, December 10, join us for an afternoon exploring behind-the-scenes at the Emily Dickinson Museum while we remain closed to the public for our biggest restoration project ever. We will toast to Dickinson’s enduring legacy, and share the ways the Museum is working to preserve her home and story. This program contains sneak-peeks at the new interiors you’ll see when we reopen in spring 2022, and we’ll also be making a BIG ANNOUNCEMENT with our friends over at Apple TV’s Dickinson! We can hardly wait to share it with you!

All are welcome to this free program but registration is required.

Give a Birthday Gift
It’s not a birthday party without gifts! If you’re looking to honor Emily Dickinson with a birthday present, please consider a donation to the Museum to support our free virtual programs which are made possible with your support. Gifts of all sizes are deeply appreciated.


A crane lifts a painter up to the top of the Homestead

About Dickinson’s Birthday

Emily Dickinson, the middle child of Edward and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts. She celebrated 55 birthdays before her death in 1886. As an adult she wrote, “We turn not older with years, but newer every day.” (Johnson L379)







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the Homestead lights are on at night time

Call for Submissions:
Phosphorescence Poetry Reading Series 2022

PHOSPHORESCENCE 2022 call for submissions graphic - the Homestead glows at night time.

UPDATE: We are now closed for submissions.
Sign up for our e-newsletter to be the first to know the next time we are accepting program proposals:

The Emily Dickinson Museum is now accepting proposals for the 2nd year of our Phosphorescence Poetry Reading Series — a virtual event held monthly throughout 2022! 

Produced by the Emily Dickinson Museum, the aim of Phosphorescence is to celebrate contemporary creativity that echoes Dickinson’s revolutionary poetic voice. The Series features established and emerging poets who represent the diversity of the flourishing contemporary poetry scene, and fosters community by placing poetry in the public sphere. The Series is a place to connect virtually over a shared love of poetry and an appreciation for Dickinson’s literary legacy.

Featured poets are promoted on the Museum’s event web page, through an event mailing list of roughly 15,000 addresses, and through the Museum’s social media. Each participating poet receives a $200 honorarium.

This program occurs at 6pm ET on the last Thursday of each month. Each reading may feature 1-3 poets. Readings are 15-25 minutes long on average per reader, though this may depend on other program components each month. Poets who submit alone may be paired with other poets if selected. Poets are welcome to promote sales of their books, and/or awareness of other media on the evening of the program. Poets should be prepared to engage in facilitated conversation and/or a Q&A after their readings.

Emily Dickinson Stamp National Postal MuseumSUBMISSION GUIDELINES:
Only submissions made using our online form will be considered.
There is no fee to submit proposals.
Group submissions from up to 3 poets are accepted.

The following submission qualities are especially encouraged:

-build community

-feature BIPOC and/or LBGTQ+ voices

-highlight a connection to Dickinson’s life and legacy

-Push poetic boundaries

SUBMISSIONS DUE: Wednesday, January 5, 2022, 12pm ET.

To submit a proposal please click this link for our submission form.

Accepted submissions will be notified by the end of January. Participating poets will be asked to sign a letter of agreement confirming participation on assigned dates. 




Archival poster for a lecture on "the real Emily Dickinson" given by Martha Dickinson Bianchi

The “Real” Emily Dickinson at 191
Wednesday, December 1, 4:30pm ET


Archival poster for a lecture on "the real Emily Dickinson" given by Martha Dickinson Bianchi

An illustrated talk and birthday celebration with Emily Dickinson Museum Director Jane Wald

CLICK HERE TO REGISTER for this free program.

During her lifetime, Emily Dickinson remained solidly and agreeably planted in Amherst—a known but ultimately withdrawn member of one of the town’s leading families, perhaps known better as a baker than as a poet. Following her death in 1886, the poet’s words came to light through the work of posthumous editors who sought to fill in the story for the public. Now, at the 191st anniversary of her birthday, Dickinson’s poetry speaks powerfully to readers all over the world, but her life seems even more contested in the popular imagination than ever before. Can we know “the real Emily Dickinson”? Would she want us to? Would we even want to? 

In this illustrated talk, Emily Dickinson Museum Executive Director Jane Wald evokes these fraught questions and controversies through an exploration of early biographer and editor Martha Dickinson Bianchi at the 100th anniversary of the poet’s birth, tracing interpretations through contemporary creative portrayals of the poet such as AppleTV’s ‘Dickinson’ starring Hailee Steinfeld, and right back to the ongoing preservation and interpretive work at the poet’s home in Amherst, Massachusetts.

This program is presented in partnership with the Amherst College Center for Humanistic Inquiry.

The homestead parlor with 4 windows, a fireplace, two chairs, a rug and a side table.

The Props assist the House:
Restoring the Homestead (Part 3)
Saturday, September 25, 1pm

The homestead parlor with 4 windows, a fireplace, two chairs, a rug and a side table.Part of the 2021 Tell It Slant Poetry Festival:

In the final installment of this three-part series, go behind the scenes of the restoration of Emily Dickinson’s home with Museum Executive Director Jane Wald and special guest Jeff Baker, preservation architect and partner at Mesick Cohen Wilson Baker Architects. The Emily Dickinson Museum is currently embarking on the most significant restoration project to date of the interior architectural features, finishes, and furnishings of the revered poet’s Homestead. This work will not only triple the amount of restored space in the Homestead accessible to guests, but will also add critical details to our understanding of Dickinson’s daily life by providing a more authentic experience of the house she inhabited. In this virtual program, learn how the documentary record yields clues about this historic house and hear first-hand about the research and decisions that go into restoration work. 



Headshot of Jeff Baker

Jeff Baker has been with Mesick Cohen Wilson Baker for over thirty years and has been a firm Partner for over twenty years. After his graduation from Hudson Valley Community College, Jeff attended Rensselaer Polytechnic Institute (RPI) where he earned a Bachelor’s of Building Science and a Bachelor’s of Architecture. Mesick Cohen Wilson Baker specializes in Architecture, Planning and Historic Preservation, and has overseen the success of several previous restoration projects at the Emily Dickinson Museum, as well as numerous other National Historic Landmarks.

A few examples of Jeff’s work include the restoration of Thomas Jefferson’s Monticello in Charlottesville, Virginia; Thomas Jefferson’s Poplar Forest in Lynchburg, Virginia; James Madison’s Montpelier, in Montpelier Station, Virginia; and the Newport Country Club in Newport, Rhode Island. Jeff has also been retained to assist in the restoration of George Washington’s Mount Vernon in Virginia.

Learn more at

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule


Graphic for Tell It Slant Poetry Festival 2021 headliner night with headshots of Tracy K. Smith and Tiana Clark with the Tell It Slant logo.

An Evening with Tracy K. Smith and Tiana Clark
Saturday, September 25, 7:30pm

Graphic for Tell It Slant Poetry Festival 2021 headliner night with headshots of Tracy K. Smith and Tiana Clark with the Tell It Slant logo. Part of the 2021 Tell It Slant Poetry Festival:

Settle in for an evening of poetry celebrating Emily Dickinson’s ongoing creative legacy with the work of two internationally acclaimed contemporary female poets. Headliners Tracy K. Smith and Tiana Clark will read from their work and discuss their poetic practice and inspiration. Don’t miss out on this special evening of community through art and conversation that will dazzle you with the necessity of poetry, or in Smith’s words, “a means of living more deeply with reality”.

Live captioning will be available at this event!






About the artists:

Headshot of Tracy K. Smith

Tracy K. Smith received the 2012 Pulitzer Prize in poetry for her third book of poems, Life on Mars. Smith served two terms as Poet Laureate of the United States, during which she traveled across America, hosting poetry readings and conversations in rural communities. She edited the anthology American Journal: Fifty Poems for Our Time during her laureateship, and launched the American Public Media podcast The Slowdown.  In March 2021 she was voted into the American Academy of Arts and Letters.



Headshot of Tiana ClarkTiana Clark is the author of the poetry collection, I Can’t Talk About the Trees Without the Blood (University of Pittsburgh Press, 2018). Clark is a winner for the 2020 Kate Tufts Discovery Award (Claremont Graduate University), a 2019 National Endowment for the Arts Literature Fellow, and the 2015 Rattle Poetry Prize. She is a recipient of the 2021-2022 Amy Lowell Poetry Traveling Scholarship and the 2019 Pushcart Prize. Her writing has appeared in or is forthcoming from The New Yorker, Poetry Magazine, The Atlantic, The Washington Post, Virginia Quarterly Review, Tin House Online, Kenyon Review, BuzzFeed News, American Poetry Review, Oxford American, Best New Poets 2015, and elsewhere. She is the Grace Hazard Conkling Writer-in-Residence at Smith College.


Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule