Virtual Program
Sweet hours have perished here;
This is a mighty room;
Within its precincts hopes have played,—
Now shadows in the tomb.
-J1767
Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry. Whether you are a writer, an artist, a composer, or a poet, you’ll find solace and inspiration for your artistic output in Emily Dickinson’s conservatory. Let this quiet virtual experience jump-start your next creative journey.
What to expect: As one of a limited number of participants, you will need to find a quiet spot with a good internet connection from which to be immersed in a live feed from Emily Dickinson’s sunny greenhouse on the south facade of the Homestead. In this small glass structure, Dickinson tended flowers “near and foreign,” forging a deep connection that permeated her poetry and daily life. A facilitator in the room gently welcomes you and guides you through three inspirational prompts to help you explore this unique physical and psychic space and unleash your own creativity over the course of the hour. No share-outs will occur in this session, but participants may choose to share materials with the group after the program if desired.
Space is limited for this program. This program is now full.
Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.
Join us for part 6 of the week-long Emily Dickinson Marathon! An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with six other organizations to host the Marathon in two-hour sessions each day of this week. For the Marathon, we will be reading from Ralph Franklin’s 
hours have perished here;
Join us for part 5 of the week-long Emily Dickinson Marathon! An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with six other organizations to host the marathon in two-hour sessions each day of this week. For the Marathon, we will be reading from Ralph Franklin’s
New to the writing world? Join Editorial Assistants from The Common to learn how literary magazines offer formative spaces for up-and-coming writers, and discover what you can do to get involved and even publish your own work. With our curated writing exercises inspired by poems from the pages of our magazine, we’ll take you through the process of writing pieces with creative poetic structure, content, and themes so that you, too, can create poems with a unique sense of place.
About Franny Choi:
Dr. Shauna M. Morgan, author of the chapbook Fear of Dogs & Other Animals, is a poet and scholar from a rural district in Clarendon, Jamaica. An Associate Professor of creative writing and Africana literature at Howard University in Washington, D.C., she has published poetry in A Gathering Together, ProudFlesh: New Afrikan Journal of Culture, Politics & Consciousness, A Literary Field Guide to Southern Appalachia, Pluck! The Journal of Affrilachian Arts & Culture, Interviewing the Caribbean, and elsewhere. Her critical work has appeared in the Journal of Postcolonial Writing, South Atlantic Review, Bulletin of the School of Oriental and African Studies, and ariel: A Review of International English Literature, among other periodicals. Shauna recently moved to Lexington, Kentucky where she tends to a hopeful garden.
Lisa Pegram is a writer, educator, arts integration specialist and literary publicist. Her chapbook Cracked Calabash was published by Central Square Press, in addition to poems and essays published by Random House, Black Classic Press and Poets.org, among others. She has over 20 years of experience in high-level program design for such organizations as the Smithsonian Institute, Corcoran Gallery of Art and National Geographic. Passionate about the arts as a tool for activism, she served as DC WritersCorps program director for a decade, and as co-chair of United Nations affiliate women’s conferences in the US, India and Bali. Lisa completed her MFA at Lesley University and has an Executive Certification in Arts & Culture Strategies from UPenn. A Washington, DC native, she is currently based in the Caribbean where, in addition to her literary pursuits, she is a personal chef aka food poet. Awards include: Larry Neal Writer’s Award Finalist; Uplifting Human Values Award (Art of Living Foundation) and DC Mayor’s Arts Award for “Outstanding Emerging Artist.” Her official website is: 
Bonita Lee Penn is a Pittsburgh poet, editor, curator and author of the chapbook, Every Morning A Foot Is Looking For My Neck (Central Square Press, 2019). Her work has appeared in JOINT. Literary Magazine, Hot Metal Bridge Journal, The Massachusetts Review, “The Skinny” Poetry Journal, Women Studies Quarterly, Voices from the Attic Anthology and her poem “When Lightning Rides Thunder Bareback” was the Solstice Editors’ Pick for the 2018 summer issue of Solstice: A Magazine of Diverse Voices. A curator of various poetry events, she is a member of the Pittsburgh Black Feminist Reading Group and Managing Editor of the Soul Pitt Quarterly Magazine. Penn is also co-curator of “Common Threads: Faith, Activism, and the Art of Healing,” a Pittsburgh-based art exhibit that examines the political, social, cultural, and aesthetic priorities of women of varying faith traditions.
