A Poetry Month Archives Tour at Houghton Library
Wed., April 14, 6:30pm

VIRTUAL PROGRAM

This program is free of charge, but participants must register in advance and donations are encouraged. 

Join us during National Poetry Month for a very special behind the scenes look at the Dickinson collection at Harvard University’s Houghton Library.

The Houghton Library is known for its holdings of papers of 19th-century American writers, and many would say that the jewel in that crown is the Emily Dickinson Collection. Houghton’s Dickinson Collection is the largest in the world, preserving more than 1,000 autograph poems and some 300 letters. The collection also includes such treasures as: Dickinson’s Herbarium, the family library — including the poet’s Bible, and family furniture and papers that provide insight into the context of the poet’s life and work. The heart of the collection is the 40 hand-sewn manuscript books, or fascicles, into which the poet copied her poems. Houghton Library curator Leslie Morris gives you an up close and personal look at this treasure trove of Dickinsoniana in this virtual tour. Hear the stories these objects can tell and learn about recent work in the collection. A Q&A follows the presentation. This is a virtual program and will be held on Zoom.

About the facilitator: Leslie Morris is the Gore Vidal Curator of Modern Books and Manuscripts at the Houghton Library, Harvard University. She is the General Editor of the open-access Emily Dickinson Archive, which makes images and transcripts of Dickinson’s handwritten poems freely available to millions of visitors every year. Other Dickinson publications include a color facsimile of Emily Dickinson’s Herbarium (2006).  Morris has also been a member of the Board of Governors at the Emily Dickinson Museum for fourteen years.

 

 

Rewatch:

 

Virtual Programs Archive

pencil and fascicle

“A Mighty Room” Virtual Studio Session: Library, February 5, 12-1pm

A bookshelf in the Homestead library

A Homestead library bookshelf

Sweet hours have perished here;

This is a mighty room;

Within its precincts hopes have played, —

Now shadows in the tomb.  

-J1767 

Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry. Whether you are a writer, an artist, a composer, or a poet, you’ll find solace and inspiration for your artistic output in Emily Dickinson’s library. Let this quiet virtual experience jumpstart your next creative journey. 

What to expect: As one of a limited number of participants, you will need to find a quiet spot with a good internet connection from which to be immersed in a live feed from the library of Emily Dickinson’s Homestead. Plan to have your camera and audio on. In this room were gathered Dickinson’s favorite books, her “Kinsmen of the Shelves” that “carried her to lands away.” A facilitator in the room welcomes you and gently guides you through three inspirational writing prompts to help you explore this unique physical and psychic space and unleash your own creativity over the course of the hour. Focused on reflection and quietude, this program is not a writing workshop, but you will have the opportunity at the end for a short share-out with the group if you wish. 

Space is limited for this program. Update 1/29: the program is now filledTo be added to the waitlist for this program, click here. We plan to continue to offer these programs , and will prioritize participants who have been waitlisted in the past for future registrations.

This program is free to participate, but your donation helps the Museum to continue providing free programs! Participants will be invited to make an online donation after the program.

Emily Dickinson's white dress on a stand in her bedroom

“A Mighty Room” Virtual Studio Session: Bedroom, January 29, 12-1pm

Sweet hours have perished here;

This is a mighty room;

Within its precincts hopes have played, —

Now shadows in the tomb.  

-J1767 

 

 

Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry. Whether you are a writer, an artist, a composer, or a poet, you’ll find solace and inspiration for your artistic output in Emily Dickinson’s bedroom. Let this quiet virtual experience jumpstart your next creative journey. 

What to expect: As one of a limited number of remote participants, you will need to find a quiet spot with a good internet connection from which to be immersed in a live feed from the poet’s bedroom in the Dickinson family Homestead. Plan to have your camera and audio on. In this room Dickinson found freedom working up late by lamplight. A facilitator in the room welcomes you and gently guides you through three inspirational writing prompts to help you explore this unique physical and psychic space and unleash your own creativity over the course of the hour. Focused on reflection and quietude, this program is not a writing workshop, but you will have the opportunity at the end for a short share-out with the group if you wish. 

Space is limited for this program and you may be added to a waitlist. To sign up please click this link to visit our registration form.

This program is free to participate, but your donation helps the Museum to continue providing free programs! Participants will be invited to make an online donation after the program.

Emily Dickinson's white dress on a stand in her bedroom

“A Mighty Room” Studio Session: Bedroom, December 18, 12-1p.m.

Emily's bedroom with her dress and bed and writing tableSweet hours have perished here;

This is a mighty room;

Within its precincts hopes have played, —

Now shadows in the tomb.  

-J1767 

 

 

Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry. Whether you are a writer, an artist, a composer, or a poet, you’ll find solace and inspiration for your artistic output in Emily Dickinson’s bedroom. Let this quiet virtual experience jumpstart your next creative journey. 

What to expect: As one of a limited number of participants, you will need to find a quiet spot with a good internet connection from which to be immersed in a live feed from the poet’s bedroom in the Dickinson family Homestead. Plan to have your camera and audio on. In this room Dickinson found freedom working up late by lamplight. A facilitator in the room welcomes you and gently guides you through three inspirational writing prompts to help you explore this unique physical and psychic space and unleash your own creativity over the course of the hour. Focused on reflection and quietude, this program is not a writing workshop, but you will have the opportunity at the end for a short share-out with the group if you wish. 

Space is limited for this program and you may be added to a waitlist. To sign up please click this link to visit our registration form.

This program is free to participate, but your donation helps the Museum to continue providing free programs! Participants will be invited to make an online donation after the program.

the inside of the homestead library

“A Mighty Room” Studio Session: Library, November 14 from 10:30-11:30am – REMOTE PROGRAM

the inside of the homestead library

photo by Jeff Morgan

Sweet hours have perished here;

This is a mighty room;

Within its precincts hopes have played, —

Now shadows in the tomb.  

-J1767 

Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry. Whether you are a writer, an artist, a composer, or a poet, you’ll find solace and inspiration for your artistic output in Emily Dickinson’s library. Let this quiet virtual experience jumpstart your next creative journey. 

What to expect: As one of a limited number of participants, you will need to find a quiet spot with a good internet connection from which to be immersed in a live feed from the library of Emily Dickinson’s Homestead. Plan to have your camera and audio on. In this room were gathered Dickinson’s favorite books, her “Kinsmen of the Shelves” that “carried her to lands away.” A facilitator in the room welcomes you and gently guides you through three inspirational writing prompts to help you explore this unique physical and psychic space and unleash your own creativity over the course of the hour. Focused on reflection and quietude, this program is not a writing workshop, but you will have the opportunity at the end for a short share-out with the group if you wish. 

Space is limited for this program and you may be added to a waitlist. REGISTRATION FOR THIS PROGRAM IS CLOSED AS OF 11/4. 

This program is free to participate, but your donation helps the Museum to continue providing free programs! Participants will be invited to make an online donation after the program.

close up on Dickinson's face from the black and white dagguereotype

Emily Dickinson International Society Annual Meeting, July 31-August 1, 2020

daguerreotype photograph of Emily Dickinson at age 16In collaboration with the Emily Dickinson Museum, the 2020 EDIS Annual Meeting will be held virtually from July 31 to August 1. This remote event requires advance sign up; to register, click this link: https://edis.press.jhu.edu/membership/conference

This year’s focus is “Dickinson at a Distance” –  How does Dickinson respond generatively and creatively to friends, relatives, and other writers even over distances of time and space? How does she engage with events that happen elsewhere or in other historical periods? What does she think about strangers, immigrants, people living in other places? In what ways did Dickinson and others in her era close geographic and emotional distance, and how might we learn to overcome or interrogate the same issues? This virtual, one-day Annual Meeting explores how figurations of isolation, distance, and remoteness in Dickinson’s work can teach us ways to connect more deeply with each other on personal, emotional, and intellectual levels.

 A variety of synchronic and asynchronic scholarly panels, cultural events, and poetry sessions, using Zoom and YouTube as platforms, are planned for this event.

To find out more about the schedule for this event, click here: [Link]

arts night

Amherst Arts Night Poetry Reading, August 6, 2020 – REMOTE PROGRAM

During the pandemic, the Emily Dickinson Museum is celebrating monthly Amherst Arts Night Plus with remote poetry readings every first Thursday at 6:30PM (EST).

This program is free to attend. Registration is required. To sign-up and receive the link, click here.

 

 

In August, our feature poets are:

Rebecca Hart Olander: Rebecca Hart Olander’s poetry has appeared recently in Crab Creek Review, The Massachusetts Review, and Tinderbox Poetry Journal, among others. Collaborative work made with Elizabeth Paul has been published in multiple venues online and in They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing (Black Lawrence Press). Rebecca is a Women’s National Book Association poetry contest winner and a two-time Pushcart Prize nominee. Her chapbook, Dressing the Wounds, was published by dancing girl press in 2019, and her debut full-length collection, Uncertain Acrobats, is forthcoming from CavanKerry Press in 2021. Rebecca teaches writing at Westfield State University and is editor/director of Perugia Press. Find her at rebeccahartolander.com and @rholanderpoet.

 

 

 

Photo credit Jen Fitzgerald

 

Leah Umansky: Leah Umansky is the author of two full length collections, The Barbarous Century (2018), and Domestic Uncertainties (2013), among others. She earned her MFA in Poetry at Sarah Lawrence College and is the curator and host of The COUPLET Reading Series in NYC. Her poems have appeared or are forthcoming in such places as The New York Times, POETRY, Guernica, Bennington Review, The Academy of American Poets’ Poem-A-Day, Poetry International, Thrush Poetry Journal, Rhino, and Pleiades. She is resisting the tyrant with her every move. She is #teamstark  #teamelliot & #teambernard and can be found at www.leahumansky.com. Twitter: @lady_Bronte. Instagram: @leah.umansky 

(photo credit Jen Fitzgerald)
 
 
 
 
 
 
Omotara James:Omotara James is the author of the chapbook, “Daughter Tongue,” selected by African Poetry Book Fund, in collaboration with Akashic Books, for the 2018 New Generation African Poets Box Set. Born in Britain, she is the daughter of Nigerian and Trinidadian immigrants. A former social worker in the field of Harm Reduction. She has been awarded fellowships from Lambda Literary and Cave Canem Foundation. She is a recipient of the 2019 92Y / Discovery Poetry Prize and the winner of the 2019 Bread Loaf Katharine Bakeless Nason Award in Poetry. In addition, her work has been recognized with the Nancy P. Schnader Academy of American Poets Prize, two Pushcart Prize nominations and one Best of the Net nomination. Her work was selected for the 2020 Best Small Fictions Anthology and she was a 2019 finalist for the Brunel International African Poetry Prize. Her poetry has appeared in POETRY magazine, The Paris Review, The Academy of American Poets, Platypus Press,The Believer, Literary Hub, Poetry Society of America, Nat.Brut, No Tokens and elsewhere. She holds an MFA in Poetry from New York University and lives in NYC. Her debut collection of poems, “Song of my Softening” is forthcoming from Alice James Books and available for pre-order here:https://www.alicejamesbooks.org/news/omotarajames
 

Martha Ackmann Virtual Book Talk and Q&A, August 16, 2020, 5-6 p.m. (EST)

“Radiant prose, palpable descriptions, and deep empathy for the poet’s sensibility make this biography extraordinary.”

– Kirkus Reviews (starred review)

Join us for a virtual reading and Q&A with Martha Ackmann, author of the recently released These Fevered Days (W.W. Norton, 2020)! On this auspicious day, exactly 150 years since the meeting of Emily Dickinson and Thomas Wentworth Higginson in the Homestead parlor, Ackmann will read the chapter detailing this particular pivotal moment. During the robust Q&A to follow, pose your question to the poet’s most recent biographer. 

This program is free to attend and registration is required. Click here to register.

About the book:

In These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson, Ackmann unravels the mysteries of Dickinson’s life through ten days that distill her evolution as a poet. Following Dickinson through her religious crisis while a student at Mount Holyoke, her exhilarating frenzy of composition, her startling decision to ask a famous editor for advice, her anguished letters to an unidentified “Master,” her lifelong friendship with writer Helen Hunt Jackson, and her despair in confronting possible blindness, These Fevered Days utilizes thousands of archival letters and poems as well as never-before-seen photos to construct a remarkable map of Emily Dickinson’s inner life. The book provides new insights into Dickinson’s wildly original poetry and draws a vivid portrait of American literature’s most enigmatic figure.

To purchase your copy from your local, independent book seller, visit www.indiebound.org/indie-bookstore-finder

About the author: 

Dr. Martha Ackmann is a journalist and author who writes about women who have changed America.  Her essays and columns have appeared in The New York Times, Paris Review, and The Atlantic. She also is a frequent commentator for New England Public Radio, and has been featured on CNN, National Public Radio, and the BBC. Martha’s award-winning books include The Mercury 13: The True Story of Thirteen Women and the Dream of Space Flight, Curveball: The Remarkable Story of Toni Stone, First Woman to Play Professional Baseball in the Negro League, and These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson. A long-time member of the Gender Studies Department at Mount Holyoke College, Martha taught a popular seminar on Emily Dickinson in the poet’s house, now the Emily Dickinson Museum, in Amherst, Massachusetts. For more information visit https://marthaackmann.com/

Hours & Admission

Matching Challenge Successful!

Studio Sessions

More than 160 donors came together to match–and surpass!–the challenge offered by the Emily Dickinson Museum’s Board of Governors. In May, they pledged to match all gifts dollar-for-dollar up to $40,000 contributed to the Museum by June 30. Today, these gifts total more than $65,000. The Emily Dickinson Museum is deeply grateful for these acts of generosity and your confidence in the Museum and its mission during these trying times.
 
Your support for the Museum’s ability to endure, to create new resources and continue its programming is vitally important. We deeply appreciate every gift!

 

Color photograph of synagogue ceiling

“We are the grandchildren + great grandchildren of Shoah survivors…”

Postcard Verso:

Hope is the thing with feathers…

We are the grandchildren + great
grandchildren of Shoah survivors &
we are afraid. In these times
when we fear for our safety, it’s a
great comfort to reflect on Ms.
Emily’s hopeful poetry.

Miss Emily, thank you for giving us the
tune without the words.

-Hyphen (?)